Medium Tribos Side Table in Imbuia Wood

Palafitas side table is made of Imbuia or cabreuva wood and bring the Tucumã straw, a typical palm of the Amazon rainforest, stained with roots, leaves and fruits, and braided by the...

Palafitas side table is made of Imbuia or cabreuva wood and bring the Tucumã straw, a typical palm of the Amazon rainforest, stained with roots, leaves and fruits, and braided by the...

Entirely made of solid imbuia and 4mm bronze mirror, the Reliquary Mirror it's a collectible design piece. Leaning on the table or installed on the wall, this piece attracts attention and can be placed in different spaces, as the entrance hall or as a support on the dressing table, decorating the wall in the living room or on the counter in the social bathroom. The effect of light and shadow created by natural light is captured by the delicate design that runs through the wood and allows a glimpse of the hidden mirror. Like a reliquary, which holds the image of our loved ones, when we open this piece we come across our reflected image, reminding us that we need to be the most important person to ourselves, because only then will we be able to truly love someone. . The Reliquary Mirror is inspired in the storie of Wagner Trindade, an artisan who learned from his father how to make Moroccan lamps in Tiradentes, Minas Gerais, and through time discovered beautiful ways of mixing new techniques with his family tradition. It is possible to choose the opening side of the Reliquary Mirror when installing it on the wall, and its wooden hinge allows even to be placed on a table or sideboard, if wished. Because it is made in solid imbuia each one will always be one as the wood varies in tones and veins. It is part of Yankatu's Artisans collection. To create them Maria Fernanda Paes de Barros researched the Brazilian colonial...

The Beiju Center Table is tribute to Mehinaku indigenous women. Made in Cabreúva wood it receives tiny beads necklaces made by them to be used in the traditional rituals of their people, in the Xingu Indigenous Territory, Mato Grosso, Brazil. All Mehinaku traditions move me. The exchange system called Moitará, through which exchanges between villages are made, allows women to purchase ceramic pieces that are placed over the fire, supported on three bricks, to prepare their typical food, the cassava beiju. This moment was also honored at Beiju Center Table, with its top carved in solid cabreuva balanced on "wood bricks", It is part of Yankatu's Xingu collection...

This chest of drawers is made in solid pink cedar wood carved by the craftsman Rondinelly Santos, specialized in sacred art. The flowing design of the acanthus scrolls and leaves comes alive through the notch and runs through the five drawers of the dresser, uniting them subtly, creating an optical effect that makes the wood look soft. Entirely made of solid pink cedar, the dresser recovers, through the art of carving, the influence of the Rococo period in Brazil. Volutes, acanthus leaves and flower wreaths gracefully permeate the drawers, awakening our gaze and the desire to touch it. A multifunctional piece with a timeless design that values the Brazilian artisanal work. Carving wood is to transform it, rewriting its history through the hands. This is how each of the dressers in this limited series is born. In view of these characteristics all parts are numbered and produced to order. This is part of Yankatu's Artisans collection. To create them Maria Fernanda Paes de Barros researched the Brazilian colonial traditions in the historic city of Tiradentes, Minas Gerais. As all the pieces produced by Yankatu, is accompanied by its soul, a certificate of authenticity in the form of a small book that tells about the inspiration that gave birth to it and leaves blank pages so that its story can continue to be told by those who acquire it, turning it into something more, which does not change with fashion, which does not go by with time. To the contrary, it will move on from a generation to another, from hand to hand, each time with more stories to tell, each time incorporating the lives shared by it. The wood comes from nature, each one is unique, with its veins, knots and tones. Because it is a natural material it suffers with the climate change, so cracks and shifts in color may emerge over time. The wood can also warp sometimes due to a large variation in relative humidity of the air. This isn’t defects on the contrary, all of this is considered normal. The work is accompanied by a certificate of authenticity. Brazilian Contemporary and Collectible Design by Yankatu, design + art with Brazilian soul. The objects that appear in the pictures are not a part of the Rococo Dresser. Exhibitions: 2018 - Artisans, gold that emerges through the hands - Espaço Raízes - Tiradentes, MG, Brazil 2023 - Contemporary Craftsmanship: A Casa recebe a Semana...

This tray is made in solid pink cedar wood hand carved by the craftsman Rondinelly Santos, specialized in sacred art, in Minas Gerais, Brazil The flowing design of the acanthus scro...

ODD is a minimalist table created by Berlin-based designer Lucas Faber. The unconventional piece references bold architectural structures and graphic patte...

Hand crafted in selected solid ash wood, with traditional cabinet making techniques, the table is wood stained and covered with natural wax. The hand crafted process of furniture mak...

Circular side table. In wood with lemongrass marquetry fillets and agate lid.

The café side table has simple geometric shapes. Its contemporary design includes with two circular shaped tops and two levels of height make the table...

The "Trompete" side table is handcrafted in Brazilian solid wood, so each table is unique, as we make the best use of wood, composing the parts with the natural designs of wood veins...

Senhorita Medium Side Table by Gabriela Campos Dimensions: D35 x W35 x H50 cm. Materials: PORTOGALLO + ROSSO SICILY + BROWN ONYX In 1907 Picasso presented to a few friends the work ...