Emilio Greco Hatching of a Young Child

This is a wonderful set of three abstract gouaches signed "Manchester". The gouaches date to the second half of the twentieth century and are well framed and matter and in very good ...

This recent artwork from the w o o d p o p studio is an example of the type of modern marquetry that w o o d p o p is becoming synonymous with. Since its inception 10 years ago - the studio has specialised in marquetry and inlay work; meticulous art-forms where pieces of wood veneer are inlaid to create decorative designs or pictures. Emma Wood, who founded the studio 10 years ago in Wales' Black Mountains has gained a reputation for pairing this traditional art-form with contemporary subject matter and its application on to non-traditional surfaces. This "ATOMS OF THE UNIVERSE" marquetry artwork is inspired by the Platonic Solids...

Set of four etchings by Orfeo Tamburini and aquatint in colors representing the streets of Paris. Each one is signed by the artist in pencil and stamped by the art publisher Il Cigno...

Wow what an unusual and sexy brutalist sculpture, it was all hands made, it is not very heavy. 6 feet wide, It could be from Tony Duquette It would look amazing on a large wall

Group of four framed etchings by Orfeo Tamburini representing the districts of Paris realized with aquatint in colors. They were produced by the art print publishing house Il Cigno i...

From the 1950s to the 80s, Joe Eula cut quite a figure on the New York scene as a graphic, costume, fashion, stage-set, and film-set designer, as well as a stylist, party giver, and, briefly, a model agency macher. In addition, he was an artist. You could say that Eula was the art director extempore of Manhattan. And if you’ve never heard of Eula (or hadn’t before David Pittu played him in the recent Netflix Halston series), it’s because he was famous as an eminence grise, to employ a contradiction in terms. That’s why Andy Warhol called him, in typical Warholian hyperbole, “the most important man in New York.” Eula came from a hardscrabble background in South Norwalk, Connecticut. After serving in World War II, he took classes on the GI Bill at the Art Students League, and formed a partnership with photographer Milton Greene to produce features for Life and Look magazines, and a couple of films, with Greene behind the camera, and Eula painting backdrops and styling. On his own, Eula illustrated Eugenia Sheppard’s famous newspaper fashion column, did illustration work for Vogue and Harper’s Bazaar, designed ballet costumes and sets for Jerome Robbins, an album cover for Miles Davis, and a benefit invitation for Cesar...