William IV Mahogany Wine Table Side

Antique fine quality Georgian C1800 mahogany tilt top wine or side table with drawer One of the best that you will find. Solid with no loose joints and the catch works. A char...

Antique fine quality Georgian revival wine or side table C1910 mahogany. Solid with no loose joints. A charming table with a lovely carving. No woodworm. Would look great in the r...

Antique Georgian revival Edwards and Roberts (finest quality) C1900 mahogany wine or side table. Solid with no loose joints. A charming table with a lovely carved pedestal. No ...

Vintage, fine-quality mid-20th Century Georgian revival wine or side table crafted from mahogany. This table is solid with no loose joints, presenting itself as a charming piece. T...

Pair of fine-quality 19th Century wine or side tables crafted from mahogany. These tables are solid with no loose joints, presenting themselves as charming and very rare decorative ...

Antique Georgian mahogany tilt-top birdcage supper table from the 18th century. A rare early piece, it is structurally sound with secure joints and a functional catch. The table feat...

The top of this side table is solid mahogany. The corners curve out to meet the carved support columns. The drawer front and apron extend all the way around to the back. It was made ...

Sn4541, stylish William IV wine table, having flamed mahogany top and vase shaped column terminating in lotus carved collar and 3 carved legs. This antique table is ready to place at...

K0071, fine quality mahogany lamp or occasional table, having tooled leather circular top raised on slander turned and carved column terminating in circular moulded base and 3 shaped...

A William IV coramandel side table The rectangular top above a pair of drawers on turned and tapering lotus carved legs, brass cappings and castors, 103cm wide, 50cm deep, 79cm high

William IV rosewood occaisonal table, with tapered, octagonal column ending in a triped base resting on bun feet.

The sarcophagus-shaped top section has a hinged lid and is richly carved throughout in high relief. The everted sides have fleshy palmettes and paired acanthus leaves, while the top has four pairs of leaves which are joined by a carved rib in the centre and scroll outwards to up-curled edges. It is raised on a gadrooned and turned pedestal set on a quatrefoil base with reeded bun feet disguising the original castors. The interior, without fittings, is relined in crushed blue velvet. English, circa 1835. Susan Stuart, in Gillows of Lancaster and London 1730-1840, (ibid), p.110, pl.658, (above) illustrates a rosewood teapoy...