Pair of Qing Dynasty Reverse Glass Paintings

Reverse glass floral paintings in giltwood frames Continental, 19th Century Frame: Height 55.5cm, width 58.5cm, depth 7cm Glass: Height 4...

This pair of carved Chinese hongmu or rosewood armchairs date from the late Qing Dynasty, and combine extravagance and opulence with style and refinement. They are adorned with mytho...

Qing dynasty cloisonné enamel Chinese vase with Arabic inscriptions. Chinese, 19th century Measures: height 11cm, diameter 17cm. Crafted fo...

Antique pair of wall plaques of Orientalist figures French, late 19th century Measures: Height 45cm, width 37cm, depth 18cm The beautiful pla...

Set of 63 Qing Dynasty Chinese mother of pearl counters Chinese, early 19th century Measure: Diameter 3.5cm This set comprises sixty-thre...

Each Capodimonte porcelain plaque in this pair portrays a famous episode from Roman history: The Rape of the Sabines. The scene on each pl...

A fine matching pair of embroidered silk civil rank badge panels (known in Chinese as Buzi) unframed. The panels feature borders of fret archaic key a...

Allegorical scenes with ebonized frames.

Each nicely painted in reverse. One depicting a boy playing a flute to a terrapin in a sea and the other a man in a sea rising over a man floating in a shell. Carved wood frames.

A Pair Of Chinese Embroidered Sleeve Panels. China, 19th Century, Qing Dynasty. Antique textile ff rectangular form, with a central seam, one decora...

A pair of French reverse glass paintings or cartoons, each of oval form, one depicting a man with a mass of hair or full wig using a brush to fence with a woman wielding a broom, the...

A silk collar from China dated to late Qing Dynasty circa 19th century. Known as Yunjian (Cloud Shoulder or Cloud Collar), this multi-lobed textile piece was a detachable collar worn around the shoulders as part of the traditional Chinese garment accessory. With its origin dated back to the Han Dynasty and being used until the end of Qing Dynasty, the form evolves with time, but much of the ornamentation and fundamental symbolism remains the same. This striking example features a two-tiered design with seven lobes on each circle, all of which are variations of the shape of auspicious "ruyi", which represents the head of Lingzhi mushroom, a symbol of longevity. The inner lobes feature elaborate embroidery floral design with long and short satin stitches. Notably, one panel has a double gourd design, the symbol of fortune. The outer lobes show a simpler but bolder vision with the outlines of the designs lineated with metallic threads buddled in chain stitches. Small jade beads were used to link the piece together and most of them still remain. The piece as a whole has a very pleasant lilac purple color, delicate with the jade beads. In Qing Dynasty, the silk collar with high quality was worn by noble or aristocratic women. The red color and the lotus boy symbol indicate that it was most likely part of the fashion accouterment worn during wedding ceremony. The collar is beautifully float mounted within a double conforming mat in a giltwood frame and wood backing. A stunningly presented period piece with story to tell. Reference: For a collection of Chinese embroidered collars...