Assorted Oils on Board by William Freed '1902-1984'

The Paul ottoman features a solid lacquered brass base and an upholstered seat with piping. Each leg features a rounded leveler. Inspired by the clean lines and brass detailing of...

The Pruckel sconce features a circular backplate with a conical perforated brass Shade. The Lawson-Fenning Collection is designed and handmade in Los Angeles, California.

The Orsini barstool is made with a solid brass spun base that features rounded feet and an upholstered seat. Shown here in matte black. The Lawson-Fenning Collection is designed ...

The 6-globe chandelier features six arms that are centered on a brass rod. Three of the globes are angled down with brass shades. The other three have white or black powdercoated sha...

The XL 6-Globe chandelier features six arms that are centered on a brass rod. Three of the globes are angled down with brass shades. The other three have powdercoated shades. The ...

The 6-globe chandelier features six arms that are centered on a brass rod. Three of the globes are angled down with brass shades. The other three have white or black powdercoated sha...

Oil painting on board "Eclipse by Candlelite" by William George Nes.

Gilles Guias (b. 1965), French artist. Acrylic on board. Abstract composition. Dated 1984. The board measures: 40 x 40 cm. The frame measures: 2 cm. In excellent condition. Signed.

"Jack Knife" “18” X 18” acrylic painting on board by William Phelps Montgomery. William was born in August 1948. The son of art historians, he grew up ...

Abstract Expressionist painting entitled "All Manner Of Thing," by William H Littlefield (1902-1969). Littlefield was a Provincetown and New York painter who studied under Hans Hofma...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin where they settled. This is where Peter Robert Keil grew up in the working-class neighborhood of Berlin-Wedding and where he discovered his interest in painting – particularly in expressionistic artists and in Pablo Picasso's work. From 1954 on, the East Berlin...

Fruit still life on board signed Timmons. Attributed to William Federick Timmons(1915-1985) . Rich colors of blue, red and pink make up this fruit still life composition. The composition consists of fruit in a pedestal bowl and the detailed drapes in the background. Custom framed. This item can parcel ship for $45. William Frederick Timmins was born May 23, 1915 in Chicago, Illinois. His father, Harry L. Timmins (1887-1963), was a celebrated magazine illustrator and co-owner with Frank H. Young (1888-1964) of a successful Chicago advertising agency called Young & Timmins Advertising Illustration Studios. In 1923 Timmins and Young co-founded the American Academy of Art in Chicago. His father's impressive career brought the family a prosperous and privileged lifestyle, which included pleasure trips to Paris and London. In 1934 he began to commute by Metro North train to New York City, where he studied at the Art Students League on West 57th Street. He also took classes at the National Academy of Design on Fifth Avenue near 89th Street. In 1935 he began to study at the Grand Central School of Art, located on the sky-lit top floor of Grand Central Station Terminal. This was the same station he used for his daily commute. In 1935 he began to sell pen and ink story illustrations as well as painted covers to NYC publishers of pulp magazines. During the second half of the 1930s his work appeared in Western Story, Dime Sports, Clues Detective Stories, Thrilling Western, and All Aces Magazine. He and his wife moved to a home on Spectacle Lane in Wilton, CT. This area of Connecticut had become a popular artist community. He socialized with several artist neighbors, such as Benjamin Kimberly Prins (1902-1980), Tom Lovell (1909-1997), Richard Lyon (1913-2002), Al Parker (1906-1985), Rolf Klep (1904-1981), R. G. Harris (1911-2007). During the 1940s his cover illustrations appeared on pulp magazines, such as The Shadow, Clues Detective Stories, Wild West Weekly, and Astounding Science Fiction. All these were published by Street & Smith. In 1944 the family moved to Darien, CT. At first the artist worked in a rented studio in nearby Norwalk, CT, but after a while he converted a vacant family room into an art studio and worked at home. After the war he drew story illustrations for Family Circle and Liberty Magazine. In 1948 his father, Harry L. Timmins, and his brother, Harry L. Timmins, Jr., moved to California to open a lithography business in Hollywood. During the 1950s he illustrated several books for children that were published by Rand McNally, such as Cowboys, Davy Crockett...