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Tedulo Rmulo "Astronauta Con Gallina" Signed Mixograph

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  • Louis Majorelle Nancy Signed Sideboard Vitrine, circa 1900
    By Louis Majorelle
    Located in Dallas, TX
    Elegant French vitrine cabinet signed by renowned Art Nouveau designer Louis Majorelle. The cabinet is composed of mahogany, walnut and multiple exotic...
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    Antique Early 1900s French Art Nouveau Architectural Models

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  • Louis Majorelle Signed French Art Nouveau Game Table, circa 1900
    By Louis Majorelle
    Located in Dallas, TX
    A French Art Nouveau marquetry walnut and exotic wood game table signed by Louis Majorelle. The tabletop is decorated with large leaves and stems. Stylized with fine marquetry side a...
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  • Henri Matisse Pencil Of Nude By Chair From Matisse Estate
    By Henri Matisse
    Located in Dallas, TX
    Henri Matisse Original Pencil On Paper Study Of A Standing Nude Next To Chair Pencil on paper Unsigned. Sheet: 8.85 x 13.75 Inches Framed: 25....
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    Antique Early 1900s French Modern Paintings

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  • Francisco Zuniga Original Pastel Nude Painting Catalogued
    By Francisco Zúñiga
    Located in Dallas, TX
    Francisco Zúñiga (Mexican, 1912-1998) Seated nude with extended legs. This woman with eyes heavy in meditation shows a myriad of emotions including humility, vulnerability and fatigue. The figure makes the viewer appreciate those who do all the mundane and heavy lifting service work for us teaching us sympathy and empathy. Another very powerful work by Zuniga worthy of any art space. Black and sepia Conté Crayons made from a blend of natural pigments, kaolin clay, and graphite on paper. Signed and dated lower left: Zúñiga / 1975 Ariel Zúñiga personally confirmed the authenticity of this drawing when I acquired it. This painting will be included in his forthcoming Francisco Zúñiga: Catalogue Raisonné, Volume V. Sheet Size: 19-5/8 x 25-1/2 inches (49.8 x 64.8 cm) Framed Dimensions 28.5 X 34 Inches Condition: Excellent original condition. Sheet hinged to mat; pinholes to the corner, inherent to the works creation. Original solid wood frame with wear and touch ups. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. José Jesús Francisco Zúñiga Chavarría (December 27, 1912 – August 9, 1998) was a Costa Rican-born Mexican artist, known both for his painting and his sculpture. Journalist Fernando González Gortázar lists Zúñiga as one of the 100 most notable Mexicans of the 20th century, while the Encyclopædia Britannica calls him "perhaps the best sculptor" of the Mexican political modern style. Zúñiga was born in Guadalupe, Barrio de San José, Costa Rica on December 27, 1912 to Manuel Maria Zúñiga and María Chavarría, both sculptors. His father worked as a sculptor of religious figures, and in stone work. His artistic inclinations began early and by the age of twelve had already read books on the history of art, artistic anatomy and the life of various Renaissance painters. At age fifteen he began working in his father’s shop. This experience sensitized him to shape and spaces. In 1926 he enrolled in the Escuela de Bellas Artes in Mexico, but left the following year to continue on his own. As part of his self-study, he studied German Expressionism and the writings of Alexander Heilmayer, through which he learned of the work of two French sculptors, Aristide Maillol and Auguste Rodin, coming to appreciate the idea of subordinating technique to expression. Zúñiga’s painting and sculpting work began receiving recognition in 1929. His first stone sculpture won second prize at the Exposición Nacional de Bellas Artes. In the following two years continued to win top prizes at this event. This work made critics recommend him for study abroad. He won first prize in a 1935 Latin American sculpture competition, the Salón de Escultura en Costa Rica, for his stone sculpture La maternidad,[8] but the work caused controversy and the government rescinded its award. In the 1930s, he began to research pre Hispanic art and its importance to contemporary Latin American art, as well as what was happening artistically in Mexico. The scholarship never materialized so various colleagues organized his first individual exhibition in Costa Rica. The earnings from this endeavor earned his passage to Mexico City. In 1936 he immigrated to Mexico permanently. In the capital, his first contact with Manuel Rodríguez...
    Category

    Vintage 1970s Mexican Modern Paintings

    Materials

    Crayon

  • Aristide Maillol Charcoal Drawing “Nu De Dos”
    By Aristide Maillol 2
    Located in Dallas, TX
    Aristide Maillol (Fr, 1861-1944) A very large original charcoal drawing by Aristide Maillol verified by Olivier Lorquin, Director of Galerie Dina Vierny at the Musee Maillol in Paris. A COA will be provided by Mr. Lorquin.. The female figure posing nude with her back fully exposed. Worthy of a museum with an interesting “twist” from confusion on upper knee. This drawing on paper is over twice the size of 90% of Maillol’s drawings and the two previous Maillol drawings I have sold in the past. I preserved the vintage 1950s giltwood frame the drawing came in adding museum glass and archival acid free backing board and inner matting. Feel free to make a reasonable offer; Authenticity guaranteed. Signed with Maillol’s Circled “M” monogram on bottom. Condition is very good with a edge tear on left and waviness of paper in particular on bottom edge. Artwork: 10.75 x 15.5 inches Framed: 20.25 x 25.75 inches Provenance: From a distinguished gentleman from New York. With Gallery label on verso from Kleeman Galleries; New York. Verified Authentic be Mr Olivier Lorquin. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. Aristide Joseph Bonaventure Maillol (French; December 8, 1861 – September 27, 1944) was a French sculptor, painter, and printmaker.[1] Aristide Maillol Born December 8, 1861 Banyuls-sur-Mer, Roussillon Died September 27, 1944 (aged 82) Banyuls-sur-Mer, Roussillon Nationality French Education École des Beaux-Arts Known for Sculpture, painting. Aristide Maillol, Bas Relief, terracotta. Exhibited at the 1913 Armory Show, New York, Chicago, Boston. Catalogue image (no. 110) Maillol was born in Banyuls-sur-Mer, Roussillon. He decided at an early age to become a painter, and moved to Paris in 1881 to study art.[1] After several applications and several years of living in poverty, his enrollment in the École des Beaux-Arts was accepted in 1885, and he studied there under Jean-Léon Gérôme and Alexandre Cabanel. His early paintings show the influence of his contemporaries Pierre Puvis de Chavannes and Paul Gauguin. Gauguin encouraged his growing interest in decorative art, an interest that led Maillol to take up tapestry design. In 1893 Maillol opened a tapestry workshop in Banyuls, producing works whose high technical and aesthetic quality gained him recognition for renewing this art form in France. He began making small terracotta sculptures in 1895, and within a few years his concentration on sculpture led to the abandonment of his work in tapestry. Maillol, The River, bronze, 1938-1943, (displayed in Barcelona) in 2009 In July 1896, Maillol married Clotilde Narcis, one of his employees at his tapestry workshop. Their only son, Lucian, was born that October. Maillol's first major sculpture, A Seated Woman, was modeled after his wife. The first version (in the Museum of Modern Art, New York) was completed in 1902, and renamed La Méditerranée. Maillol, believing that "art does not lie in the copying of nature", produced a second, less naturalistic version in 1905. In 1902, the art dealer Ambroise Vollard provided Maillol with his first exhibition. The subject of nearly all of Maillol's mature work is the female body, treated with a classical emphasis on stable forms. The figurative style of his large bronzes is perceived as an important precursor to the greater simplifications of Henry Moore, and his serene classicism set a standard for European (and American) figure sculpture until the end of World War II Josep Pla...
    Category

    Vintage 1930s French Modern Drawings

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    Paper

  • Henri Matisse Pencil Nude Etude From Matisse Estate
    By Henri Matisse
    Located in Dallas, TX
    Henri Matisse Original Pencil On Paper Study Of A Nude Pencil on paper Unsigned. Sheet: 8.85 x 13.75 Inches Framed: 25.5 x 21.75 Inches The ...
    Category

    Antique Early 1900s French Modern Drawings

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    Paper

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