Mid-Century Modernist Ashtray or Catchall on Stand by Jacques Adnet, circa 1950s
View Similar Items
Mid-Century Modernist Ashtray or Catchall on Stand by Jacques Adnet, circa 1950s
About the Item
- Creator:
- Dimensions:Height: 20.87 in (53 cm)Width: 9.06 in (23 cm)Depth: 9.06 in (23 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1950s
- Condition:Wear consistent with age and use.
- Seller Location:Atlanta, GA
- Reference Number:Seller: 2O4261stDibs: LU163227263083
Jacques Adnet
One of the most elegant and innovative 20th-century French furniture designers, Jacques Adnet created a simple, unadorned signature style that is both trim and vigorous. He began his career in the heyday of the Art Deco era, and in the 1950s, in association with Hermès, created chairs, lamps, desks and other pieces that employed slender metal frames clad in stitched saddle leather. With such furnishings, Adnet brought a fashion sensibility to design and decor that had not been seen since the 1920s prime of the great Paris couturier-decorator Paul Poiret.
Adnet was born in a provincial town in Burgundy, where he studied design before moving, along with his twin brother, Jean, to Paris to study at the École des Arts Décoratifs. After their graduation in the early 1920s, the brothers were hired to work in the decorative-arts atelier of the department store Galeries Lafayette, under the direction of Maurice Dufrêne, an Art Deco master who developed a singularly robust and opulent style. Both Adnets showed their work at the 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes — the design fair from which the term Art Deco is derived.
In 1928, Jacques Adnet took charge of the struggling La Compagnie des Arts Français, a decorative-arts firm founded by Louis Süe and André Mare that created modern furnishings that bore traces of 18th-century styling. Adnet immediately took the company in a different direction. He developed a simple lithe and lean look that incorporated industrial materials such as metal and glass, along with exotic woods and finishes such as parchment and sharkskin. Adnet’s furniture begs to be described in terms of personalities: charming faux-bamboo side tables, suave chrome lighting, urbane club chairs. His most noted pieces — sleek metal frames wrapped in Hermès leather — have a character all their own: Smooth, elegant and self-assured, they inhabit a room with the same wit and grace as Jean-Paul Belmondo and Catherine Deneuve.
Le Corbusier
Swiss-born Charles-Édouard Jeanneret, best known by his adopted name Le Corbusier, was a highly influential architect, designer, painter, urban planner and writer whose career spanned almost five decades.
A pioneer of progress-minded modern architecture, Le Corbusier sought to impose a rational order on the chaos of the world through design. He rejected the excessive architectural ornament and developed a style that became known as brutalism, creating buildings with elemental geometric forms that were made of industrial materials such as steel and reinforced concrete. Le Corbusier believed that pure, well-designed spaces could offer a lesson in how little is needed to achieve happiness. To convey this notion, the architect prioritized modern, open interiors and emphasized light, rational designs. His architecture and interiors share a clear sense of space and structural order, underlining the beauty in harmony, proportion and simplicity.
Le Corbusier’s furniture espouses these same ideals. His designs are spare, minimal and efficient but at the same time offer supreme comfort. Collaborating with his cousin, Pierre Jeanneret, and trailblazing designer Charlotte Perriand, he devised such iconic pieces as the LC2 Petit Confort armchair and the LC4 chaise longue. Each couples a tubular chrome frame with soft, supple leather upholstery, lending an organic warmth to an industrially made design. In his furniture, Le Corbusier broke new ground in ergonomics. The shape of the LC4 chaise is taken directly from the human form; the classic cowhide upholstery makes the sitter feel weightless; and the piece features an adjustable positioning mechanism to promote total relaxation.
Such planning and intelligence were the hallmarks of Le Corbusier’s career. Whether in his designs for private residences such as the Villa Savoye near Paris, apartment towers like the Unité D'habitation in Marseilles, or in his furniture, he worked toward a style of living that was expansive and flexible. The strength and simplicity of line of Le Corbusier’s sofas and other seating pieces give them a sculptural presence in any décor, yet they are sublimely restful. And as you will see on 1stDibs, Le Corbusier’s furniture reflects a worldly taste: it is at once refined, cosmopolitan and chic.
- Designed by Le Corbusier for Lumax Molded Glass Desk Accessory Ashtray CatchallBy Lumax, Le CorbusierLocated in Atlanta, GATo enhance the style of your modern interior, Lumax, France, crafted this superb molded glass office accessory in the 1950s upon a design by Le Corbusier. This versatile industrial-o...Category
Vintage 1950s French Mid-Century Modern Ashtrays
MaterialsGlass
- Lumax Molded Glass Desk Accessory Ashtray Catchall, Design by Le CorbusierBy Lumax, Le CorbusierLocated in Atlanta, GAThis industrial thick molded glass desktop accessory, desk tidy, ashtray, or catchall, was manufactured by Lumax, France, in the 1950s. Original design by Le Corbusier. This lovely v...Category
Vintage 1950s French Mid-Century Modern Decorative Bowls
MaterialsGlass
- Le Corbusier for Lumax Molded Glass Desk Accessory Ashtray CatchallBy Lumax, Le CorbusierLocated in Atlanta, GAThis 1950s industrial thick molded glass desktop accessory, designed by one of the most influential architects of the 20th century, Le Corbusier, is the perfect desk tidy, ashtray, o...Category
Vintage 1950s French Mid-Century Modern Decorative Dishes and Vide-Poche
MaterialsGlass
- Jacques Adnet Brown Hand-Stitched Leather and Brass Magazine Rack Holder, 1950sBy Jacques AdnetLocated in Atlanta, GAThis exquisite magazine rack or holder was expertly designed by renowned French designer Jacques Adnet (1901 to 1984) in the 1950s. The item boasts a strikingly sleek and refined app...Category
Vintage 1950s French Mid-Century Modern Magazine Racks and Stands
MaterialsMetal, Brass
- Jacques Adnet Art Deco Chrome Double Inkwell, France 1930sBy Jacques AdnetLocated in Atlanta, GAFrench designer Jacques Adnet (1901 - 1984) designed this elegant Art Deco modernist chromed metal heavy desk accessory. The piece features a minimalist geometric shape double inkwel...Category
Vintage 1930s French Art Deco Desk Sets
MaterialsMetal, Chrome
- Jacques Adnet Art Deco Chrome Barware Wine Bottle Holder CarrierBy Jacques Adnet, Compagnie Des Arts FrançaisLocated in Atlanta, GAFrench designer Jacques Adnet (1901 - 1984) designed this elegant Art Deco modernist wine bottle carrier or holder in the 1930s. The barware piece boasts a streamlined sculptural geo...Category
Vintage 1930s French Art Deco Barware
MaterialsMetal, Chrome
- Jacques Adnet Glass Ashtray/Catchall, 1950s FranceBy Jacques AdnetLocated in Los Angeles, CAHandsome green leather and frosted glass ashtray from the 1950s by seminal French Art Deco modernist designer Jacques Adnet. The inside part of t...Category
Vintage 1950s French Mid-Century Modern Decorative Dishes and Vide-Poche
MaterialsLeather, Glass
- Jacques Adnet Standing Ashtray / CatchallBy Jacques AdnetLocated in Beverly Hills, CAJacques Adnet standing ashtray with signature black leather tripod base with contrast stitching - bamboo stem with brass catchall - France, 1940sCategory
Vintage 1940s French Ashtrays
MaterialsLeather, Bamboo
- Jacques Adnet Cognac Leather and Glass Ashtray, 1950s FranceBy Jacques AdnetLocated in Los Angeles, CAClassic leather and glass catchall / ashtray by French designer Jacques Adnet. Rich cognac leather base with signature Adnet contrast stitching and a circular inset cutout. Crystal g...Category
Vintage 1950s French Decorative Dishes and Vide-Poche
MaterialsLeather, Glass
- Jacques Adnet AshtrayBy Jacques AdnetLocated in Beverly Hills, CAHandsome glass ashtray with leather belting and signature contrast stitching France 1940s.Category
Vintage 1940s Ashtrays
MaterialsBrass
$1,200 - Jacques Adnet Style Glass Ashtray with Leather Lid, 1950s FranceBy Jacques AdnetLocated in Los Angeles, CASubstantial glass catchall / ashtray with a leather lid in the style of French designer Jacques Adnet. Thick frosted glass body with a lid made of black leather with contrast stitch...Category
Vintage 1950s French Decorative Dishes and Vide-Poche
MaterialsBrass
- Mid-Century Pleated Leather and Crystal Glass Ashtray by Jacques Adnet, 1970sBy Jacques AdnetLocated in Roma, ITStunning ashtray with pleated leather frame and crystal glass. This charming ashtray was designed by Jacques Adnet and produced in Italy during the 1970s, it is signed on the bottom....Category
Mid-20th Century French Mid-Century Modern Ashtrays
MaterialsCrystal