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1829 Needlepoint Pictorial Sampler of Flowers and Quote by 12-year old Girl.

About the Item

Wonderful 1820's needlepoint by 12 year-old Ellen Roberts (American, b. 1817 - ?) of New York with flower boarder and quote: Count that day lost whose low descending sun. Views from thy hand no worthy action done. Condition: Tonal aging and wear consistent with age, framed with original brown velvet border. Hand sewn onto acid-free archival board. Presented in wood frame under glass. Image size: 20"H x 16"W. From The Met: American Needlework in the Eighteenth Century: In eighteenth-century America, a girl was expected to grow up, get married, have children, and take care of a home. Because of the limits of her sphere, a girl received a very different education from that available to a boy. Indeed, before the advent of public education in the mid-nineteenth century, in order to receive any education at all a boy or a girl had to be born into the middle or upper classes and have parents who valued education enough to pay for it. Usually, a boy would be taught traditional academic subjects, while a girl might be tutored in the barest rudiments of reading and arithmetic. Instead of academic studies, girls were usually sent to schools that taught an assortment of skills considered “female accomplishments”—music, watercolor painting, comportment, manners, and sewing. As part of her preparation for the responsibility of sewing clothes and linens for her future family, most girls completed at least two samplers. The first, which might be undertaken when a girl was as young as five or six, was called a marking sampler. A girl who was lucky enough to continue her education usually made a second embroidery at a ladies boarding school while she was in her adolescent years. This was usually a more decorative pictorial sampler or needlework picture. While less straightforwardly useful than marking samplers, decorative samplers and needlework pictures also served an important function: they revealed the values of the girl and her family to potential suitors. The completed work was usually framed and hung in the parlor, proclaiming the maker’s obedience, patience, and skill. It also communicated that a girl’s parents were wealthy enough to send their daughter to school and that the family valued the arts of refinement. The verses found on many samplers reinforced these messages, emphasizing the importance of female virtue, the value of education, and obedience to one’s parents and to God.
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)Depth: 1 in (2.54 cm)
  • Style:
    Folk Art (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1829
  • Condition:
    Wear consistent with age and use. Minor fading. Tonal aging to linen.
  • Seller Location:
    Soquel, CA
  • Reference Number:
    Seller: D79341stDibs: LU1215230907062
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