Antique Swedish Satin Birch Occasional Coffee Table

A stunning antique low table, made in Sweden and dating from around the 1920-30’s. This is of amazing quality and beautifully designed, as is common for Swedish furniture. It is a g...

A stunning antique coffee / occasional table, this was made in Sweden and dates from around the 1840’s period. It is beautifully made from burr birch and ebonised solid wood. The sq...

A stunning vintage Swedish Art Deco satin birch and elm occasional table. This was recently imported from Sweden, it dates from around the 1950’s. This is of superb quality and has ...

A stunning antique Swedish occasional table. This is in the Biedermeier Empire style, with Neoclassical features, it dates from around the 189...

A beautiful and very well made original Art Deco period occasional table. This was made in England, it dates from the 1920-30s. The quality is amazing, this is made predominantly fr...

A stunning Scandinavian Art Deco satin birch coffee table, this was made in Norway and dates from the 1920’s. It is of superb quality and is a great size, with large circular top an...

A Biedermeier Satin Birch Occasional Table. The canted rectangular top above a frieze drawer and sides with lion mask handles, on swept legs joined by an 'X'-shaped stretcher. Aust...

A classic round Art Deco side table / pedestal in elm and birchroot. Made by a Swedish Cabinetmaker in 1940s. Fine and decadent design, beautiful veener work in this vintage piece. ...

Pinewood. Produced in Sweden, 1970s. Very good condition.   

This special edition Mers coffee table is fabricated from solid bronze and is suitable for use indoors and out. Form is inspired by the simple utilit...

The Mers coffee table is fabricated from solid aluminum and is suitable for use indoors and out. Form is inspired by the simple utilitarianism of We...

From the Annika series. 1950's. Stamped. Patinated wood. As the descendant of four generations of Swedish master cabinetmakers, Bruno Mathsson was born to design furniture. Mathsson was known as a methodical perfectionist who made usefulness the fundamental attribute of his works, yet he was also a ceaseless experimenter, who constantly searched for improvements in form, materials and methods of making. Like the Finnish designer Alvar Aalto, Mathsson was one of the first Scandinavians to embrace undulating, biomorphic forms in furniture. His early pieces such as the Eva and Pernilla series of chairs incorporate dramatically flowing bent beechwood frames, making them some of the most instantly recognizable works of 20th-century design. Mathsson was also a pioneer of ergonomics — he is said to have based the contours of his chairs on the impression his body made when he sat in a snow bank — and used supple, accommodating woven webbing for seats. His concern for practicality is shown by pieces such as the Maria table. An elegant design with gate legs and hinged leaves, the table measures more than nine feet long when fully extended, but folds down to just nine inches in thickness. From the mid-1940s through the 1950s, Mathsson focused on architecture, designing and building houses with insulated, triple-glazed window walls...