17th Century Rest on the Flight to Egypt Religious Painting Oil on Canvas
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 6
17th Century Rest on the Flight to Egypt Religious Painting Oil on Canvas
About the Item
- Similar to:Simone Cantarini (Painter)
- Dimensions:Height: 24.41 in (62 cm)Width: 21.26 in (54 cm)Depth: 1.97 in (5 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:17th Century
- Condition:Refinished. Wear consistent with age and use. The painting has been cleaned.
- Seller Location:Milan, IT
- Reference Number:1stDibs: LU5918226987072
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2000
1stDibs seller since 2021
25 sales on 1stDibs
Typical response time: 10 hours
More From This SellerView All
- 17th Century Rest on The Flight to Egypt Emilian school Painting Oil on CanvasLocated in Milan, IT17th century, Emilian school Rest on the flight to Egypt Oil on canvas, 42 x 33 cm Frame 65 x 55 cm The present Holy Family, ...Category
Antique 17th Century Italian Paintings
MaterialsCanvas
- 17th Century Rest on the flight to Egypt Emilian School Painting Oil on panelBy ParmigianinoLocated in Milan, IT17th century, Emilian school, Pamigianino painter Rest on the flight to Egypt Oil on panel, 46 x 39 cm - with frame 55.5 x 48.5 cm The wor...Category
Antique 17th Century Italian Paintings
MaterialsWood
- 17th Century Saint Joseph Oil on Canvas Attributed to Antonio CifrondiLocated in Milan, ITAntonio Cifrondi (1665 - 1730), Attributed Man with stick - Saint Joseph Measures: Oil on canvas, Cm 115 x 79 - With frame, cm 139 x 103 This canvas is, for stylistic and c...Category
Antique 17th Century Paintings
MaterialsCanvas
- 17th Century Madonna with Child Painting Oil on Canvas Tuscan SchoolLocated in Milan, IT17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...Category
Antique 17th Century Italian Paintings
MaterialsCanvas
- 17th Century Portrait of Saint Paul Painting Oil on Oval CanvasLocated in Milan, IT17th century Portrait of Saint Paul Measures: Oil on oval canvas, 67 x 50 cm - with frame 81 x 64 cm The portrait examined here depicts the Apostl...Category
Antique 17th Century Italian Paintings
MaterialsCanvas
- 17th Century Christ and the Samaritan Oil on Canvas Roman SchoolLocated in Milan, ITRoman school of the 17th century Landscape with bridge - Christ and the Samaritan woman at the well Oil on canvas, cm 42 x 59,5 - With frame, cm 54, 5 x 71 cm The small canvas portrays a broad view of the city surrounded by a bucolic and lush landscape, probably a reinterpretation of the Roman countryside or the Agro. The fulcrum of the canvas is the bridge consisting of several bays beyond which stands a village. In the distance the landscape made of green mountains opens into what looks like a lake crossed by boats. The landscape is animated by the human presence; not only small and fleeting figurines intent on walking along earthy paths but also the representation, in the foreground, of an Gospel episode, that of Christ and the Samaritan woman at the well. The landscape can be clearly traced back to a painter trained on the examples of the great seventeenth-century Roman baroque landscape that sees in the Lunette Aldobrandini by Annibale Carracci but also in Claude Lorrain, Nicolas Poussin and Gaspar Doghet are its greatest achievers. If in the past, therefore, the landscape was considered the scenic background on which to project the representation of divine or human characters, in the seventeenth century it became an autonomous and codified pictorial genre. With Carracci comes the so-called ideal landscape: a mental reconstruction of a peaceful and harmonious nature in which the dream of a perfect communion with man is realized. In the wake of Hannibal, as mentioned, during the seventeenth century the "classic" Roman landscape knows a long and happy season by artists such as Domenichino, and the French Claude Lorrain, Nicolas Poussin and Gaspar Dughet. Lorrain investigates the Roman countryside in all its aspects, studying the variations in the different hours of the day, the seasons or weather conditions, but always nourished by a sense of bucolic Virgilian. With Poussin the approach becomes intellectual elaboration and sophisticated rational construction. From the examples of the great masters, the Roman Baroque season, from the middle of the century, saw the flourishing of several personalities who, with shots, but also important personal reworkings, led to further spread the genre. Among the personalities that can be compared to the work in question we cannot fail to mention Crescenzio Onofri (1634-1714), defined by Salerno as the only true pupil of Dughet, who then spread in Florence the taste of the Baroque landscape influencing Tuscan painters such as Panfi and Peruzzini. His paintings are in various Roman collections; such as, for example, the landscapes from the Sacchetti Collection and today at the Pinacoteca Capitolina. and those in the Almagià collection in Rome, others in the Palazzo di Montecitorio, but the most conspicuous group is in the Galleria Doria. In comparison we can mention the two passages of the National Gallery in London, the landscape with a bridge over the Antiquarian Market but also the design of the National Gallery of Art in Washington. In the work you can also find the influences of the art of Giovanni Francesco Grimaldi...Category
Antique 17th Century Italian Paintings
MaterialsCanvas
You May Also Like
- Italian Old Master Painting, 17th Century, Oil on CanvasLocated in Aalsgaarde, DKItalian old master painting, 17th century, oil on canvas. Good condition Measures: H. 54 W. 43 cm H. 21.2 W. 16.9 in.Category
Antique 17th Century Italian Paintings
MaterialsPaint
- 17th Century Italian Flemish Oil on Canvas Painting of Adoration of the MagiLocated in North Miami, FL17th Century Italian Flemish oil on canvas painting depicting the Adoration of the Magi. Early Flemish painting was contemporary to the development of the early Renaissance in Italy. In the middle of the 15th century Italy...Category
Antique 17th Century Italian Baroque Paintings
MaterialsWood, Giltwood, Paint
$26,663 Sale Price24% Off - Oil on Canvas Paint Flemish School, 17th Century BelgiumLocated in Beuzevillette, FROil on canvas depicting a country scene: a man watering his horse near a river where two cows and a sheep wade accompanied by a farmer. Work of northern France or Belgium of the 17t...Category
Antique 17th Century Belgian Paintings
MaterialsCanvas
- 17th Century Oil on Canvas Italian Religious Painting The Unfaithful FarmerLocated in Vicoforte, PiedmontAntique Italian painting from the 17th century. Artwork oil on canvas depicting a particular religious subject, the Parable of the unfaithful farmer. Once upon a time there was a far...Category
Antique 17th Century Italian Paintings
MaterialsCanvas
- 17th Century Large Dutch Painting Still Life with Fruit and Game, Oil on CanvasLocated in Vero Beach, FLThis large, old master still life painting is a perfectly balanced composition of fruit and game birds. In the foreground a rabbit is stretched out. A copper kettle and a basket are ...Category
Antique 17th Century Dutch Baroque Paintings
MaterialsPaint, Canvas
- 19th Century Egyptian Figures Continental Oil on CanvasLocated in North Miami, FLA pair of early 19th Century Continental School Oil on canvas. One portrays Egyptian Figures at a table with Hieroglyphics, and the other one a flute player and a singer. The scenes are from a funerary banquet, from the Tomb of Nenkhef. Both are framed in matching silver gild...Category
Antique 18th Century Egyptian Decorative Art
MaterialsCanvas, Paint
$6,000 Sale Price / set20% Off
Recently Viewed
View AllMore Ways To Browse
Flight To Egypt
Religious Kneeler
Desert Engravings
Flight Into Egypt
The Flight Into Egypt
Rest Flight Egypt
Antique Casement Stays
Holy Family Sculpture
Mule Sculpture
Claudio San
Rest On The Flight Into Egypt
Simone Cantarini
Orazio Gentileschi
Ginseng Antique
Gabriel Metsu
Eugenio Lucas
Eugene Remy Maes
Eric Cederberg