American Contemporary Art

ALEXANDER CALDER - FLECHES (GALERIE MAEGHT), 1970 - LITHOGRAPHIC POSTER Alexander Calder (1898-1976) Fleches (Galerie Maeght, 1970) Printed for Alexander Calder Exhibition, Titled "F...

Doozie 2021 Acrylic silkscreen ink on canvas 66 x 48 inches (152.94 x 121.92 cm) Edition of 2 Multidisciplinary artist, designer, photographer, an...

Print Archival pigment print Measures: 20.00 x 16.00 in 50.8 x 40.6 cm Edition of 100 This work is signed on a label on the verso. David Byrne, legendary frontman of American band The Talking Heads and author of How Music Works, was born in Dumbarton, Scotland in 1952. Byrne is a multi-intrumentalist most known for his high-energy performances and distinctive, wide-ranging voice. He formed The Talking Heads with fellow RISD student, Chris Frantz, and Frantz's girlfriend, Tina Weymouth, in 1975 while living in New York City. In 1990 he founded the world music record label Luaka Bop, which released music from artists including Os Mutantes, Tom Ze, and Zap Mama. Byrne's solo career has been broad and multi-disciplinary. Since the 1990s, Byrne has exhibited his visual artwork at numerous galleries including Pace/MacGill Gallery in New York City. In 2006 he released Arboretum, a collection of his philosophical drawings, published by McSweeney's. Byrne's drawings are what he calls "mental maps of imaginary territory." Says Byrne, "if you can draw a relationship, it can exist... the world keeps opening up, unfolding, and just when we expect it to be closed—to be a sealed sensible box—it shows us something completely surprising." In 2010, Byrne exhibited his piece "Guitar Pedals...

Fernand Léger by Peter De Francia. Published by Yale University Press, 1983. 1st Ed hardcover with dust jacket. Joseph Fernand Henri Léger; (February 4, 1881 – August 17, 1955) was a...

A framed photograph by Chinese American photographer Don Hong-Oai (1929-2004). Entitled in Chinese "Playing with Hoops, Vietnam". The work is a sepia-toned gelatin-silver print. It is stamped with three red artist seals and black ink Chinese inscription, mounted and framed under plexiglass. Sight is 10.5"h x 13.5"w. It is one of the matching pair from an American collection. Don Hong-Oai was born in Canton, China but raised and educated in Saigon, Vietnam. At age 13 he began an apprenticeship at a Chinese photo and portrait shop. In 1979 he immigrated to the United States and settled in the Chinatown of San Francisco. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin...

From the 1950s to the 80s, Joe Eula cut quite a figure on the New York scene as a graphic, costume, fashion, stage-set, and film-set designer, as well as a stylist, party giver, and, briefly, a model agency macher. In addition, he was an artist. You could say that Eula was the art director extempore of Manhattan. And if you’ve never heard of Eula (or hadn’t before David Pittu played him in the recent Netflix Halston series), it’s because he was famous as an eminence grise, to employ a contradiction in terms. That’s why Andy Warhol called him, in typical Warholian hyperbole, “the most important man in New York.” Eula came from a hardscrabble background in South Norwalk, Connecticut. After serving in World War II, he took classes on the GI Bill at the Art Students League, and formed a partnership with photographer Milton Greene to produce features for Life and Look magazines, and a couple of films, with Greene behind the camera, and Eula painting backdrops and styling. On his own, Eula illustrated Eugenia Sheppard’s famous newspaper fashion column, did illustration work for Vogue and Harper’s Bazaar, designed ballet costumes and sets for Jerome Robbins, an album cover for Miles Davis, and a benefit invitation for Cesar...

Print Full bleed six-color silkscreen printed on Letra Ecru 300 gsm Measures: 34.00 x 24.50 in 86.4 x 62.2 cm Edition of 50 This work is signed and numbered by the artist on recto. The imagery for this edition is derived in part from what Michael Bauer calls his “telephone drawings”—quick, loose sketches made while talking on the phone or otherwise distracted. Bauer saves these doodles, no matter how rough or silly, and uses them as raw materials to be copied, scanned, altered, and combined. Bauer often works in series, making groups of paintings that metaphorically “talk back” to one another while simultaneously standing on their own as individual works. As he says, “Every painting that I do relies on the last twenty I did.” In a neat literalization of his process, this print includes the words “baba” and “creme,” recurring terms Bauer uses as verbal readymades for their phonetic qualities and mutable meanings. The amorphic, animalistic forms of German painter Michael Bauer are built upon color washes, meandering lines, and bulbous protrusions. Utilizing a variety of rendering techniques and materials, including pointillism, text and high-chroma colors, Bauer transforms his free-form compositions into dynamic and ornamented abstractions. He borrows from the colorful tradition of Modernist composition, juxtaposing collaged cutouts with a bevy of 20th century painting methodologies—including Cubist, Pop, and Surrealist techniques—to make the swirling paintings...

Based off of a series of paintings currently showing at the Brooklyn Museum. The limited edition works consist of 10 high quality screen prints portraying his signature CHUM characte...

Lowell Nesbitt (1933-1993) White Rose, circa 1981 Limited edition # 124 / 200 Artist-signed and numbered Measures: 34.5" x 34.5" framed Vintage contemporary art colored lithog...

A terrific example of a two-paged screen print from Josef Alber's Formulation : Articulation, 1972. This example is Portfolio 1 from Folder 18, 1972. From an edition of 1000 prod...

Title: Phosphoriglyph Year: 2015 Phosphoriglyph (“written upon Venus”) is a large-scale, wall-mounted sculpture executed entirely in half-inch copper tubing, taking its name from Phosphorus, known as Venus, the morning star, and even Lucifer (light bearer...

"Primal Sign V (Copper)" aquatint and etching from one zinc plate by Robert Motherwell (American. 1915-1991) Numbered 18/28 with 7 artist proofs in edition. Archival framed using mus...