Schumacher Hand-Applied Natural Peacock Feathers Textile Art, Gold Framed

Based on a rare 18th-century document and created by one of Europe's premier engravers, this design comes in coordinating panels of fabric and wallpaper with a 12-foot repeat. Pane...

A reinterpretation of a woven fabric document from the Schumacher archives, this design features a repeating LOVE motif that is rendered in tight pencil lines resembling the effect o...

Capturing the look of artisanal processes like ikat or shibori, this 12-foot tall panel wallcovering has a soft, watercolor effect and alludes to a lush se...

Elegant cranes meander and take flight through an enchanting forest of palm trees, or Yashinoki in Japanese. Based on an original painting by our design studio, the 4-panel Japanese mural...

Inspired by a traditional Japanese ink painting and reminiscent of a landscape or seascape, this panel wallcovering moves from saturated to nuanced colorations. At a whopping 18-foot...

Otherworldly and enchanting, this blue-and-red Amaltas Panel is a wallpaper based on an 18th century block-printed fabric document discovered in our archives. A forest of exotic flow...

Frank Lloyd Wright for Schumacher Tokyo Imperial Hotel Geometric Textile Frank Lloyd Wright for Schumacher Imperial Peacock Textile. 54" x 80". Wright...

Named after the Mesopotamian Goddess of the Moon, SIN, is a handwoven textile wall piece. The piece comes with a metal frame with brass coating. Custom wood frame is available upon ...

A collection of three antique textile fragments displayed in various frames. It consists of a blue on white woven panel presented in a metal frame. The panel depicts dancing human fi...

Large vintage Textile wall Art. Circa 1970s Features a stretched canvas with a forest inspired design printed in vibrant earth tone colors. ...

Early 20th century pair of Indonesian handmade textiles. Pictures with inlays.

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...