William Henry Chandler Pastel, Cottage by a Shallow Creek in Autumn

William Henry Chandler (1854-1928) Pastel, a cottage in an autumn landscape, signed "Chandler" on lower right. Pastel on paper in period mahogan...

Attributed to William Huggins (1820-1884) Head of a Tiger. Bears signature 'W. Huggins' and dated 1875, on the (lower right). Watercolour on paper laid down on board irregula...

American Hudson River School, 19TH CENTURY Lake George. Oil on board. Measurements; 20"-inches x 30"-inches in. (50.8 x 76.2 cm.) frame: 26 1/2"-inches x 36 1/2"-inches x 3"-i...

Grand Canyon watercolor, American school, circa 1930, watercolor on paper, framed under glass with matting, unsigned inscribed on verso "Grand Canyon GW". Paper size 5 1/8"-inches 7...

Kellogg & Comstock SHEPHERDESS OF THE ALPS original Kellogg & Comstock hand-colored lithograph, Published by D. Needham (American, 1808 - 1888). Circa. 1848-1850. image: 12 in x 8 1/2 in; 30.48 cm x 21.59 cm. overall: 15 in x 11 in; 38 cm x 28 cm. Strong and clear impression, overall very good condition, paper has a light oxidation and restored small tear middle left side Framed, no glazing This hand colored print is of a young girl and two goats standing near a stream in a forested area. The girl is wearing a knee-length dress with short puffed sleeves and long stockings. She is feeding a goat with flowers and grass from her apron. The original "Shepherdess of the Alps" appears to have been a play by Marmontel, which enjoyed great popularity in France, England, and America in the late eighteenth and early nineteenth centuries. The play inspired numberous paintings and prints. See Paul Grigaut,"Marmontel's Shepherdess of the Alps in Eighteenth Century Art," Art Quarterly (1949). The subject appears quite frequently in schoolgirl art...

Watercolor A view of St. Paul's Cathedral in London- Sergio Manfredi (1932-?) Italian painter, Signed and dated "S. Manfredi 1958" lower left and inscribed "London St. Paul's Cathedr...

Antique Victorian pastel on paper of a fine quality still life with game by American Artist, William Henry Chandler (1854-1928). Chandler was a ...

William Henry Chandler (1854-1928) Chandler was a prolific and accomplished pastel artist who lived in New Jersey and worked from his studios i...

Unsigned, from the estate of the artist. A gray misty day with a house near a stream in the forest. It is illuminated by the sun streaking through the mist and onto the stream. Flowering foliage carpets the forest floor. art 20 x 24...

This Mid-Century Modern one of a kind horizontal watercolor by William Henry is a combination of cubist individual faces with African influences...

Oil painting on masonite or board. Signed lower right. A charming country scene of a house in winter with a fence and bluish-white snow covered yard. Tall brown-green tress frame the...

Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...