Aluminum Concretion Coffee Table by Studio Julien Manaira

Aluminum concretion coffee table by Studio Julien Manaira Dimensions: 65 x 65 x 40 cm Materials: Aluminium and stainless steel The concretion project consists of sand-casting aluminium in a base of stainless steel tubes to form objects. The tubes are placed and cut to certain heights according to what the gross object’s dimensions will be. The shapes of each horizontal surface are then prepared by hand without following any precise plan. Each pouring of aluminium is at the same time forming surfaces of the object as well as connecting elements together. The aim of this process is to create a strong relation between two types of metal: the industrial stainless steel and the brut hand-cast aluminium, that comes visually as an extension of the first one. The two types of metal have two opposite relation to time, the industrial tube can’t be placed in time, only resulting from a continuous chain of production when the hand-cast part captures the very moment of formation of the object. This opposition is not meant to compare which materiality is best, but to enrich each other by their difference, and therefore stimulate the Julien Manaira (France, 1992) successively studied industrial design (La martinière, Lyon) and fine arts -option product design (Esad, Reims). in 2015 he came to Amsterdam to follow a temporary master program (Materialisation in Art and Design) at the Sandberg Institute where he graduated in 2017 before opening his studio in the same city. His graduation project ‘The once liquid plastic’ was awarded by the RADO Star Prize 2017 and the 3rd prize of the Pure Talent Contest at IMM Cologne 2018. In the last years, he exhibited his works in different established and recognized organizations such as Paris Design Week, IMM Cologne, Design Parade Hyères, and Milan Design Week. He was commissioned by different companies, among which Nilufar Gallery, Nubikk, Van Dijk Store as well as private clients. The main focus in his practice is setting processes that allow the manufacturer or him to be mentally and physically involved in the transformation of material towards an object. He believes that this empowerment is a way to engage deeper the audience or user’s perception, and therefore create a stronger connection with the object. Serendipity, combining industrial and artisanal material, are examples of how he aims to create objects that are able to communicate their undergone transformations. Iris Box...

Aluminum concretion shelf by Studio Julien Manaira. Dimensions: 123 x 47 x 141 cm. Materials: aluminium and stainless steel. The concretion project consists of sand-casting aluminium in a base of stainless steel tubes to form objects. The tubes are placed and cut to certain heights according to what the gross object’s dimensions will be. The shapes of each horizontal surface are then prepared by hand without following any precise plan. Each pouring of aluminium is at the same time forming surfaces of the object as well as connecting elements together. The aim of this process is to create a strong relation between two types of metal: the industrial stainless steel and the brut hand-cast aluminium, that comes visually as an extension of the first one. The two types of metal have two opposite relation to time, the industrial tube can’t be placed in time, only resulting from a continuous chain of production when the hand-cast part captures the very moment of formation of the object. This opposition is not meant to compare which materiality is best, but to enrich each other by their difference, and therefore stimulate the Julien Manaira (France, 1992) successively studied industrial design (La martinière, Lyon) and fine arts -option product design (Esad, Reims). in 2015 he came to Amsterdam to follow a temporary master program (Materialisation in Art and Design) at the Sandberg Institute where he graduated in 2017 before opening his studio in the same city. His graduation project ‘The once liquid plastic’ was awarded by the RADO Star Prize 2017 and the 3rd prize of the Pure Talent Contest at IMM Cologne 2018. In the last years, he exhibited his works in different established and recognized organizations such as Paris Design Week, IMM Cologne, Design Parade Hyères, and Milan Design Week. He was commissioned by different companies, among which Nilufar Gallery, Nubikk, Van Dijk Store as well as private clients. The main focus in his practice is setting processes that allow the manufacturer or him to be mentally and physically involved in the transformation of material towards an object. He believes that this empowerment is a way to engage deeper the audience or user’s perception, and therefore create a stronger connection with the object. Serendipity, combining industrial and artisanal material, are examples of how he aims to create objects that are able to communicate their undergone transformations. Iris Box...

Aluminum rational jigsaw shelf by Studio Julien Manaira Dimensions: 72.5 x 25 x 140 cm Materials: brushed and waxed aluminum The intention behind this project is to highlight the traces from the actions of the maker. In this sense, the choice of the jigsaw is deliberate and allows a strong physical relation between maker and material, that will remain tangible in the final object. Each of these cuts is unique and have their own character emanating from what happened on the very moment of the making. They stand out from the regular and smooth cuts realized digitally in a factory. Digital and manual inputs have equal importance in the objects. They communicate their differences in order to create a strong dynamic between the two methodologies of work. Without suggesting which is better, they create their own narrative and are the reflection of two temporalities: the digital work is continuous when the manual work is the track of a particular moment. The created objects intend to be the presentation of these approaches of the material. The dynamic and anarchic way of cutting by hand respond to the linear and supervised vision of the computer-cut elements. The pieces intend to be functional objects carrying the narrated discussion between the controlled and uncontrolled treatments of the material. Julien Manaira (France,1992) successively studied industrial design (La martinière, Lyon) and fine arts -option product design (Esad, Reims). in 2015 he came to Amsterdam to follow a temporary master program (Materialisation in Art and Design) at the Sandberg Institute where he graduated in 2017 before opening his studio in the same city. His graduation project ‘The once liquid plastic’ was awarded by the RADO Star Prize 2017 and the 3rd prize of the Pure Talent Contest at IMM Cologne 2018. In the last years, he exhibited his works in different established and recognized organizations such as Paris Design Week, IMM Cologne, Design Parade Hyères, and Milan Design Week. He was commissioned by different companies, among which Nilufar Gallery, Nubikk, Van Dijk Store as well as private clients. The main focus in his practice is setting processes that allow the manufacturer or him to be mentally and physically involved in the transformation of material towards an object. He believes that this empowerment is a way to engage deeper the audience or user’s perception, and therefore create a stronger connection with the object. Serendipity, combining industrial and artisanal material, are examples of how he aims to create objects that are able to communicate their undergone transformations. ©Iris Box...

Aluminum rational jigsaw chair by Studio Julien Manaira Dimensions: 65 x 46 x 94 cm Materials: brushed and waxed aluminum The intention behind this project is to highlight the traces from the actions of the maker. In this sense, the choice of the jigsaw is deliberate and allows a strong physical relation between maker and material, that will remain tangible in the final object. Each of these cuts is unique and have their own character emanating from what happened on the very moment of the making. They stand out from the regular and smooth cuts realized digitally in a factory. Digital and manual inputs have equal importance in the objects. They communicate their differences in order to create a strong dynamic between the two methodologies of work. Without suggesting which is better, they create their own narrative and are the reflection of two temporalities: the digital work is continuous when the manual work is the track of a particular moment. The created objects intend to be the presentation of these approaches of the material. The dynamic and anarchic way of cutting by hand respond to the linear and supervised vision of the computer-cut elements. The pieces intend to be functional objects carrying the narrated discussion between the controlled and uncontrolled treatments of the material. Julien Manaira (France,1992) successively studied industrial design (La martinière, Lyon) and fine arts -option product design (Esad, Reims). In 2015 he came to Amsterdam to follow a temporary master program (Materialisation in Art and Design) at the Sandberg Institute where he graduated in 2017 before opening his studio in the same city. His graduation project ‘The once liquid plastic’ was awarded by the RADO Star Prize 2017 and the 3rd prize of the Pure Talent Contest at IMM Cologne 2018. In the last years, he exhibited his works in different established and recognized organizations such as Paris Design Week, IMM Cologne, Design Parade Hyères, and Milan Design Week. He was commissioned by different companies, among which Nilufar Gallery, Nubikk, Van Dijk Store as well as private clients. The main focus in his practice is setting processes that allow the manufacturer or him to be mentally and physically involved in the transformation of material towards an object. He believes that this empowerment is a way to engage deeper the audience or user’s perception, and therefore create a stronger connection with the object. Serendipity, combining industrial and artisanal material, are examples of how he aims to create objects that are able to communicate their undergone transformations. Iris Box...

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Opiary is a Brooklyn-based biophilic design and production studio. We integrate nature in each of our designs, incorporating live greenery and organic shapes into bespoke furniture, planters, and sculpture. Through the ethos of biophilia, our work reflects the shifting, yet timeless relationship between humans and nature. This organic and modern table will enhance and add a distinctive style to any space. Inspire great conversation by pairing it with our Drillium chairs and a centerpiece plant of your choice. DETAILS Indoor/outdoor use and extremely weather-resistant. Sealed and polished to be water and stain resistant. FINISHES Available in earth, white, light grey, grey, dark grey, and black GFRC Pricing varies based on finish. Please message before purchasing. Price listed is for our standard light grey option. Pictured here in our dark grey cement option. All Opiary pieces are handcrafted and made-to-order, and dimensions/finishes are approximations. Clients are welcome to visit our Brooklyn studio during the fabrication of pieces. MODIFICATIONS Tempered glass top (44"D) available Live or silk plants...

Opiary is a Brooklyn-based biophilic design and production studio. We integrate nature in each of our designs, incorporating live greenery and organic shapes into bespoke furniture, planters, and sculpture. Through the ethos of biophilia, our work reflects the shifting, yet timeless relationship between humans and nature. This organic and modern table will enhance and add a distinctive style to any space. Inspire great conversation by pairing it with our Drillium chairs and a centerpiece plant of your choice. Details Indoor/outdoor use and extremely weather-resistant. Sealed and polished to be water and stain resistant. Measure:tall 29"H Finishes Available in earth, white, light grey, grey, dark grey, and black GFRC Pricing varies based on finish. Please message before purchasing. Price listed is for our standard light grey option. Pictured here in our dark grey cement option. All Opiary pieces are handcrafted and made-to-order, and dimensions/finishes are approximations. Clients are welcome to visit our Brooklyn studio during the fabrication of pieces. Modifications Tempered glass top (44"D) available Live or silk plants...