Antique French Church Painting Signed Du Mont, 19th Century

Inspired by his voyages as a sailor, the French painter Charles Kuwasseg painted this impressive coastal landscape painting in the 1870’s (the canvas ...

Signed in the lower right corner (by Belgian artist “J. L. Van Leemputten”), this antique pastoral sheep painting is from the late 1800s. The peaceful...

Signed by the artist in the lower left corner (“Lecler”), this oil on canvas painting is entitled In the Sheepfold. A typical day in the life of a farmer dressed in blue with a gold hat, the agriculteur can be seen tending to a hay feeder. Behind the man is a flock of 15 sheep, mostly depicted with tan wool and white faces and ears, with the exception of a small all-white lamb. Some of the livestock is grazing from the feeders, while four of them (including the lamb) are gathered near a large water trough. A pair of chickens can be spotted amongst the herd, including a brown rooster...

Genre paintings, such as this outdoor scene on a board, depict people engaged in leisurely activities, such as picnicking, hunting, or walking through a park. They were popular durin...

Our captivating and large oil painting in a giltwood frame (49.5 inches) is a snapshot of life in France during the 1800s. The artist (St Aubin, signed in the...

This French winter landscape painting from the 1800’s sits securely in the original giltwood frame. The hand-carved frame has several long ribbons, with sinuous fabric curls encompassing a repeating border of two distinct flowers. A slender cavetto molding can be seen inside of the carvings, with a repeating scalloped leaf motif that immediately borders the canvas. The French School painting depicts an overcast winter day with a small patch of blue sky in the middle of gray clouds above snowcapped mountains. Most likely the French Alps, there are a few evergreen trees...

Circa mid 19th Century watercolor on paper. Clatworthy Church of St Mary Magdalene, Somerset England. Shows graveyard with iron mortsafe cages over g...

French Victorian gilt framed oil painting of seated black and white terrier (signed DUBOUY, 1904).    

19th century French painting, signed: "M.J.Metz", oil on metal, size with frame: 15.5 x 13.7 inches (38.5 x 35 cm).

Painted on board and dressed on in the original carved gilt frame, the artwork depict a pastoral and landscape scene with village in the background, in the post-impressionist manner....

This stunning pair of antique oil paintings is an incredible example of traditional French art, signed by the renowned artist Lambert. The medium-siz...

An important painting by one of the most representative Italian artists of the 19th century, Enrico Coleman. It depicts a village most probably from Lazio, perhaps a glimpse of Anticoli Corrado, the town famous for the attractiveness of its models, or rather Subiaco, his mother's birthplace. The atmosphere here is typical of the XXVs of the Roman Campagna of which Enrico Coleman was probably the most important exponent. The reason for this can also be seen in this small masterpiece that captures the washerwomen in their occupation immersed in a poetically bucolic atmosphere; a sky of unparalleled blue stands out in the background. Signed below on the right This painting, never before on the market, comes from an important Italian private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Oil painting on paper Enrico Coleman (21 or 25 June 1846 – 14 February 1911) was an Italian painter of British nationality. He was the son of the English painter Charles Coleman and brother of the less well-known Italian painter Francesco Coleman. He painted, in oils and in watercolours, the landscapes of the Campagna Romana and the Agro Pontino; he was a collector, grower and painter of orchids. Because of his supposedly Oriental air, he was known to his friends as "Il Birmano", the Burmese. Enrico Coleman was born in Rome in June 1846. He was the fourth child of the English painter Charles Coleman, who had come to Rome in 1831 and settled there permanently in 1835, and of a famous artist's model from Subiaco, Fortunata Segadori (or Segatori), whom he had married in 1836. Coleman was initially taught by his father, did study at the Accademia di San Luca in Rome. Following the mocking reception of Una mandria di bufali nelle paludi pontine, a naturalistic painting of a herd of buffaloes in the Pontine marshes, at the International Artist's Club in 1872,he reportedly began to paint genre subjects in the manner of the then-fashionable Mariano Fortuny, although no works showing the influence of the Spanish painter are known. At the instigation of Nino Costa, he soon returned to the depiction of the people, animals and landscapes of the Campagna Romana and the Agro Pontino. Coleman was lover of orchids, which he painted, collected and cultivated. An 1894 watercolour of orchids is in the Galleria Comunale d'Arte Moderna e Contemporanea in Rome. Coleman had a remarkable collection of indigenous orchids, which he cultivated himself in his house at 6 via Valenziana and the botanist Fabrizio Cortesi named the hybrid Orchis x colemanii Cortesi in his honour. In 1875, Coleman was among the founding members of the Società degli Acquarellisti, the Roman society of watercolourists; he participated in the society's first exhibition in 1876, and continued to exhibit with them until 1907. In 1878 he was elected an honorary member of the Société Royale Belge des Aquarellistes, the Belgian royal society of watercolourists, with which he participated in the Salon de Paris in 1879 and to the 4th Esposizione Nazionale di Belle Arti, or national fine art show, of Turin in 1880, and to that of Milan in the following year; he showed works in London in 1882 and in Rome in 1883. In 1885, Coleman was among the founding members of the group In Arte Libertas, of which Nino Costa was the leading force and the other founding members were Vincenzo Cabianca...