Extra Large Custom Framed Vintage Indian Textile

Vintage Indian block printed textiles from the 1940s-1960s have been sewn together in colorful patches with rows of running stitch embellish...

Found in France, this painted metal clock face plate has been mounted with a dark wood frame and dates from the early 20th century. These genuinely old clock...

Found in the US. Unknown origin. Circa 1910 large hand carved and framed walnut panel. Very intricately rendered work featuring leaves, vines and flowers. This is heavy piece and is...

Extra large rectangular Venetian mirror with wood backing and scalloped frame with reverse etched detailed border, circa 1940s. Actual Mirror Size: 48” h x 28.5” w

Wrought iron chandelier was found in Belgium, circa 1970s. Top of fixture has seven iron strands twisted tightly together and gradually opening to form the chandelier arms. Seven arm...

Wooden produce sign found in England, circa 1920s. Wood foundation is covered in strips of canvas which have been hand painted by unknown artist.

Large vintage Textile wall Art. Circa 1970s Features a stretched canvas with a forest inspired design printed in vibrant earth tone colors. ...

This is an extra-large antique Indian Kashmir textile woven during the end of the 19th-century circle 1900 and measures 310 x 162 cm in size. This pie...

A collection of three antique textile fragments displayed in various frames. It consists of a blue on white woven panel presented in a metal frame. The panel depicts dancing human fi...

Early 20th century pair of Indonesian handmade textiles. Pictures with inlays.

Named after the Mesopotamian Goddess of the Moon, SIN, is a handwoven textile wall piece. The piece comes with a metal frame with brass coating. Custom wood frame is available upon ...

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...