Limited Edition Posrche 911 RS 1973 Pop Art Print in the Manner of Andy Warhol

A beautiful Anglo-Japanese pagoda table in the manner of E W Godwin, no makers mark but a period piece in lovely condition. Circa 1890 – 1910 A dainty piece with wonderful light detailing, fretwork frieze detail, three pagoda...

A superb 19th century Gothic Revival centre table in the manner of A.W.N Pugin (unattributed). Would make a wonderful serving table or large console table. Narrow form make this piec...

A large scale Mid Century Concrete Planter, freshly salvaged. The piece is in the style of Willy Guhl - not at all attributed to the designer but certainly of its period, with rounde...

A beautifully elegant side table in the manner of Charles Dudouyt. We believe this to be an original piece from circa 1940s but there are no authentication mark on it. The piece ori...

A pair of stylish Bauhaus influenced Library desk chairs, in the manner of Tobia Scarpa. This unique pair have a wonderful style and colour. Beaut...

A stylish 1970s Mid Century Bamboo Coffee Table. The bamboo is in a reeded style, very much in the manner of Vivai del Sud. It has good form with lovely splayed legs and concaved a...

Andy Warhol "Mao" Color Screen Print Printed at Styria Studio Inc. Catalogue raisone Feldman/Schellman,90 Signed and Stamped to verso AP 25/50

Print: Full color digital archival print on Epson Hot Press Natural 330g/m2 Size: 610 x 508 mm (24 x 20 in) Edition of 100 This work will come with a signed and numbered archival label adhered to the back of the print. (2019) Produced with the support of Kering, a global luxury group committed to the empowerment of women, this charitable limited-edition print is part of a portfolio celebrating Phaidon's Great Women Artists, the most extensive illustrated book on women artists ever published. The book tells the stories of over 400 artists spanning 500 years and reveals a parallel yet equally engaging history of art for an age that champions a great diversity of voices. The Great Women Artists print portfolio offers collectors the opportunity to acquire affordable works by some of the most celebrated and sought-after women artists of our time, while contributing to a worthy cause. A pioneer of the British Black Arts Movement of the 1980s and '90s, Lubaina Himid...

Photograph Color photograph made with archival pigments on fine art rag paper with matte finish Size varies based on edition This work comes with a "Certificate of Authenticity". Luke Butler...

PHOTOGRAPH Print made with archival pigments on fine art rag paper with glossy finish 12.00 x 17.00 in 30.5 x 43.2 cm Edition of 150This work comes with a Certificate of Authenticity and an artist signed label on verso. "I shot the video in 2000, in my home in SoHo. I knew prior to shooting what I wanted to do and I envisioned the piece exactly as it turned out. First, I experimented with a metal cookie tin placed on a hot stove. It didn't work because the ice cube melted too quickly. I tried a hairdryer but as the cube melted, the hair-blower blew the remaining cube away. Thus, I let the cube melt on it's own accord in real time. It took about three hours to fully dissolve into a puddle of water. I used a glass plate on Glassene paper: all that transparency made the black lines of the plate look line a charcoal line drawing. The title is important because it precisely explains the work: The Long Dissolve is exactly of an ice cube dissolving." —Burt Barr Claiming that "black and white are the only two colors I'll ever need," Burt Barr is a believer in the single take and the static shot. Meant to be projected directly onto a wall and looped for continual viewing, his films equate more to hanging drawings or black and white photographs than they are moving pictures...

An engaging modern abstract lithographic print that appears to be featuring a human torso/ body - somewhat reminiscent of the abstract works of Henry Moor...

Archival pigment print on Moab Entrada 290gsm Measures: 23.75 x 18.75 in 60.3 x 47.6 cm Edition of 100 This work is signed and numbered by the artist, (2016) Images in Debris depicts time lapse photographs of the sky, taken by the artist, at sunrise and sunset. The images, captured digitally, are then printed via a 4-color screen printing process. Each color separation is screen printed and then smeared while the ink is still wet, foregrounding a handmade process that involves tactility, registration, wetness, and specificity of touch. The images of the sun at dusk and dawn are at once universal and highly specific, recording a period of time on a particular day and in a particular place. By objectively recording the images and then breaking them apart and putting them back together, Sze explores the fragility of time passing and our desire for intimacy and touch in the face of both overwhelming natural forces and the ubiquitous images that surround us daily. Sarah Sze...