17th Century Oil on Oak Panel Flemish Gallant Scene Painting, 1670

Ancient Flemish painting from the late 17th century. Framework oil on canvas depicting an interior scene of a tavern with characters of good pictorial quality. Painting of good size ...

Antique Flemish panel from the second half of the 17th century. Oil artwork on panel depicting a religious subject with an interior scene with the Holy F...

Antique Flemish painting from the second half of the 18th century. Oil on oak panel framework depicting a gallant genre scene with popular characters. Painting characterized by a tro...

Antique French painting from the second half of the 17th century. Painting oil on canvas, in fabulous patina, depicting a religious subject Magdalene of excellent pictorial quality. ...

Antique Italian painting from the 17th century. Artwork oil on canvas depicting a religious subject, Jesus stripped of his clothes, scene of the passion of Christ of good pictorial q...

Antique Italian painting from the 17th century. Framework oil on canvas depicting a religious subject Madonna of good pictorial quality. Beautifully sized and pleasantly furnished fr...

17th century, Emilian school Rural landscape with gallant scenes Oil on canvas, 37 x 47.5 cm With frame 61 x 50.5 cm The bucolic amenity of the present is reflected in the joyful gallant scenes that dot its surface. The locus amoenus described reflects on the more traditional inflection of Arcadia, which in the literary transfiguration was the scenario par excellence of the most carefree pastoral life and out of this world; the painting is therefore a forerunner of what was professed by the actual poetic academy of Arcadia which was established in Rome in 1690, but enthusiastically testifies to the feverish invitations to its acceptance, then widespread in the most avant-garde cultural salons throughout Italy. First Theocritus and Virgil later had awakened with Idilli and Bucoliche that capacity typical of the natural world to allow an escape from reality; the contemplation of perfect natural fruits that followed would have evoked in the spirits of dreaming men back to origins. The bucolic landscape was able to positively give a rhythm to material life, and constituted the concretization of a place devoid of incivility and ugliness, where only dreams, wild music and homages to fruitful nature were allowed. In the present painting widespread figures of shepherd children trace the same intent to the sublimation of earthly life, gathered in pairs, while children on the model of the ancient cherubs cheer the field with flowers and petals. The games of these and the sweet affections of the other characters are rendered through liquid and vibrant brushstrokes, flickering with a white light that opposes the dark shadow of the undergrowth. In the distance, the sky tapers with a silvery and flat brushstroke, while the vertical development of the promoters with architectures helps to introject a bright beam of light into the grassy clearing. The foliage and the turf of the landscape piece are rendered through a digital brushstroke, betraying the Italian brand of the present, influenced at the same time by the seventeenth-century European influences that then conveyed to the capital. The evocative culture of the city attracted many artists from the city of Bologna, from the Italian north but also from the territories beyond the Alps, such as Claude Lorrain and Nicolas Poussin. The historical-artistic heritage of the Italian pastoral scenes was thus able to fill up with the more functional and particular formalisms of the charms coming from elsewhere, such as the expressive tremor of the present, similar to the contemporary French lexicon. The typological restitution from pastoral idyll, in accordance with the intrinsic stylistic qualities of the work, allows us to specify the solid belonging of the present to the Italian hand, similarly to what was then emerging in the pictorial sphere within the Emilian school. In this regard, we should recall the latent influences of two decisive foreign landscape painters who passed through the Emilian belt, such as Claude Lorrain (1600-1682) and Nicolas Poussin (1594-1665); before them, Giovanni Battista Viola...

Beautiful antique oil painting on wood board. Excellent pictorial quality. Flemish school of the 17th century. A scene of everyday life in the village where in the foreground a farrier works on the horse's hooves. Not signed. Sold with rare antique wooden frame.

This 17th century panel painting is a depiction of a praying Franciscan monk, or of Saint Francis. The grey-brown habit, the skull and the book are ...

17th century Old Master Flemish School oil on copper painting depicting a picturesque Scene from the Commedia dell'Arte, scenery crowded with a multitude of figures in the foreground...

Ancient oil painting on canvas depicting the symposium of the Gods. This important seventeenth-century painting refers to the exquisite ...

A stunning and most impressive Flemish late 17th century/early 18th century oil on canvas painting possibly by Frans Francken III. The beautiful and...