Ten Copperplate Engravings in Gilt Frames by Benjamin Maund, Judy Cormier Framed

Pair of Italian engravings signed Gio Ma Calsini each in a gilt gold frame under glass.

Lithograph by Patricia Govezensky of Two Sophisticated Woman in a vibrant city setting. Gilt framed. EXX.

19Th Century Pair of Lithographs Birds, Custom Framed, Signed W Hart and Dated A fine pair of large lithographs. Each depicting colorful birds perche...

After Marc Chagall "Bouquet De Fleurs" Lithograph in an elegant gilt gold frame underglass, 1970s. Unframed: Height: 28 in. Width: 23.24 in.

La Mode Illustree, French fashion magazine published in the 1800s, print La Mode Illustrée, was a French fashion magazine, published between 1860 ...

A pair of prints finely framed L'Hiver et Printemps. Each in a fine gilt wood frame set in a ebony larger frame.

These two works commemorate the great English pastime of gentlemen hunt parties and social gatherings surrounding the land and its produce to those who own it. This very nice pair of...

Handcoloured copperplate engraving from Rene Primevere Lesson's Complements de Buffon, Pourrat Freres, Paris, 1838 The long-billed corella or slender-billed corella (Cacatua tenuirostris) is a cockatoo native to Australia. The rose-breasted cockatoo, best known by its native aboriginal Australian...

Antique hand colored riverscape / landscape copperplate engraving based on a painting by Jacob Maurer and engraved by Paul Fourdrinier - A View of Westminster Bridge from Lambeth, published according to Act of Parliament 1754 for Stowe’s Survey of London. BIO: Paul Fourdrinier sometimes referred to as Peter or Pierre Fourdrinier, was an 18th Century engraver in England. Paul Fourdrinier, engraver and printseller, was born on 20 December 1698 in Groningen in the Netherlands, the son of Jacques Fourdrinier and his wife, Jeanne Theroude, Huguenot refugees from Dieppe, Normandy. He was a pupil of Bernard Picart at Amsterdam for six years, and came to England in 1720. He was employed in engraving portraits and book illustrations. He also engraved two works by Peter Monamy, marine paintings displayed in Vauxhall Gardens. The engravings were published in 1743, but may have been executed earlier. Starting in 1742 Fourdrinier produced a series of books consisting of numerous folding charts showing "The Succession of Colonels to all his Majesties Land Forces from their Rise to 1742", as well as many other details of British military and naval personnel. The 2004 edition of the Oxford Dictionary of National Biography makes it clear that in the 19th century edition of the Dictionary of National Biography this engraver's works and career were assigned to two individuals, Peter (or Pierre) and Paul Fourdrinier. Peter/Pierre is now seen to be a fictitious individual resulting from an accidental misnaming of Paul. Paul Fourdrinier is mentioned as the engraver of some of the works listed above, and he has been identified with the Paul Fourdrinier who was of the parish of St. Martin's-in-the-Fields, married to Susanna Grolleau, and who died in January or February 1758. The couple had at least five children, including a son Henry Fourdrinier, whose daughter, or granddaughter, Jemima Fourdrinier was the mother of Cardinal John Henry Newman...

George Edwards Set of Twelve Parrot Engravings with chinoiserie Frames, Natural History of Birds, Engraved by Georg Dionysius Ehret, Mid-18th cent...

The Holy Family by Matthias Oesterreich after Carlo Lotti. Matthias was a German Old Masters artist who lived 1716 - 1778. Measures: 20.25” x 2...

A fine 19th Century engraving print by Auguste Brouet housed in a period gilt wood frame. This fine print was issued by the Louvre Museum in Paris, France. Measures: 1" Deep x 19" Wide x 19" High Auguste Brouet (1872–1941) was a French etcher and book illustrator. Auguste Brouet was born and raised in a poor family in the popular north-east quarters of Paris and in Les Lilas, in the near suburbs. While apprenticed to a lithographer, he struggled for artistic education through the evening drawing classes of Eugène Quignolot (1858-1918), also briefly attending Gustave Moreau's atelier. Starting from around 1895 he would make a living by working for fashionable artists and also crafting reproductive etchings in color, in the workshop of Eugène Delâtre...