Pedestal Table 1925 in Oak and Marquetry

Lacquered pedestal table painted and gilded 1925. The patina is to be restored in places, work in the spirit of Iribe or Follot Dimension height 86 cm for a diameter of 50 cm Addi...

English pedestal table in 19th century satinwood (satin mahogany) with a size of 77 cm of top by 77 cm of height restorations to be planned on the top which has many cracks and some ...

Indian hexagonal folding pedestal table rosewood late 19th richly carved with leaves and flourishes. Height dimension 62 cm for a diameter of 53 cm. Additional information Style:...

1925/1930 octagonal Art Deco smoker's table with pull tabs, height 65 cm for a diameter of 60 cm.

1940's oak table with parquet flooring. Note two scratches on the feet (see photos), height 75 cm for a tray size 99 x 160 closed and 238 cm open. ...

Art Deco 1930 saddle in oak, tapered frame, height 72 cm, for a tray size of 35 cm. Additional information: Style: 30s Material: Oak.

A fine Victorian 19th Century Oak and ebonised hardwood Specimen top pedestal or tripod table. Beautifully proportioned, with fine and delicate turning on the pedestal and leg detail...

Incredible octagonal pedestal table designed and signed by Tomasso Barbi, this fantastic piece was produced in Italy in the 1970s. This gorgeous column is fully made in briarwood...

Round pedestal dining table model UFO with a base in brushed steel and tabletop in thick glass with a black enamel decorative circle. Designed by Luigi Saccardo and manufactured by Maison Jansen in the 1970s. Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. From its beginnings, Maison Jansen combined traditional furnishings with influences of new trends including Anglo-Japanese style, the Arts and Crafts movement, and Turkish style. The firm paid great attention to historical research with which it attempted to balance clients' desires for livable, usable, and often dramatic space. Within ten years the firm had become a major purchaser of European antiques, and by 1890 had established an antique gallery as a separate firm that acquired and sold antiques to Jansen's clients and its competitors as well. In the early 1920s Jean-Henri Jansen approached Stéphane Boudin, who was then working in the textile trimming business owned by his father and brought him on board. Accounts of the arrangement vary. Speculation existed that Boudin was able to provide financial solvency to the prominent but capital-poor atelier. Boudin's attention to detail, concern for historical accuracy, and ability to create dramatic and memorable spaces brought increasing new work to the firm. Boudin was made director and presided over an expansion of the firm's offices and income. Not originally equipped with its own workrooms for producing furniture the firm began by relying upon antiques and the furniture contracted to outside cabinetmakers. By the early 1890s Maison Jansen had established its own manufacturing capacity producing furniture of contemporary design, as well as reproductions, primarily in the Louis XIV, Louis XVI, Directoire, and Empire styles. Throughout the firm's history, it employed a traditional style drawing upon European design, but influence of contemporary trends including the Vienna Secession, Modernism, and Art Deco has also appeared in Jansen interiors and in much of the custom furniture the firm produced between 1920 and 1950. Under Boudin's leadership, Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie's Leeds Castle...

A high pedestal table made with hazel branches that have been blackened, with the table surface in oak. Each piece is an original work of art.

French Maison Jansen style iron and bronze pedestal table. Finely detailed French Art Deco Maison Jansen style patinated iron and brass stand ac...

This simple round pedestal stands out when made in the rare and unique Rainbow Teakwood stone. An occasional piece, a side table, or a garden elem...