Framed Richard Anuszkiewicz "Celebrate New York", 1973

Untitled. Oil on canvas. Dimensions: Canvas 25 1/4 in. x 36 in., circa 1960s.

Media consists of fiber, paint, shellac on a linen canvas. Beautiful wood frame. Frank Faulkner by Philip Herrera, 2006: Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany. Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban. What a viewer first notices is the sheer elegance of the pieces, no matter what materials Faulkner uses—metal, wood and fabric as well as canvas and paper. Obvious, too, is the artist’s originality. Faulkner belongs to no school. His work is patterned but is far too intellectual to qualify as so-called “pattern art,” which mainly strives to be merely pretty. Rather, he paints in his own highly organized way, filling the surface without being excessive or boring. Faulkner sets up a system, say, of dots or dashes, then subtly changes the visual rhythms in order to add life and surprise—what he calls “the gymnastics of seeing.” He works and reworks the surfaces of his canvases, often laying down one thin layer of slightly reflective gold, silver or bronze paint upon another until the final work seems to glow with inner light. John Ashbery, a leading critic and poet, has likened Faulkner’s art to minimalist music, which achieves both simplicity and beauty from its obsessive repetitions. The critic Carter Ratcliff describes it more simply as “brilliant artifice.” Faulkner’s current work, a series of paintings on paper, continues and deepens this exploration of the relationship between wrought surface and changing light. Another striking aspect of the work is the influence of the decorative arts. Faulkner has made some paintings on wood that stand independently and fold open like screens. Other pieces resemble large tapestries, and yet others take their inspiration from Art Nouveau inlays...

We cannot find a signature but there may be one under frame. Painting has depth and interest.

Midcentury oil on canvas by B. Keville.

Signed Nicky S. Kleim, dtd. 1971. Great bright colors large abstract work. Art measures 60" x 60". Framed 62" x 62".

A New York City abstract painter and printmaker, Robert Yucikas has exhibited his art in Manhattan and elsewhere since the mid 1970’s. Born in Washington, D. C., Yucikas studied art ...

A pair of Richard Anuszkiewicz Intaglio etching with aquatint on somerset. Signed and numbered in pencil. Archivally framed in 12-karat white gold frames using acid free archival mat...

Richard Anuszkiewicz (1930-2020) Inward Eye #10 from the Inward Eye Series, 1970. Pronounced it ah-noo-SHKEV-ich. Silkscreen 25 19/20 × 19 3/4 inches Edition of 100, #56/100. Acid f...

Tim Folzenlogen (American, b. 1952), "New Beginning", pastel drawing of New York streetscape, signed Tim Folzenlogen and dated '99 at lower right. A g...

The Following Item we are Offering is A Rare Large Numbered LIMITED EDITION 3D Pop Art signed in pencil and numbered, by World Renown Artist and Signed on Lower Bottom. Beautifully d...

A framed black and white gelatin silver photograph by American surrealist photographer Arthur Tress (1940-). Entitled "Adam in Central Park, New York". the gelatin silver print was m...

Ronaldo de Juan Argentina, 1930-1989 “Untitled, New York” Large Acrylic on canvas 72 by 50 in. W/frame 73 by 51 in. Signed and dated 1971 on reverse Titled New York on reverse S...