Beautiful Pair of Late 19th-Early 20th Century Kitten Paintings by F. Krantz

A fine late 19th century French enamel plaque. Depicting a man in leisure attire, playing his mandolin. Stamped TS on the bottom right. Measur...

A wonderful late 19th-early 20th Berlin K.P.M. porcelain rectangular plaque Painted landscape scene with two women and their children playing, the background with two men, one playing an instrument. Impressed K.P.M and scepter marks, in the original frame. KPM is an acronym for Königliche Porzellan-Manufaktur Berlin, which translates to “Royal Porcelain Factory in Berlin.” The company was founded in 1763 by Frederick II of Prussia, who bought the factory from its previous owner, Johann Ernst Gotzkowsky, in the wake of its bankruptcy. Frederick II greatly admired the factory’s “white gold,” a type of porcelain so fine and translucent that it closely mirrored the high-quality porcelain made in China. He invested large sums of money into the company and granted it the use of the royal scepter...

A Pair of late 19th/ early 20th century Bronze Chenets. Modeled with scrolling acanthus.

A beautiful and large late 19th century Berlin K.P.M. Porcelain oval plaque signed Wagner Signed Wagner The portrait of a lovely woman entitled ‘Agesta’, after the artist Angelo Asti. Impressed K.P.M and scepter marks, in the original frame. KPM is an acronym for Königliche Porzellan-Manufaktur Berlin, which translates to “Royal Porcelain Factory in Berlin.” The company was founded in 1763 by Frederick II of Prussia, who bought the factory from its previous owner, Johann Ernst Gotzkowsky, in the wake of its bankruptcy. Frederick II greatly admired the factory’s “white gold,” a type of porcelain so fine and translucent that it closely mirrored the high-quality porcelain made in China. He invested large sums of money into the company and granted it the use of the royal scepter...

A Beautiful Late 19th century Berlin K.P.M. – Vienna style porcelain rectangular plaque of the five senses Signed Knoeller Finely painted after Hans Makart with the five vertical panels, each depicting a female nude against an exotic naturalistic background, emblematic of a senses, the reserves enriched with gilt stylized vine. Impressed K.P.M and scepter marks, painted blue Beehive mark, within a giltwood frame. Hans Makart, was an Austrian allegorical painter and designer (1840-1884) who trained at the Vienna Academy between 1850 and 1851 under Johann Fischbach. Makart rejected the established rules of classicism, preferring to embrace the sensual expression of color. He became one of the leading artistic figures of the period in Vienna and an important purveyor of fashionable taste. One of Makart’s greatest achievements was staging the vast costumed parades held to celebrate the silver wedding...

A pair of late 19th/early 20th century Louis XV style parcel-gilt and patinated bronze seven-light candelabra. Each with openwork tripod base cast with hoof feet, the standard with three cherub busts...

English orientalist school; late 19th - early 20th century. "Slave market". Oil on canvas. Presents stamps on the back. Measurements: 26,5 x 36 cm; 27 x 37 cm (frame). The orien...

Early 20th century painting of a stream. This sweet bucolic and idyllic setting brings a lot of peace to the viewer. Framed in a solid wooden frame.

Pair of reverse glass paintings in gouache depicting two landscapes. One of them features a castle and a bath scene, the other one animals and various chara...

Pair of early 20th century oil paintings by Mario Fattori, circa 1920s Wonderful pair of oil paintings. One shows a young woman standing in a barn int...

Pair of French Restauration style rectangular reverse glass paintings representing baskets of flowers on a white background, one of peonies one of roses. The whole ensemble has a fir...

Pair of late 19th century "Ice Skating" original European oil paintings circa 1890s A wonderful pair of antique oil paintings of couples ic...