Contemporary Art

"Hassidic Dancers".

"Flags II"- A 1973, signed, dated, and numbered screenprint in black and grays by iconic American artist, Jasper Johns (b. 1930). Exhibited: Jasper Johns Gray...

One of a kind, contemporary design, momentum standing wall sculpture embody the surface of lava stone and rocks. Made by the art and design duo Andredottir & Bobek They have in t...

Defined by a stunning interplay of bold architectural lines and soft textures, this wall sculpture will be the stand-out piece in any contemporary or Minimalist decor. Simple geometr...

About the painting: "I Looked Everywhere and Found One-Piece of Gold" 2017 About the artist: Cecilia’s is working with all geometrical forms, lines and shadows. Her style developed to be clean and sharp forms in different combinations. Often they are in juxtaposition to create a three dimensional effect. Since two decades she has only painted in acrylic on canvas. Her art characteristics are uniform geometrical shapes with pristine borders, often in bold colours. Born in Sweden in 1954, Cecilia Setterdahl has always been painting from Swedish inspiration. Studied ascetics in High School and then went on to the Technical University of Lulea and graduated as a teacher. Moved to Stockholm and studied at the “Konstskolan” First exhibition 1988. Through a move to Neuchatel, Switzerland Cecilia continued her studies at the M-Art and Accademie Maximilien de Meuron. “Art Studio Bv5”, together with 4 other artists, she continued to work until moving to Dubai in 2015. Several part exhibitions in Neuchatel, Lausanne, Geneva, Brussels, London, New York, Hong Kong and Sweden. In the United Arab Emirates she has exhibited both acrylic paintings and hand- made carpets at Downtown Design...

Lightjet printing / metallic paper Selene Lazcarro Quiroz She studied a degree in Graphic Design at the University of the Americas - Puebla. It is m...

Signed, dated, 1959, oil-on-canvas painting by listed, well-exhibited, French, Lyrical Abstraction painter, Pierre Fichet (1927-2007). Select group exhibitions: Paris Biennale, Franc...

Making Artistic Mosaic, design of unparalleled beauty, inventing ' tromp l'oeil' thanks to the endless colors of the glass mosaic collections, all this allowed us to produce and divu...

"Muse" by Reda Amalou, 2019 Dimension of the artwork 800 x 1200 mm H Silkscreen print with 3 colours on Arches vellum ragpaper, 400gr 1st Edition. Limited edition, numbered and si...

Vibrant abstract color lithograph #3 by Angelo Savelli, Italian, 1991-1995. Color lithograph executed on thick paper. Pencil signed and numbered by the artist. Framed in a simple, clean lined black lacquered wooden gallery frame. Savelli lived in Italy until 1953, when he moved to New York City, where he spent most of his life. Once in New York City, he became friends with all of the abstract greats, including Robert Motherwell, Ad Reinhardt and Barett Newman. He shared studio space and worked with Franz Kline and William Dekooning...

Entitled "Study for Messier 17," this painting by Chicago-artist Jan Pieter Fokkens offers a representation of the spectacular star-forming region Messier 17, also known as the Omega...

Fun piece of pop art made up of 5 metal panels. Each panel is 19.75" H x 19.75" W x 5" D. Each panel has multiple crushed and painted paint cans that have been welded underneath. Eac...

 Altar, from Sanctum Etching in colors with photogravure and hand coloring on wove paper, signed in ink and numbered 42/59 in pencil, verso, Published by Paragon Press, London Measur...

Modulation or, Reda Amalou, 2019 Silkscreen print with 2 colors on Arches vellum rag paper, 400g (Gold ink and dark blue ink) 1st Edition. Limited edition, numbered and hand signed...

About the artist. Born in 1970, Marc Le Rest is a French born artist who turned his back to a promising career within the Holy Church to dedicate himse...

"A Devil" oil on canvas by Robert Goodnough Robert Goodnough was an American abstract expressionist painter sold by Sotheby's, 1996. Signed both front and back.

Artist: Jay Bolotin, Georgia Nold, Mark Patsfall Graphics Title: Limbus Fatu’ orum: Map of a Mechanical Opera Date: 1992, 8/25 Woodcut tryptich pr...

Red Center found sheet metal 33.5 x 36 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In ...

PEG Work, black rectangle painted wood Measures: 4' x 8' x 5.5" 2016 Produced by hand in Los Angeles, CA. Lead time 5 weeks. Shipping costs not inclu...

A wall ceramic sculpture by Clementine Dupré with anthracite (IT ' S NOT BLACK) glaze decoration. Perfect original conditions. Signed. Unique piece...

Nijinsky as Petrushka Original life-size painting by Lynn Curlee The famous dancer, Vaslav Nijinsky, as PETRUSHKA, one of his greatest roles. 1911. ...

Nijinsky as the Faun Life-size painting by Lynn Curlee A portrait of the famous dancer, Vaslav Nijinsky in one of his most famous roles, As the Faun...

Object ‘Déplacement et trou’ by Leopoldo Novoa, France, 1971. Acrylic on canvas on relief. Signed and numbers 55/100. Measures: H 41 cm/ 16 1/8"...

“Our Vision Is Clear” by Suzi Druley, a portrait of a figure of indeterminate gender dressed in red with dark hair framed with a gold arch. Suzi works in acrylics with prism pencil. ...

Nijinsky in the Lezginka Original life-size painting by Lynn Curlee The great dancer Vaslav Nijinsky in one of his famous roles, 1909. This painti...

Mixed-media artwork By Julio Le Parc Aluminium relief on screen print Plexi glass box Signed, numbered and titled on the reverse Denise ...

A wall ceramic sculpture by Clementine Dupré with black- green (anthracite) glaze decoration. Perfect original conditions. Signed. Unique piece. 2...

Nijinsky in Scheherazade. Original life-size painting by Lynn Curlee The great dancer Vaslav Nijinsky in one of his most famous roles, 1910. This ...

Making Artistic Mosaic, design of unparalleled beauty, inventing ' tromp l'oeil' thanks to the endless colors of the glass mosaic collections, all this allowed us to produce and divu...

A wall ceramic sculpture by Clementine Dupré with anthracite ( IT ' S NOT BLACK ) glaze decoration. Perfect original conditions. Signed. Unique pie...

A wall ceramic sculpture by Clementine Dupré with anthracite (It's Not Black) glaze decoration. Perfect original conditions. Signed. Unique piece. ...

Nijinsky as Till Eulenspiegel Original life-size painting by Lynn Curlee. The great dancer Vaslav Nijinsky in one of his famous roles. This painti...

Surrealist Oil on Canvas by Jose Luis Alfaro, Peru Contemporary wood floater frame. Titled "Visitante".

A wall ceramic sculpture by Clementine Dupré with anthracite ( IT ' S NOT BLACK ) glaze decoration. Perfect original conditions. Signed. Unique pie...

'Amalgame Noire' by Reda Amalou, 2019 The composition creates oppositions of black and white and grey. The forms are amalgamated, they are individual and change as they accumulate. ...

"Amalgame Couleur" by Reda Amalou, 2019 - Silkscreen print / Serigraphy Dimension of the artwork 800 x 1200 mm H The composition creates oppositions of stained colors. The forms ...

Peter Astrom abstract expressionist paper collage entitled "The Bird Nest #1. Crafted with Japanese rice paper on Arche paper. Created in 1990 in ...

"Fragment Terre Cuite" by Reda Amalou, 2019 Silkscreen print with 2 colors on Arches vellum rag paper, 400g (terra cotta ink and black ink) 1st Edition. ...

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

"Modulation Noire", Reda Amalou, 2019 Silkscreen print with 2 colors on Arches vellum rag paper, 400g (Black ink and blue ink) 1st Edition. Artwork in Limited edition, numbered and...

This set of 4 "computer paintings" are some of the final works of art by Mary and Edwin Scheier. Edwin used a graphical sketch pad to produce art in his later years. They are the originals. Each is pen signed and dated 01, 02 and 03. Beautifully framed using UV matte glass. Measuring between 23 and 19 inches wide and 18 to 16-3/4 inches tall. These were purchase directly from their own personal collection in Green Valley Arizona,

Anotherview is an ongoing project that takes place in between interior design and video art. It transforms your home into a nomadic place, where virtual window leads to unexpected la...

A complete portfolio of "Image Stone: Moon Side" by James Turrell. Lithograph, gravure and aquatint. Made in 1999 each signed and numbered 30/40. Now each framed in black gallery fra...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

"Empreinte" by Reda Amalou, 2019 Dimension of the artwork 800 x 1200 mm H Silkscreen print with 2 colors on Arches vellum rag paper, 400g (Black ink and blue ink) 1st Edition. Limite...

Gretel Stephens (b. 1935) creates soft, minimal abstractions, working in ethereal, subtle layers. Raw linen ground, with sheer layers of paint.

"Ugly" by Dike Blair Contemporary mixed-media Artwork 1987 Ugly by Dike Blair, b.1952 USA. Made in 1987, Resin over digital print, glass, painted wood and fake foliage Signed, ti...

The wall decoration is from Todomuta Studio's Re-Collectors series. Recognized as a finalist for the AAD (Andalusian Association of Designers) Awards in 2018, the Re-Collectors colle...

"Luna I" by Jean François Reboul : Coloured concrete sculpture for wall. Dimensions: D 53 cm x H 16 cm D 21 inches x H 6,3 inches Jean-François Reboul is a f...

Inspired by images of deep space, computer compression algorithms, and early non-representational art, Chicago-based artist Jan Pieter Fokkens uses the tangible qualities of pattern ...

"Marriage of Two Cultures" Tom Keesee Acrylic Metaphysical Painting Surrealism "Marriage of Two Cultures" by Tom Keesee (American b, 1954) Hand Signed Lower Right, 1985 Acylic, Canvas Tom Keesee obtained a bachelor’s degree from Indiana University-Purdue University Indianapolis and a master’s degree in painting from Miami University...

"Chaos in Wien" by Todd Watts, 1984 #12/13 TODD WATTS was born in 1949 on the island of Manhattan. He maintained a studio in New York from 1971 until 2000. . Watts has create...

Inspired by images of deep space, computer compression algorithms, and early non-representational art, Chicago-based artist Jan Pieter Fokkens uses the tangible qualities of pattern and color to interpret unimaginable sights. Entitled "Study for SWEEPS," this work offers a representation of the Sagittarius Window Eclipsing Extrasolar Planet Search, Hubble’s seven-day-long survey of 180,000 stars in order to detect extrasolar planets. Using data from the NASA/ESA Hubble Space Telescope...

Anotherview is an ongoing project that takes place in between interior design and video art. It transforms your home into a nomadic place, where virtual window leads to unexpected landscapes or cities to suit however you feels like. The team of Anotherview is constantly collecting new and exclusive views around the world. In a way each view tells a unique story about our time, people, society and the world. The end result of each Anotherview is an hyper realistic window that can be installed in any wall or type of room, with or without windows, that will become an integral part of your interior. Once the time of the day is set, the window view will run for continuously 24 hours according to the user’s time of the day without needing any other intervention, just like in a real window. Each Anotherview window comes with an Anotherview app and an exclusive code to easily access the device with a smartphone and to adjust the time as preferred. Place: Amphawa Floating market...

Robert Combas, large original serigraphy mounted on canvas, 83/100, 1992, signed in pencil, framed. 125 x 98cm with frame, 110 x 85cm without.  

"Interstellar" by Denis Perrollaz : Glycero paint, liquid tqr and resine on an old steel traffic sign. 2013, signed by the artist. "Certificate of Aut...

Bam oil painting by Kathleen Sullivan realism portrait rock band artwork, measures: 83" Katherine Sullivan was born in Hamilton, Ontario. She lives and works in Brooklyn, New York and Holland, Michigan. She received her BFA from the University of Michigan in 1997. In 2001 she received her MFA in Painting and Drawing from Boston University, where she studied with John Walker. Katherine was the recipient of the Richard Ryan Sr. Memorial Award in 2000 and the Graduate Teaching Award in 2000-2001. Additional programs of study include Chautauqua Institute, the New York Studio School, and the Pennsylvania Academy of Fine Arts. The recipient of two Andrew W...

"Bending Figure" painting by Lucio Villa. Oil on canvas laid down on board. Painting is 6 5/8 x 9 1/4. With frame dimensions are 12 x 10. Signed l/r, circa...