Monumental Large Striking Mixed Media Abstract in Custom Frame

Large impressive graphic geometric African Kuba cloth in handsome custom frame having neutral color palette of beige and brown.

A striking oil on canvas by Mare McClellan titled open gateways that is reminiscent of cave drawings with a rich earth tone color palette. Fabulous custom wood frame.

Striking and bold exterior by listed Santa Fe artist JK Lamkin who died last year, having sizzling color palette of purple, magenta, orange, white and turquo...

Incredibly crafted shadow box artwork by renowned Italian artist Patrizia Medail. ?The artist’s works are created with antique fabric fragments and other mixed media such as old prints, musical scores, cotton fringes, pieces of ancient rugs , straw, rare 17th and 18th century embroidery...

Mesmerizing large abstract painting on canvas having a marvelous composition of stripes, ovals, circles and overlapping shapes with rich colors including dark blue, electric blue, pu...

Richly layered collage on a vintage tin game board having a masculine combination of leather book bindings, text from Shakespeare plays, and decorative...

Very large and vibrant Abstract Painting and mixed media assemblage. Signed lower right. Block like elements in reds, heavily textured tan, white and black. Along with black and whit...

2021 is a large framed abstract oil painting by Kathi Robinson Frank. This mixed-media painting incorporates oil, acrylic, charcoal, and metallic paint in shades of black, white, gra...

Media consists of fiber, paint, shellac on a linen canvas. Beautiful wood frame. Frank Faulkner by Philip Herrera, 2006: Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany. Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban. What a viewer first notices is the sheer elegance of the pieces, no matter what materials Faulkner uses—metal, wood and fabric as well as canvas and paper. Obvious, too, is the artist’s originality. Faulkner belongs to no school. His work is patterned but is far too intellectual to qualify as so-called “pattern art,” which mainly strives to be merely pretty. Rather, he paints in his own highly organized way, filling the surface without being excessive or boring. Faulkner sets up a system, say, of dots or dashes, then subtly changes the visual rhythms in order to add life and surprise—what he calls “the gymnastics of seeing.” He works and reworks the surfaces of his canvases, often laying down one thin layer of slightly reflective gold, silver or bronze paint upon another until the final work seems to glow with inner light. John Ashbery, a leading critic and poet, has likened Faulkner’s art to minimalist music, which achieves both simplicity and beauty from its obsessive repetitions. The critic Carter Ratcliff describes it more simply as “brilliant artifice.” Faulkner’s current work, a series of paintings on paper, continues and deepens this exploration of the relationship between wrought surface and changing light. Another striking aspect of the work is the influence of the decorative arts. Faulkner has made some paintings on wood that stand independently and fold open like screens. Other pieces resemble large tapestries, and yet others take their inspiration from Art Nouveau inlays...

A contemporary abstract mixed media drawing on paper by Italian artist Giancarlo Mustich. This piece was professionally framed in a black wood frame ...

A contemporary abstract mixed media drawing on paper by Italian artist Giancarlo Mustich. This piece was professionally framed in a black wood frame ...

A truly stunning, one-of-a-kind work by California master tapestry artist Helen Webber featuring various wild natural creatures in an African jungle scene. The colors are so rich and vibrant. This, without question, is one of the most wonderful pieces we have come across in some time. A vibrant, rich, heavy, substantial work overall. Displayed in a custom crackle finish frame. Sure to stand out in about any setting. This work leaps off the wall. Truly a designer's dream. The tapestry is signed by Webber in the lower left. Webber's works can be seen in a number of various settings including worship centers/churches/temples, hospitals and health care facilities (Betty Ford...