18th Century Double Portrait of married couple, Follower of Sir Joshua Reynolds

A late 18th century Chinese export watercolour, depicting a man and a woman in a garden, a watermelon set upon the window sill.  

A fine and rare late 18th century silk work portrait of a young lady. Set within the original verre eglomisé mount. Dimensions refer to size of frame.

A late 19th century still life oil depicting a melon, a vine branch with grapes, tomatoes, plumbs and hazelnuts on a marble table top. Oil on canvas. Set within a guilt composite...

A late 19th century botanical study depicting a red lily. Watercolor on paper held within a reeded giltwood frame.

Jan van der Vaart (1647-1727) Portrait of Dorothy, Lady Brownlow (1664-1700) Oil on canvas; held in a period carved wood frame circa 1687 Considered a beauty of the age, Dorothy, Lady Brownlow was painted on a number of occasions by some of the most talented and respected artists of the day; Kneller, Riley, Closterman, Dahl and Wissing, all rendered her features in oil for posterity. The portrait presented here is by Jan van der Vaart who from 1685-1687 was employed by Willem Wissing as a drapery and landscape painter. After Wissing’s death in 1687 he practiced as an independent portraitist much in the style of his master with some influence also of Kneller. This work is in fact the head and shoulders taken from Wissing’s three-quarter length of Lady Brownlow which hangs at Belton House, Lincolnshire and produced as a mezzotint in 1687. Van der Vaart has made some intriguing alterations particularly as the sitter now looks directly at us, appearing rather more provocative and self assured of her beauty. The confident rendering of the dress and pearls and the thickly drawn copious hair are hallmarks of Van der Vaart’s work. It is likely he completed this portrait – shortly after Wissing’s version – as a smaller variant intended for another family member as was often the practice. Dorothy Mason married Sir William Brownlow 4th Bt. in July 1688; she was the daughter and heir of Sir Richard Mason a politician and courtier to Charles II who owned estates at Bishop’s Castle, Salop and Sutton Surrey. She came from, and married into extreme wealth; her dowry upon marriage was £10,000 and on her death her husband inherited the estates that were once her father’s. In June 1697 William Brownlow succeeded his brother to the baronetcy and to most of his landed estates including Belton House. In 1698 he abandoned his Peterborough seat to contest Bishop’s Castle on behalf of his wife and in the interest of his mother-in-law, Lady Anna Mason...

A 15/100 scale beautiful watercolor of a steam locomotive listing the technical names for the component parts and inscribed 'Pensionnat St Gabriel - Chatell...

The artist portrayed an upper-class lady who has some facial features of Reynolds' Mrs Andrews. More specifically, the long, straight nose and the large eyes. Her head resting on her...

18th Century Watercolor Portrait of Sir John Mennes After Anthony van Dyck This 18th century small sized watercolor portrait, in ...

Oil on herringbone canvas copy of Joshua Reynolds’s portrait of the architect Sir William Chambers painted in 1779; the original of which is in the Royal Academy of Arts, London. Thi...

18th century portrait of a boy from the rococo period, Signed A. Eklund, oil on canvas, circa 1770, Sweden. Good condition with historical ...

Fine 18th century portrait of a lady, unsigned, circa 1750, Sweden. (reframed, oil on canvas) According to old frame painted by Johan Horner (...

Portrait Of A Nobleman 18th century PORTRAIT OF AN 18TH CENTURY NOBLE ELEGANT AND LARGE PAINTING WITH THE PORTRAIT OF AN 18TH CENTURY EUROPEAN ...