Robert Indiana Heliotherapy, Classic Love Carpet

- Tapis LOVE. Robert indiana Tapis love 2005 Édition limitée numérotée sur 999 exemplaires 100% laine Noué main Dimensions : 79.24 x 79.24 cm 6 disponibles Prix : 290 €.

Jazzu - "Série Brut 2019" nº7 Mixed media on sheet 2019 Size : 21x29,7cm Signed, dated and titled Ref: Price : 350€.

Jazzu – « Série Brut » Techniques mixtes sur feuille 2023 Dimensions : 65x50cm Signé, daté et titré 650 e.

Wood sculpture by Gaetano Pesce Cassina Edition Circa 1969 H 38x W 37x D 3 cm Signed and dated Ref: Price : 790€

Clem$ Painting - Gorilla Mixed media on canvas Sign original work Dimensions: 80x80cm Ref: 4482/26/1

Jazzu – « Série Brut » Techniques mixtes sur feuille 2023 Dimensions : 42x29cm Signé, daté et titré.

Robert Indiana (1928-2018) Greenpeace Love Screenprint in green and white inks on Rives BFK paper with full margins Signed and numbered in pencil 32/170 This particular incarnation o...

Number 24, edition of 25. Number 2 of this smaller edition of Artist's Proofs can be found in the Smithsonian Museum of American Art. Signed, dated 1971 and numbered (in Roman Num...

Extremely rare original silkscreen poster to Robert Indiana's legendary stabile Gallery show, where he first introduced the LOVE design on canvas and...

Robert Indiana LOVE 1971 serigraph poster. Silk-screen poster designed and created by Robert Indiana and published by Posters Originals.
 Newly framed in silver wooden frame.
 Frame ...

After Robert Indiana, Golden Love, Screenprint, Serigraph. Unsigned color screenprint on heavy wove paper with bright pop art colors: orange, yell...

"Two 1992 chromogenic (c-prints) from Robert Flack’s series “Love Mind,” edition #1/3, feature ""fire circle"" and ""sword circles"". Robert Flack (1957-1993) was born in Guelph, Ontario and moved to Toronto to study at York University. After graduating in 1980 he began working at Art Metropole and as a layout artist on many General Idea-related projects including FILE Megazine. During the 80's he exhibited extensively in Canada at numerous artist-run centres and public galleries, the Cold City Gallery artist collective and the S.L. Simpson Gallery (a complete exhibition history is available on our web site). By 1990 he was exhibiting internationally, in Paris, Barcelona and Amsterdam, and was represented in New York at Feature Inc. and in Toronto at Garnet Press. His work was included in the touring group exhibition Corpus Part II curated by Bruce Grenville in 1993 for the Mendel Art Gallery in Saskatoon. A survey exhibition was curated by Nancy Campbell at the MacDonald Stewart Art Centre, with catalogue, in 1993. In 1997 Philip Monk included Flack's work in Rococco Tattoo: The Ornamental Impulse in Toronto Art at the Power Plant in 1997. In 1999 the National Gallery of Canada celebrated Flack's work to commemorate A Day Without Art, December 1999 - January 2000. ""From the beginning, Flack's work expressed an ""otherworldliness"" - a quality that focused sharply with his HIV sero-conversion in 1988. From that point forward, Flack's vision rocketed almost exclusively into the internalized realms of psychic energy, the chakras and the etheric body."" Andrew Zealley, Art Metropole, Halos: David Buchan and Robert Flack 2005. Amongst the work's many distinctions is Flack's use of pre-digital or analogue production techniques. Flack painted in enamel on clear acetate and overlaid his photographs with these painted layers before re-photographing the work, producing an ""iconic, sensual mapping of the body and dazzling use of colour and pattern"" (NGC web site). During this period he was sharing studio space in Toronto with Stephen Andrews...