European End Tables

Immerse yourself in the elegance of our French Empire-style round center table, a masterpiece of design and craftsmanship brought to life by our expert team. Crafted from premium mah...

This Louis XVI Style French Marble Top Stand is made of the highest quality and is truly remarkable! Although small this little stand/end table packs a punch! and will most definitel...

Fine and stylish mahogany table, early 20th century, the round top with under chamfered edge over six hexagonal tapered legs joined by hexagonal shelf, and standing on cast bronze he...

A handsome early 20th century small salon table in a dark cocoa-colored mahogany with oval top on turned pedestal column with quatre-form base resting on scrolled feet. Hinged-top li...

Antique English Leather Gun Case beautifully transformed into an elegant country-style end table with fitted brass legs. The gun case was made by the ...

Early French Art Deco (transitional) tiered table by Leon Jallot in pearwood and camphor wood burl, circa 1910-12. 28” diameter x 29” high. Leon Jallot (1874-1967) Born in Nantes, July 24, 1874, Leon Jallot studied in Paris but did not go to any school of art. Without any formal training, other than a general refined sense of culture, he opened his own workshop at age 16 and began wood sculpting and making his own furniture.Strictly self-disciplined, he began as a wood carver. By 1899, at the age of just 24, he had worked his way to become Director of the Art Nouveau workshop of the collector, Siegfried Bing, for his shop called l’Art Nouveau in Paris. He remained there until 1901, overseeing production for the shop as well as Bing’s installation at the 1900 Paris Universal Exposition. Jallot therefore participated in the creation of some of the Art Nouveau movement’s most prized works – those designed by the firm’s renowned threesome: Georges de Feure, Eduoard Colonna, and Eugene Gaillard. In 1901 Jallot became one of the founding members of the first Salon of Societe des Artistes Decorateurs – an organization which produced highly anticipated annual exhibitions through the first half of the 20th Century. In 1903 he established his own decorating workshop where he designed and fabricated furniture, fabrics, carpets, tapestries, glassware, lacqueer and screens. Jallot was the first of the Art Nouveau designers to turn away from floral ornamentation and to pursue linearism – as early as 1904 his decoration was limited to the natural grain of the wood – and he was an advocate of rich materials rather than over-wrought forms to suggest luxury. Jallot’s work was shown at the Salons of Societe Nationale des Beaux-Arts from 1908, Salon d’Automne from 1919, and at the SAD throughout. A review of his exhibit at the 1921 Salon des Artistes Decorateurs, in Art et Decoration, said: “His furniture has the easy elegance of ideas created in a flash and then mulled over – ingenuity, savoir-faire, and patience are all combined in his work.” He created furniture for the Grand Salon of Une Ambassade Francaise and Hotel du Collectionneur at the 1925 Paris Exposition Internationale des Arts Decoratifs et Industriels Modernes (which would, years later, launch the term “Art Deco”). From 1921, Leon Jallot partnered with his son, Maurice (see Maurice Jallot’s biography elsewhere on the Calderwood Gallery...

Elegantly crafted octogonal Viennese Secession era end table with hammered copper top and marquetry details. In the style of Wiener Werkstatte. St...

We are delighted to offer for sale this lovely one of a kind WWI commemorative hand carved side table. A good-looking piece, its hand carved from top to bottom with Jacobean floral...

This is an original Swedish Rococo console table with a stone top.

A handsome flame birch side table of mid-18th century design with elaborately executed trim and lightly shaped cabriole legs with scrolls carving terminating in high ball in claw fee...

Salon table with stoneware table top designed by Helge Johansson, Sweden, circa 1918.  

A very fine Baltic writing or sofa table in the Empire style (and edging toward the Art Deco period that would follow.) In Cuban mahogany with carved trestle-base ending in carved li...