Vintage Traccia table by Meret Oppenheim

An Edward Wormley for Dunbar magazine table with bentwood holders.

An Edward Wormley for Dunbar magazine table with bentwood holders and sap grain top.

A pair of Cedric Hartman side tables with bevelled granite tops.

An Edward Wormley for Dunbar sculpted rosewood table with glass top.

A mahogany table with inset leather top designed by Edward Wormley for Dunbar.

A rare sculptural ceramic table by George Greenamyer commissioned for Vladimir Kagan. Shown with 41.5" dia x 1" thick green glass top. Base measures 16" x 16" x 15.25"h

Side or coffee table 'Traccia' designed by Meret Oppenheim. Italy, Simon International, 1972. ORIGINAL EDITION. The Traccia table was designed by Meret Oppenheim in 1939 and produced by Simon International in Milan in the early 1970s. Wooden top with bird impressions embossed and applied with gold leaf...

Meret Oppenheim Traccia sculptural table Manufactured by Cassina in Italy In 1971, Dino Gavino launched what he called “l’...

Meret Oppenheim Traccia sculptural table Manufactured by Cassina in Italy In 1971, Dino Gavino launched what he called “l’opera d’arte funzionale”, or functional artworks, in so doing inaugurating a new approach of furnishing where surreal objects were adapted for everyday use. This led to the creation of the Ultramobile collection. These pieces, that went beyond (ultra) furniture (mobile) engaged the imagination, complementing rational intelligence with a sense of wonder, where geometry interacted with fantasy. One of these pieces was the low table that the Swiss artist Meret Oppenheim designed in 1929 for Leo Castelli’s avant-garde gallery, dubbing it the “Bird Leg Table...

Meret Oppenheim Traccia sculptural table Manufactured by Cassina in Italy. In 1971, Dino Gavino launched what he called “l...

Meret Oppenheim traccia sculptural table. Manufactured by Cassina in Italy. In 1971, Dino Gavino launched what he called “...

Meret Oppenheim Traccia sculptural table Manufactured by Cassina in Italy In 1971, Dino Gavino launched what he called “l’opera d’arte funzionale”, or functional artworks, in so doing inaugurating a new approach of furnishing where surreal objects were adapted for everyday use. This led to the creation of the Ultramobile Collection. These pieces, that went beyond (ultra) furniture (mobile) engaged the imagination, complementing rational intelligence with a sense of wonder, where geometry interacted with fantasy. One of these pieces was the low table that the Swiss artist Meret Oppenheim designed in 1929 for Leo Castelli’s avant-garde gallery, dubbing it the “Bird Leg...