Period Venetian School Ink Picture Capriccio

1930s colored drawing inscribed on the back "Promenade" This important drawing we can very likely attribute to the Italian master Carlo Carrà. The beauti...

Interesting Flemish painting representing a characteristic tavern interior scene with characters intent on playing cards. Oil on canvas in a round shape. The frame is an original gil...

This drawing is a view of a garden. In the background, we see a high base topped by a statue of a 19th century figure along with other architectural ruins. Central to the composition...

Beautiful oil on canvas painting depicting a young noblewoman sitting outdoors with a bouquet of flowers in her hand and a cage on the ground, by the great English artist George Lance This painting, never before on the market, comes from a private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. George Lance (24 March 1802 – 18 June 1864) was an English painter of still life and portrait miniatures. Lance was born at the old manor-house in Little Easton in Essex. His father was William Lance who had previously served in a regiment of light horse and was at the time of Lance's birth an adjutant in the Essex yeomanry; he later became the inspector of the Bow Street horse-patrol. His mother, Louisa Lucy (née) Constable, with whom his father had eloped from boarding-school, was the daughter of Colonel Constable of Beverley in Yorkshire. Although Lance showed a predilection for art at a very early age, he was placed, while not yet fourteen, in a factory in Leeds. However, the work injured his health and he returned to London. Wandering one day into the British Museum, he casually started a conversation with Charles Landseer, who happened to be drawing there. On learning that Landseer was a pupil of Benjamin Haydon, he went early next morning to that painter's residence, and asked to become a pupil. Haydon replied that if his drawings promised future success he would instruct him for nothing. Not many days later Lance, still not yet fourteen, entered Haydon's studio, and remained there for seven years, at the same time studying in the schools of the Royal Academy. While designing a picture inspired by Homer's Iliad, he decided, before putting on the colours, to paint some fruit and vegetables as practice. This work attracted the notice of Sir George Beaumont, who purchased it, and this success led him to paint another fruit-piece, which he sold to the Earl of Shaftesbury. He then painted two fruit-pieces for the Duke of Bedford...

Beautiful oil on panel painting representing Venetian landscape. The luminosity of this evocative view combined with the impressionistic style of br...

Beautiful painting in gouache technique depicting a distinguished young lady. The noblewoman presents a pose of rare elegance, with one hand resting on a planter and the other holding a closed fan. The grace, period, style and quality all point to the production of a great artist from the Flemish area in the second half of the 19th century: Alfred Émile Léopold Stevens...

Drawings, one representing San Geremia on the Grand Canal, the other La Salute on the Grand Canal. Both drawings are in a style evocative of Francesco Guardi (1712-1793) specialist o...

We are delighted to offer for sale this exquisite circa 1750 French school chalk on paper sketch of a Architectural Capriccio. A beautiful example of the French school, the piece ...

Nude male academy. Red chalk on paper. While the artist who drew this drawing is not known, the confidence in the trait along with the fascinating perspect...

Venetian Capriccio, after Francesco Guardi (Italian, 1712-1793) Unsigned, with a label from Wandenberg Freres (Paris) affixed to the back of the mat.

1970s Indian religious ink drawing. It is part of a private collection.

Bay in Twilight, charcoal on blue paper. Provenance, Sir Edwin A.G. Manton.