Contemporary Artist Cleveland Dean "Impressions" Sumi Ink Drawings 2017

ALBERT CHUBAC FRENCH ARTIST STEEL KINETIC ROTATING SCULTPURE GIROUETTE 2002 1/2 SCHOOL OF NICE Chubac was born in Geneva, Switzerland, in 1925 and re...

The French architect and artist Arik Levy mirror polish stainless steel small log sculptures from "Absent Nature" exhibit at Wright, 2007. Each signed w...

Georges Jouve French ceramic artist small leaf dish.Black glaze with multi color hand carved glazed motif of leaf in the interior. Signed with Jouve cyph...

Pavilion is very excited to continue its dialogue with contemporary French design and welcomes Jonas Fernando Pires to Pavilions contemporary collection. Born in Paris in 1987, Jonas Fernando Pires quickly showed a particular attraction for architecture. He produced his first works at the age of 20 years and created a collection of furniture. Material predilections of the artist are steel and concrete. His work is clean, inspired by minimalism. Architects Tadao Ando and Mies van der Rohe are his references but Jonas Fernando Pires creative language is, creative freedom, the rule quality, enrolling in a traditional sense. His latest creations are centered around the idea of ​​mood lighting, with amazing works where he revisits spaces with shadow and light. Recently he has presented at 2013 Maison Objet, L'Eclaireur, Vip Room Paris, Cannes, and Salone di Mobile 2013, Milan. His first exhibition in the United States will be with the French Design Connection hosted by the Chambers Hotel in NYC during ICFF and now at Pavilion in Chicago. His gallery in Paris is on rue de Verneuil...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Contemporary New York artist Patrick Carrara's Black Ink on Mylar Drawings were created in 2017. This is his latest series Appearance, which he started te...

Contemporary New York artist Patrick Carrara's black ink on mylar drawings were created in 2016 - 2017. This is his latest series Appearance, which he started ten years ago and also ...

Contemporary New York artist Patrick Carrara's Black Ink on Mylar Drawing Triptych was created in 2017. This is his latest series Appearance, which he started ten years ago and also ...

Contemporary New York artist Patrick Carrara's Black Ink on Mylar Drawings were created in 2016 - 2017. This is his latest series Appearance, which he started ten years ago and also ...

Contemporary New York artist Patrick Carrara's black ink on Mylar drawings were created in 2014-2017. This is his latest series Appearance, which he start...

Emma Kohlmann, Untitled, Water and Sumi Ink on Paper (Framed), 2018