Art Deco End Tables

A dévoré oak desk by Émile-Jacques Ruhlmann, with a tan leather top and small drawer to the front. Provenance : Maison des Provinces de France, cit...

American Art Deco circular walnut table with four brass supports that angle inward to connect to a smaller bottom shelf resting on four square...

French Modernist Art Deco side table, circa 1930, designed by Michel Dufet and executed in maple burl and rosewood. 29” wide (at sides) x 16” deep x 23” high. MICHEL DUFET (1888 – 1985) Michel Dufet was a renaissance man: architect, designer, painter, and writer. He was born in Deville-les-Rouen, France, and trained in Paris. His long and distinguished career ranged from modern furniture and design to significant architectural projects. Dufet began espousing the principles of modernism as early as 1913 when he opened a decorating studio, Mobilier Artistique Moderne (MAM) on Avenue de l’Opera in Paris to produce furniture, wallpaper (including the first Cubist wallpapers), fabrics and lighting. Just one year later, he made his debut at the Salon des Artistes Français in 1914 and exhibited again after the World War I armistice. His partner by then was Louis Bureau...

Early French Art Deco (transitional) tiered table by Leon Jallot in pearwood and camphor wood burl, circa 1910-12. 28” diameter x 29” high. Leon Jallot (1874-1967) Born in Nantes, July 24, 1874, Leon Jallot studied in Paris but did not go to any school of art. Without any formal training, other than a general refined sense of culture, he opened his own workshop at age 16 and began wood sculpting and making his own furniture.Strictly self-disciplined, he began as a wood carver. By 1899, at the age of just 24, he had worked his way to become Director of the Art Nouveau workshop of the collector, Siegfried Bing, for his shop called l’Art Nouveau in Paris. He remained there until 1901, overseeing production for the shop as well as Bing’s installation at the 1900 Paris Universal Exposition. Jallot therefore participated in the creation of some of the Art Nouveau movement’s most prized works – those designed by the firm’s renowned threesome: Georges de Feure, Eduoard Colonna, and Eugene Gaillard. In 1901 Jallot became one of the founding members of the first Salon of Societe des Artistes Decorateurs – an organization which produced highly anticipated annual exhibitions through the first half of the 20th Century. In 1903 he established his own decorating workshop where he designed and fabricated furniture, fabrics, carpets, tapestries, glassware, lacqueer and screens. Jallot was the first of the Art Nouveau designers to turn away from floral ornamentation and to pursue linearism – as early as 1904 his decoration was limited to the natural grain of the wood – and he was an advocate of rich materials rather than over-wrought forms to suggest luxury. Jallot’s work was shown at the Salons of Societe Nationale des Beaux-Arts from 1908, Salon d’Automne from 1919, and at the SAD throughout. A review of his exhibit at the 1921 Salon des Artistes Decorateurs, in Art et Decoration, said: “His furniture has the easy elegance of ideas created in a flash and then mulled over – ingenuity, savoir-faire, and patience are all combined in his work.” He created furniture for the Grand Salon of Une Ambassade Francaise and Hotel du Collectionneur at the 1925 Paris Exposition Internationale des Arts Decoratifs et Industriels Modernes (which would, years later, launch the term “Art Deco”). From 1921, Leon Jallot partnered with his son, Maurice (see Maurice Jallot’s biography elsewhere on the Calderwood Gallery...

This exquisite coffee table by Jules Leleu was executed in circa 1957 France, in Mahogany with patinated metal stretchers, brass accents and a antiqued mirrored glass top. Documented in Leleu Decorateurs Ensembliers by Francoise Siriex, the underside is impressed with Maison Leleu inventory numbers '29090'. Jules Leleu first opened Maison Leleu, a Paris gallery, in 1924 and won a grand prize at the 1925 Exposition Industrielle et Arts Decoratifs. Later, Leleu designed the Grand Salon of the Ambassadors at the Society of Nations in Geneva and the French Embassies of several nations and the SS Ile de France...

Art Deco French oval-shaped end / side table with an opaque black glass top inset into a molded bronze frame in faux bamboo form with opposing demilune stretchers...

Elegant French oak and parchment gueridon in the Viennese secession style. an interesting blend of JMF touches, parchment, raw oak on a classic Viennese form with round top, 5 pillar...

A Jacques Adnet mirrored table in the artist's classic vernacular, a simple yet strong shape clad in mirror.

Elegant Oak & Travertine cocktail table on bronze sabots.

French Modernist Art Deco side/end table by Eric Bagge, circa 1928, in sculpted mahogany with burled mahogany tier and parquetry top. Measures: 32.5" wide x...

Early Classic French Art Deco side table/small cabinet by Lahalle et Levard, circa 1920. 19.5” wide x 12” deep x 26” high, in purple heart, boxwood, other exotic hardwoods, mother-of...

Pair of French Art Deco side tables by Rene Prou (1889-1947), in sycamore maple wood, created circa 1930, stamped.

Wrought iron coffee table after E Brandt, the frame is detailed with extensive Hammer work distinctive of the period, the new top is clad in genuine Shagreen. The top can be customiz...

The octagonal top with radiating parquetry inlay; raised on four canted paneled supports joined by a platform stretcher on block feet. Lovely faded color and lively timber.

Vintage Art Deco-style oval mahogany side / end table with four tapered partially fluted legs.   

2 French Art Deco-style green shagreen end tables with bone trim and raised sides on top. (PRICED EACH)

A pair of French Art Deco side tables, circa 1930s signed LELEU, in rosewood with mother of pearl inlaid.

French Art Deco round fruitwood and triple chrome leg end table with shelf.

French Art Deco round rosewood end table with a geometric diamond design top & open apron with silver sabot feet. (Attributed to JULES LELEU)

Pair of French Art Deco Corinthian column-form taborets / end table bases in embossed brass over wood with floral and scroll design. (PRICED AS Pair)

American Art Deco natural wicker and oak top narrow oval end table with decorative trim.

French Art Deco, 1930s cherrywood square end table with an inset beige and light green shagreen top and bottom shelf with an octagonal design.   

French Art Deco ebonized and light green lacquered end table with a geometric design pedestal base having a small shelf and a square top and ba...

Pair of French Art Deco amboyna wood end tables with 3 drawers having chrome and brass drawer pulls and flanked by a Pair of shelves and resting on a mahogany base. (PRICED AS Pair)

Pair of Art Deco side tables in mahogany veneer, lemon tree, burl maple, surmounted by a glass top. Measures: H 27 ½ in., L 26 1/3 in., D 12 in.

Pair of French Mid-Century (1940s) gilt end tables with triple plume base and round glass top. (NEEDS GILT RESTORATION) (Attributed to GROSFELD HOUSE) (PRICED AS Pair)

French (circa 1937) gold & black painted metal, steel & parchment center table with concave interlocking scroll trestle legs joined by a stretcher. (signed: MAURICE DUFRENE)

French Art Deco palisander and chrome 3 legged end table with round top and platform base (Attributed to DOMINIQUE)

French Art Deco burl maple end table with 3 drawers with walnut handles centering 2 open shelves with a shagreen top.

Pair of French Mid-Century (1940s) rectangular mirrored decorated end tables with drawer and gilt scroll legs and stretcher. (Attributed to RENE DROUET/mirror decorated by ADRIEN EKM...

Pair of French Mid-Century (1940s) mirrored low end tables with drawer and brass faux bamboo legs and stretcher. (PRICED AS Pair)

Italian 1930s white parchment veneer low end table with a shelf and double sided ebonized drawer with a brass handle. (Attributed to GUGLIELMO ULRICH)

French Art Deco wrought-iron end table with gilt scroll base and round trompe l'oeil-painted top.

Italian Art Deco rosewood low pedestal base end table with a sunburst design veneered top (Attributed to GUGLIELMO ULRICH)

French Art Deco green patinated bronze end table with inset rectangular black marble top above tapering X legs joined by a stretcher (Attributed to RAYMOND SUBES)