Fantastic Quality Early 20th Century Lamp Table by François Linke

A lovely early 20th century Louis XV style gilt bronze mounted parquetry vitrine table by François Linke François Linke The oval shaped table with a beveled glass top encircled...

Fine early 20th century gilt bronze mounted Louis XV style side/writing table by François Linke François Linke – Index Number 49 The shaped rectangular fleur de pecher marble t...

A Wonderful Late 19th Century Louis XV Style Gilt Bronze Mounted Guéridon By François Linke François Linke – Variant to Index no. 146 The beautiful alabaster fiorito top above the ...

A Very Special Early 20th Century Gilt Bronze Mounted Kingwood, Satiné, Holly and Hornbeam Marquetry “Coquille” Table by François Linke François Linke – Index Number 544 The beautifully curved table excellently designed, with a shell top and of a vegetable marquetry, the top flips open to a decorated marquetry landscape scene with a swan on a lake, with three separate compartments and standing on cabriole legs headed by pierced rocaille-cast clasps running to scrolled sabots. Signed F. Linke to the right hand clasp. The same model is pictured on Linkes’ 1900 Paris Exposition Universelle stand (page 123), along with a large full page colored sample of the table on page 137, in “François Linke 1855-1946 The Belle Epoque of French Furniture” By Christopher Payne. Combining traditional Louis XV values with the modern idiom of the Art Nouveau, this table of unusual and innovative design, is a seminal item of Belle Époque furniture...

Early 20th century Louis XVI style gilt bronze-mounted parquetry vitrine by François Linke. Index number 458. The fleur de pêcher marble-top above a scrolling acanthus and ...

A palatial and superb early 20th century gilt bronze Mounted Louis XVI style Mahogany Vitrine by François Linke François Linke The arched top with scrolled corners and centered by a laurel wreath and crossed acanthus branches, above a central large door at top by a lyre on drapery-covered plinth, flanked by scrolling acanthus, with a smaller door to each side hung with floral swags and with central oval plate, the divides cast with a slender flower-filled vase, the interior with adjustable shelves and drawers to the bottom, on shaped foliate-cast plinth and acanthus-capped tapering feet. Inscribed F. Linke to the top right bronze mount and stamped “C LINKE” on the back of the locks. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new – Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...

A very fine French 19th-20th century Louis XVI style mahogany and gilt bronze (Ormolu) mounted guéridon side table with marble top, attributed to François Linke, (1855-1946). The sin...

A Louis XV style marble and gilt-bronze mounted table Ambulante attributed to François Linke. French, circa 1880. A Louis XV style marble and gilt-bronze mounted table Ambulant...

20th Century royal side table after Francois Linke, Paris, black gold Majestic side table with extremely finely chased and gold-plated bronze fittings. Slightly convex and concave curved body, flanked by extended corner pilasters on high, elegantly curved legs ending in sabots. Slightly protruding, passively curved, profile-framed bronze-framed cover plate. Solid oak black. This side table is the pinnacle of artisan furniture. François Linke is considered the most important Parisian cabinet...

A Very Fine French Late 19th/Early 20th Century Louis XV Style Ormolu Mounted Kingwood, Bois Satine, Mahogany, Marquetry and Parquetry Gueridon (Round End-Table), Attributed to François Linke (1855-1946). The circular marquetry top with trellis inlay encompass by a ribbon-tied floral and ribbon entwining inlaid surround, above a frieze interspersed with four abundant floral, foliate and entwined opposing cornucopia mounts each centered by a bacchanal mask, with one frieze drawer, on slender cabriolet legs with an up swept X-stretcher surmounted by a circular under-tier with a basket weave mounted gallery. Bearing the fine quality furnishings retailer's plaque which reads: 'S. & H. Jewell, 131 & 132, High Holborn, London, W.C'. Circa: Paris, 1900. S & H Jewell are first recorded in 1830 as fine quality retailers, restorers and cabinet makers. They were a family business who worked from their premises at 29-31 Little Queen Street, Holborn, in London and then later to 26 Parker Street and then at 131 - 131, High Holborn, both in London W.C. They are recorded to have sold furniture to the Arts and Crafts home...

An important and rare gilt-bronze, mahogany and Bois Satiné centre table, with campan rubané marble top. By François Linke. Linke index number 1103. The g...

Finely-wrought copper gueridon from Tripoli, with an elegant stem base, and a decorated top. Stamped on the rim of the base.