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Continuum No.1 Mixed-Media by Naoki Kawano, 2018

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  • Continuum No.2, Mixed-Media by Naoki Kawano, 2018
    By Naoki Kawano
    Located in London, GB
    Mixed-media on canvas. Based on the continuity and expanding of texture. About the artist: Born in Kumamoto, Naoki Kawano is a London and Paris based Japanese artist, drawn to th...
    Category

    21st Century and Contemporary Japanese Organic Modern Contemporary Art

    Materials

    Canvas, Paint

  • 'The Myth of the Submarine' by Ben Cockett, Oil on Canvas, 2017
    Located in London, GB
    ‘The Myth Of The Submarine,’ is a painting based on the distant memory of the artist, Ben Cockett, spotting a fast moving periscope, presumably from a military submarine, from the be...
    Category

    21st Century and Contemporary British Post-Modern Paintings

    Materials

    Wood, Canvas

  • Flowing in the Right Direction by Peter Schmidt, 1971, Europaeische Graphik
    Located in London, GB
    Flowing in the Right Direction from Europaeische Graphik VII, 1971; lithograph printed in colours, signed and numbered 2/65 in pencil, printed by the Curwen Studio, published by Wolfgang Ketter, with their blindstamp. Note: For a similar example see Tate PO6459 Presented in a new hardwood ebonised box frame. About the artist: Peter Schmidt...
    Category

    Vintage 1970s British Modern Contemporary Art

    Materials

    Paper

  • Untitled, the Show Is over / Christopher Wool & Felix Gonzalez-Torres, 1993
    By Christopher Wool
    Located in London, GB
    United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...
    Category

    1990s British Post-Modern Prints

    Materials

    Glass, Hardwood, Paper

  • Square Paris Table by Gael Camu for Camu Editions, Ebonised Cherry 2018 Edition
    Located in London, GB
    Wonderfully proportioned square table with superb quality ebonised and lacquered finish. Quarter-sawn, straight grain solid cherry square with a stepped edge detail along the upper p...
    Category

    21st Century and Contemporary English Post-Modern Dining Room Tables

    Materials

    Steel

  • Menhir organic design Coffee Table, customisable design by Toad Gallery London
    Located in London, GB
    A homage to ‘Single Form’ a work by artist Barbara Hepworth and named after monumental standing stones, typically dating from the European middle Bronz...
    Category

    21st Century and Contemporary Organic Modern Coffee and Cocktail Tables

    Materials

    Travertine, Marble, Steel, Chrome

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  • Contemporary Abstract Mixed Media Sculpture by Scott Gordon (Landscape, 2018)
    By Scott Gordon
    Located in Sharon, VT
    Landscape sheet metal, wood, found objects 33 x 61in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...
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    21st Century and Contemporary American Wall-mounted Sculptures

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    Sheet Metal

  • Contemporary Abstract Mixed Media Sculpture by Scott Gordon (Silk Road, 2018)
    By Scott Gordon
    Located in Sharon, VT
    Silk Road sheet metal 24 x 69 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...
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    21st Century and Contemporary American Wall-mounted Sculptures

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  • Contemporary Abstract Mixed Media Sculpture by Scott Gordon (Radiant Man, 2018)
    By Scott Gordon
    Located in Sharon, VT
    Radiant Man (Crucifixion) wood, found objects 19.5 x 35 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and ma...
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    21st Century and Contemporary American Wall-mounted Sculptures

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  • Contemporary Abstract Mixed Media Sculpture by Scott Gordon (Red Center 2018)
    By Scott Gordon
    Located in Sharon, VT
    Red Center found sheet metal 33.5 x 36 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In ...
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  • "Victorian Soiree" Mixed-Media Tile by Pauline Hughes
    Located in Chicago, IL
    Liverpool-based artist Pauline Hughes takes a fluid approach to her ceramic practice, combining aspects of painting, collage, and printmaking into her w...
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    21st Century and Contemporary British Contemporary Art

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  • "Boroboro II" Mixed-Media Kite by Michael Thompson
    By Michael Thompson
    Located in Chicago, IL
    Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. This kite entitled "Boroboro II" is patterned with a patchwork of Japanese cotton fabric scraps, including darkly saturated indigos, woven ikats, and simple stripes and plaids. The kite's design recreates the traditional practice of Boro stitching...
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    21st Century and Contemporary American Contemporary Art

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    Cotton, Muslin, Bamboo

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