"Back From the Fair" Attributed to J.F. Demay, France, 2nd quarter of the 19th C

An important carved giltwood mirror with a rich frame beautifully decorated of arabesques. The top is richly ornamented with a cherub and surmounted by a mask on a spread shell. The ...

Measurements with frames: Height 135 cm (53 in.), width 94 cm (37 in.) Magnificent pair of important paintings on the theme of “Fêtes galantes” and so dedicated to the art of sedu...

Signed on the bottom right Henry Picou. Charming mythological scene representing a round of nymphs, symbol of fertility and benevolence, wearing crowns of flowers and dancing in the middle of a wheat field. They are accompanied by playful winged cupids flying around them and throwing flowers. Author of genre and portrait scenes, Henry Picou has mainly distinguished himself, in the neo-Greek movement of the second half of the 19th Century, in the representation of allegorical paintings thanks to his delicate and colorful touch. Born on July 27th, 1824 in Nantes and died on July 17th, 1895 in Paris, Henry-Pierre Picou is an history, portrait and genre scenes painter, who has distinguished himself in the Neo-greek movement. Entering at twelve years old in the workshop of the painter Paul Delaroche, he then follows Charles Gleyre’s teaching in the Ecole Royale des Beaux-Arts de Paris. In Paris, he becomes friend with young painters among which Jean-Léon Gérôme, Gustave Boulanger and Jean-Louis Hamon. This group, who is passionate about recent discoveries about Roman and Greek antiquity, starts exposing in the Salon in 1847, and Jean-Léon Gérôme’s painting, le Combat de coqs, awarded with a gold medal, allows them to be noticed and devotes Gérôme as the leader of this new Neo-greek movement. This artistic movement quickly becomes fashionable, also influencing the decorative arts and the architecture. Henry Picou wins the second prize of Rome in 1853 for his painting Jésus chassant les marchands du Temple, preserved today in the Ecole nationale supérieure des Beaux-Arts in Paris. When Neo-greek artists are not so popular anymore, Henry Picou devotes himself to a career as a portraitist and genre scene painter, and exposes to the Salon paintings...

Beautiful wool and silk tapestry representing a banquet of a Pasha. While the guests eat, servants bring the dishes and musicians entertain the assembly. Tapestries were used to richly decorate a house and keep the heat inside a room by diminishing the cold radiation of the stones. It could be quickly and easily disassembled to be transported to another house. From a millefleurs decor at the beginning of the art of tapestry, the weavers have managed to increase the woven surfaces allowing the narrative unfolding of a story (biblical, mythological or literary stories) through hangings, set of tapestries on the same subject. The origins of Aubusson tapestry still remain uncertain, although some attribute its invention to Saracens who settled on the banks of the Creuse after their defeat at Poitiers in 732, while others believe it to be the fact that Louis 1...

Exceptional centerpiece in silvered and gilded bronze, composed of a naiad riding a dolphin, supporting a chiseled shell decorated with reeds, adorned with the head of a river god on its bow and on which a winged love blows in a conch. The whole rests on a pedestal decorated with dolphin heads and cut-out leathers, ending with a porphyry base with molded steps. Historical and artistic context Centers and naves of tables are attested in France from the Middle Ages in order to present spices and other condiments brought from distant lands around the Mediterranean or from the trade of the Silk Roads. The importance of their presence on prestigious tables will be confirmed throughout the decorative arts, evolving during the 19th century in centerpieces, becoming a central element of decoration. Here we find a true virtuosity in the composition and representation of the human figure which is reminiscent of the greatest artists of the Italian Renaissance. Indeed, the fluidity of the lines of the naiad can be compared to the nymph of Fontainebleau by Benvenuto Cellini preserved at the Louvre museum and dated 1545, while the naturalist representation of the marine setting refers to the work of Wenzel Jamnitzer...

Charming pair of paintings representing young women in well-off interiors during their music lesson, one illustrating a singing lesson and the other a Cello lesson. The theme of the music lesson...

Italian View of the Livorno Lighthouse, First Quarter of 19th Century This painting represents the view of the Livorno dock with the lighthouse in the background. The different details in this picture could identify it as a historical view. The first detail is the Heraldic coat of arms of the Medici family...

Hand carved in walnut this well worn washboard utilizes both its sides, now best admired as a wall hanging

Portrait of a young woman, attributed to Natale Schiavoni Oil on canvas Epoch: 1840 Size: 86x118 cm with frame, 58x90 cm canvas only Condition: Very good condition Description: The p...

We present you a painting depicting the rural landscape, closed in a massive frame. This oil on canvas is signed by Luis Remy Matifas. It was painted in the late 19th century. Pr...

LATE 19TH CENTURY COPY OF ROSA BONHEUR'S "THE HORSE FAIR" Oil on canvas, signed lower right somewhat illegibly "A. Lionard (?) D' Rosa Bonheur" Item # 306TJZ21P A very nice late 91t...

19th century French painting oil/canvas attributed Pierre Puvis de Chavannes. Large preparatory study for a mural. It is painted in oil on canvas and it depicts a theatrical scene. De Chavannes’ greatest artistic contribution was the medium of mural painting. His biography states, “De Chavannes’ work proved a vital catalyst, as early modern art...