"Road To Rio", a 22 Color Silkscreen by Howard Hodgkin

A72 color silkscreen on paper. Published by Pace Editions, Inc., New York 2017. Edition of 50. Signed, numbered and dated by the artist. Newly framed in a 23-karat yellow gold leaf f...

Josef Albers from Formulation: Articulation, 1972. Silkscreen prints, Folio II / Folder 6 . Floated in 12 karat white gold gilt frame using all acid free archival materials. #176 of ...

Untitled silkscreen by Dutch American abstract expressionist artist Willem de Kooning (1904-1997). Signed and numbered 42/75.

Yellow curled figure a silkscreen by Robert Mangold. Produced by Pace Editions, New York, 2002. Signed and Numbered 10/10 in pencil. Full sheet. 29 3/8" X 36" Framed using acid free ...

Based off of a series of paintings currently showing at the Brooklyn Museum. The limited edition works consist of 10 high quality screen prints portraying his signature CHUM characte...

" Flux de L' Aimant " drypoint & color aquatint on BFK Rives paper by Joan Miro; circa 1964. Signed lower right, and numbered 20/75, lower left, in pencil. Published by Maeght Editeu...

Selection of color modern lithographs and silkscreens, circa 1930s-2000s. They have been framed in clean lined black lacquer gallery frames under UV resistant glass. They are: Top row, left to right: 1) Black and white abstract lithograph by Eduardo Chillida, circa 1960s. It measures: 21.25" H x 23.25" W. 2) Color silkscreen New Order "Singles" poster, signed by three members of the band, circa 2005. It measures: 30.25" H x 20.25" W. Bottom row, left to right: 3) Switzerland Ski Travel Color Silkscreen Poster, circa 1930s. It measures: 43" H x 27.75" W. 4) Abstract color lithograph, entitled "Spectral" by John...

Rapto (The Abduction of Hippodamia) - The subject from the Greek mythology describes the kidnapping of the bride Hippodamia during her wedding by the centaur Eurytus, resulting in a battle between humans and centaurs. Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

Desenho (Man Painting) - The painting shows someone who begins a drawing, looking on the paper with a pen in the hand. Álvaro Siza describes the very special moment of taking the decision to make a painting, facing the white paper. A reproduction of his situation, doing this series of paintings: not knowing what to do until the decision to draw was being made. Then the idea of mythology came to his mind. “It is, in some way, an expression of my personal moment making drawings. But it is not a self-portrait, I am quite different than this man. It is not a specific person on purpose, because everyone makes drawings. Maybe not everyone does it, but everyone could do it.” Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

Cavalo de Troia (The Trojan Horse) - The drawing is a representation of the wooden horse, developed by Odysseus, which the Greeks used during the Trojan War to enter the city of Troy. The Trojans pulled the horse into their city as a victory trophy, not knowing there was a selected force of men hiding inside, who came out after reaching the city. Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

"Love Saves The Day" Harland Miller, 2014 15 color silkscreen print on 410gsm Somerset paper 146 cm x 105 cm page size Edition 100 signed and numbered in pencil. One of the top three most desirable Harland Miller prints, this is a stunning large format print, mounted and framed in a white box frame. Frame size 162 cm x 121 cm Provenance: The Ingleby Gallery, Edinburgh, Scotland. purchased on 7th May 2016 In late 2012, Miller had his first solo show at Ingleby Gallery entitled "Overcoming Optimism" Harland Miller Harland Miller is both a writer and artist (his debut novel Slow Down Arthur Stick to Thirty was published in 2000) and his paintings of books simultaneously provide a subject for the painter and an outlet for the writer. They combine the emotive possibilities of abstract expressionism with the quick punch of words to deliver their message, and for all the macho grist of their making, and often overwhelming scale, they somehow express a frailty that hints at the human condition. As Miller has said: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve”. Harland Miller was born in Yorkshire in 1964. He has lived in New York and Berlin and currently lives and works in London. Biography 1964 Born Yorkshire, England 1984 – 1987 BA Chelsea College of Art, London 1987 – 1988 MA Chelsea College of Art, London Lives and works in London Solo Exhibitions 2020 York , So Good They Named It Once, York Gallery, York, UK - Millers largest Solo exhibition to date. 2019 Harland Miller, White Cube Hong Kong, China 2017 One Bar Electric Memoir, White Cube Mason’s Yard, London, UK 2016 Tonight We Make History (P.S. I Can’t Be There), Blain Southern, Berlin, Germany 2015 In Dreams Begin Monsters, Palacio Quintanar, Segovia, Spain 2013 Wherever You Are Whatever You’re Doing This One’s For You, Reflex Amsterdam, Amsterdam, The Netherlands A DECISIVE BLOW AGAINST IF., Other Criteria, London, UK 2012 The Next Life’s On Me, White Cube Gallery, London, UK On Overcoming Optimism, Ingleby Gallery, Edinburgh, UK Harland Miller, Galleria Marabini, Bologna, Italy 2011 Rocky VI, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Have You Ever Stopped To Wonder Why You’re Not Here, LAB Art, Beirut, Lebanon 2010 I'll Never Forget What I Can't Remember, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Butterside Down, Galleria Marabini, Bologna, Italy 2009 Harland Miller: Don’t Let the Bastards Cheer You Up, BALTIC Centre for Contemporary Art, Gateshead 2007 Siesta Forever – Come on and Sing My Song, The Fireplace Project, East Hamptons, USA 2005 Dear Son, This is one of the last of my few remaining pre marital possessions – look after it won’t you, Love Dad, Marianne Boesky Gallery, New York, USA 2002 To Jean, A Small Memento for a Great Effort, Love Alan, White Cube, London, UK 2000 First I was Afraid; I was Petrified, Fig.-1, London, UK 1995 Harland Miller, Enrico Navarra Gallery, Paris, France You Dig the Tunnel, I’ll Hide the Soil, Fakhoury Steinitz Gallery, Paris, France First I was Afraid I was Petrified, The Scotch House, Tel Aviv, Israel Group Exhibitions 2019 Summer Contemporary, Maddox Gallery, London, UK Art in the Culloden Estate and Spa, Gormley’s Fine Art, Holywood, UK Between the Lines, Maddox Gallery, London, UK Contemporary British Editions, Galerie Maximillian, London, UK 2018 TWENTY, Ingleby, Edinburgh, UK 2016 Daydreaming with Stanley Kubrick, Somerset House, London, UK 2014 What Marcel Duchamp taught me, Fine Arts Society, London, UK 2013 Once upon a time and a very good time it was…, Ingleby Gallery, Edinburgh, UK Sculpture in the Close, Jesus College, Cambridge, UK 2012 AKA Peace, ICA, London, UK Cool Britannia, Gallery Hyundai, New Space, Seoul, Korea 2010 Kupferstichkabinett: Between Thought and Action, White Cube, London, UK Exhibitionism, The Art of Display, Courtauld Institute of Art, London, UK 2009 Different Places, Different Stories, König-Heinrich-Platz, Duisburg, Germany Inspired, Mitchell Library (City Museum), Glasgow, UK TURPS BANANA 1, Galleria Marabini, Milan, Italy TURPS BANANA 2, Galleria Marabini, Bologna, Italy 2008 You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town Hall, London, UK Voewood Projects, High Kelling, Norfolk, UK 2007 Summer Exhibition, Royal Academy of Arts, London, UK 2006 The Portrait, V22 Ashwin Street, London, UK Summer Exhibition, Royal Academy of Arts, London, UK 2005 Summer Exhibition, Royal Academy of Arts, London, UK 2004 Direct Painting, Kunsthalle Mannheim, Mannheim, Germany The Charged Image, Collection of Douglas Cramer, Joseloff Gallery, West Hartford, CT, USA 1996 Bad August, Richard Salmon...

“Abstract Fables,” silkscreen by Henry Mark, American, 1953. Edition of 22, stamped with initials, and signed on verso.