Vintage Indigenous American Indian art exhibition poster, signed, 1978

An original authentic vintage Picasso exhibition poster from Gallery Beyeler at Art Basel, 1981. The poster is mounted on wood, b...

A vintage exhibition poster for a Braque show which toured through several museums: “Braque: the late paintings 1940-1963”. Framed in an ebonized titanium frame...

A vintage Harold Waldrum exhibition poster from the Palm Springs Desert Museum, 1986. Framed in ebonized titanium and behind glass. Featuring his work « La lapida blanca con cielo gr...

An original exhibition poster from the Solomon R Guggenheim museum in New York City: “Max Ernst: a Retrospective.” From 1975. This poster showcases the artist’s work “At the First Cl...

A vintage Picasso exhibition poster from the Musée Picasso featuring a detail from his 1937 portrait of Dora Maar, 20th century. Framed in copper-toned titanium, behind glass, and in...

A vintage lithographic print signed by artist « Aloni », 1978. Original art piece boasting expert and dynamic draughtsmanship, behind glass and e...

Untitled by RC Gorman, original lithograph ca 1979 framed Navajo Woman blanket limited edition original lithograph

Original vintage travel poster for KLM Royal Dutch Airlines West Indies Division Caribbean Routes featuring a map of the Caribbean islands and the Atlantic Ocean Caribbean Sea Gulf o...

Original vintage poster: "Map of the United States as Californians See It". 1947, artist: Oren Arnold. Size: 16.5" x 20.5", R. H. MOEBUS COMPANY This poster is not linen-backed. This poster is in very good fine condition, ready to frame. A humorous satirical pictorial map from 1947 with the golden sun on the upper left, gives a detailed depiction of California, its relative size to the rest of the United States, showing Florida as "Death Valley", the rest of the United States as "Unexplored" 'Unimportant anyway, not in California". The image has your Mexican singer; bikini-clad bathers and others set in the image. Shows rivers, lakes, harbors, landmarks, parks, recreational activities, and local people. This map shows Los Angeles’ city...

A modernist mountain landscape (likely of Colorado) vintage 1930s oil painting by Jan Matulka (1890-1972). Sogmed nu tje artist in the lower right, estate stamped verso. Custom hand-carved frame measuring 30 x 35 inches, canvas size is 25 x 30 inches. Expedited and International shipping is available - please contact us for a quote. Provenance: Estate of the artist, Jan Matulka About the Artist: By maintaining his Czech birthright and European ties, Jan Matulka played a distinctive role in the development of American modernism. Participating in significant artistic circles in this country and France, he was an enthusiastic emissary of Cubism and Surrealism to both colleagues and students. His independent spirit worked against a successful art career, and personal misfortune and deafness increasingly cut him off from the emerging avant-garde scene. While Matulka experienced a renewed interest in his work before his death, his legacy as an inexhaustible creative force is only now appreciated. Born on a dairy farm in South Bohemia in 1890, Matulka first pursued his artistic ambitions in Prague, an advanced cultural center that quickly embraced Cubist art and architecture. The intellectual vanguard supported a national revival, which included an interest in folk tales and traditions. For the young Czech artist, the simplified yet dynamic forms of Cubism and folk arts would become a liberating vocabulary, one he could apply to the sturdy underpinnings of traditional education. Throughout the many turns of his artwork, Matulka always brought a firm sense of design and command of drawing to his imaginative musings. Arriving in the Bronx with his family in 1907, he began studies the following year at the conservative National Academy of Design, winning the $1500 Joseph Pulitzer Traveling Scholarship upon graduation. Because of the war, his artistic pilgrimage to Picasso’s Spain was stymied. So he traveled to those areas of the US that were settled by the Spanish, such as Florida, Arizona and New Mexico. While in the Southwest, he found a contemporary equivalent of the “primitive” in pueblo, living for a time with the Hopi. Along with naturalistic watercolors, his work stemming from this period is considered among the first modernist interpretations of Southwestern Indian customs. Some of these works were finished from sketches upon his return to New York, where he started to fully express the formalist experimentation of Cubism. In the summer of 1920, Matulka exhibited abstract paintings at Katherine Dreier’s Societe Anonyme along with Patrick Bruce, James Daugherty and Jay Van Everen. Through her largesse, he would have a one-man show in 1926 at the Art Center, 65 East 56th Street, but his thoughtless behavior led to her losing interest in his fortunes. Also upon his return to New York, he married Lida Jirouskova, a librarian whose literary connections led to illustration projects for Matulka. Studying lithography at the Art Students League in the mid-twenties solidified his understanding of graphic principles, and about half of his prints date from between 1925 and 1928. Working in black and white, Matulka developed an understanding of compositions based in shifting relationships of tonality – of contrast of dimension and design. This balance of the linear and the roughhewn characterize even the most colorful of his paintings. Matulka and his wife traveled to Paris in late 1919 or early 1920, and he established a studio in Paris that he kept until 1934. Meeting with the likes of Gertrude Stein, he stayed current with the tastes of the aesthetic elite, such as Diaghilev’s Ballet Russe. Many of his works from this time are reminiscent of Picasso’s mix of neo-classical monumental nudes...

Artist: Alice Asmar American (1929- ) Title: Joy of the Eternal Now Year: 1980 Medium: Lithograph Sight size: 17.75 x 28.75 inches. Sheet size: 22 x 30 inches. Signature: Signed lower right Edition: 105 This one: 57/105 Condition: Very good Unframed This print by Alice Asmar (1929- ) is in very good never-framed condition with no flaws to note. American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes. Her parents moved to Portland, Oregon when she was just a baby. She started drawing and painting at a very early age. Alice was considered a child prodigy; she was winning awards and recognition before the age of 10. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists. She Graduated magna cum laude from Lewis and Clark College in Portland and obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawings for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child. In 1954, Alice received her teaching certificate from the University of Washington after which she taught art at Lewis & Clark (1955 to 1958). After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. Today, She works in an 800 - square-foot studio that she designed with four skylights and is located behind her home in Burbank, California. A master of several media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books, lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is also recognized internationally. Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, The Public Art Museum of Gabrova, Bulgaria, Kaiser-Permanente, and the Dr. Nicholas Townell collection, Angus, Scotland. A selected list of her EXHIBITIONS is as follows: - Seattle Art Museum. - Museum of Science & Industry, Los Angeles. - Circle Gallery Ltd, Houston - Abbot Hall Gallery, William Temple...

Silver jubilee exhibition poster of sculpture in Battersea park signed and dated by Henry Moore. England, 1977 There is a similar signed copy of this poster in the collection of t...

Leonardo Lasansky Signed & Framed Exhibition Poster C.1982 Dimensions 22" wide x 32" high The frame measures 26" wide x 35" high Signed ...

19th Century French Louis XV walnut marble top commode is a classic example of pure, understated elegance! Hand-crafted from sumptuous select French walnut, it features a subtly scrolled apron all around below, supported by scrolled legs the front two of which are carved with scrollworks and acanthus plumes. Centered on the contoured apron is an asymmetrical foliate design. Other than tailored molding, the sides and three drawers directly above the apron remain otherwise unadorned allowing one to more fully appreciate the sheer natural beauty of Europe's most highly prized indigenous furniture...

This handsome pair of Navajo Indian weaving saddle blanket pillows are in great condition and have brown cotton linen backing. The inserts are down and feather fill.Sold as a pair only.

This shadow box all acrylic framed handwoven wool rug with rich and vibrant colors. This is a Signed piece by H. Ocampos, renowned for his technique and mastery of indigenous scenes ...

Original 2012 U.S. poster by Roy Lichtenstein for the exhibition American Pop Art. Fine condition, rolled with slight edge wear. Please note: the size is stated in inches and the act...

Original 1978 German A1 poster for the exhibition Heartfield Fotomonteur. Very Good-Fine condition, folded. Many original posters were issued folded or were subsequently folded. Plea...

Original vintage exhibition poster for 25 years of computer art Graphics Animation Technology / 25 Jahre Computerkunst Grafik Animation Technik was hel...

Original vintage exhibition poster - Original Drawing by over one hundred artists UK & US Laugh exhibition of British and American humorous art Sponsor...

Zao Wou-Ki Affiche De Galerie, original vintage exhibition poster "Zao Wou-Ki (1920-2013) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Za...

Andy Warhol France, 1978 Vintage exhibition poster from Musée des Arts Décoratifs in Paris. Measures: H 81 x W 56 cm.