Rare Set of 8 Abstract Expressionist Lithographs, Victor Passmore

Abstract expressionist lithograph by Martha Zelt, American, circa 1950s. An outstanding black and white abstract expressionist lithograph by w...

Artist: Victor Vasarely Medium: Lithograph Movement/style: Modern Signed and numbered : 133/250 Condition: This Victor Vasarely lithograph...

Artist: Victor Vasarely Medium: Lithograph Movement/Style: Modern Signed and Numbered : 133/250 Condition: This Victor Vasaerly lithograph is in very good vintage condit...

Artist: Victor Vasarely Medium: Lithograph Movement/Style: Modern Signed and Numbered : 133/250 Condition: This Victor Vasaerly lithograph is in very good vintage condit...

Screenprint in colors, on wove paper, signed in pencil, dated and numbered 24/70, published by Marlborough Graphics, Ltd., London, with the blind stamp of the printer Kelpra Studio, ...

An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...