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Fine Roman Landscape Depicting the Colosseum and the Via Sacra

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  • Post-Impressionist Painting by Fioravante Seibezzi the Bathing Nymphs 1940
    Located in Rome, IT
    "Bathing Nymphs," Oil on Canvas cm 115x110 with frame cm 140x135. Fioravante Seibezzi (Venice, 1906-1974), Post-Impressionist Venetian painter, he devoted himself to landscape en plein air, translating the immediacy of impressionism through pure, bright colors. His debut at the Venice Biennale in 1938, participates in the Quadrennial Roman (1931, 1935, 1948, 1951, 1959) and several exhibitions abroad. He received important awards during his long career. In 2010 the exhibition "Settepittori Settemondi. Palazzo Carminati La Bohème "at the Maximilian Tower of St. Erasmus, Venice, sponsored by the Cultural Paolo Rizzi in collaboration with the Institution Lagoon Park - City of Venice. One hundred works from a single collector who chose Aldo Bergamini, Neno Mori, Marco Novati...
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  • Late 18th Century French Grisaille Painting
    Located in Rome, IT
    Late 18th century French Grisaille Painting, oil on canvas. Mythological scene with the Greek God Pan and dancing putto figures with ivory painted an...
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    Antique 18th Century and Earlier French Neoclassical Paintings

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  • Lovers by a Fountain 19th Century Painting Oil on Canvas, Modesto Faustini, 1860
    Located in Rome, IT
    Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 Maggio 1839 - Roma, 23 marzo 1891. Born i...
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    Antique 19th Century Italian Neoclassical Revival Paintings

    Materials

    Canvas

  • Pair of Wall Decoration 'En Grisaille' by Dufour, Paris, France, 19th Century
    Located in Rome, IT
    A fine pair of Papiers peints 'En Grisaille' from the psyche´ series manufactured by Dufour, Paris, after designs by Merry-Joseph Blondel and Louis Lafitte. -'Psyche´ about to stab ...
    Category

    Antique 19th Century European Empire Paintings

    Materials

    Paper

  • Pair of Large Neoclassical Grisaille Paintings after Thorvaldsen Reliefs, 1920
    Located in Rome, IT
    Early 20th century Italian Grisaille paintings, oil on wood after a famous Thorvaldsen reliefs. Mythological scene with a finely carved and gilt- wood frame. - Cupid complains to V...
    Category

    Early 20th Century Italian Neoclassical Paintings

  • Fine Set of Five French Papier Paint a Chinoiserie
    Located in Rome, IT
    A fine set of Five French Papier paint a Chinoiserie of the 19 century. cm 194x60
    Category

    Antique 19th Century French Decorative Art

    Materials

    Paper

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    A fine Rectangular K.P.M Porcelain plaque depicting Rembrandt & Saskia. In the scene of the prodigal son in the tavern, after a painting by the artist.  Impressed "KPM" under a...
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  • Important Large Micromosaic Depicting The Colosseum in Rome
    Located in New York, NY
    Important Large Micromosaic Depicting The Colosseum in Rome Circa 1850's, Italy Measurements: Micromosaic without Frame: approximately 16.75 x 19.25 inches Frame: approximatel...
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  • Gary Calabria Via Mizner Painting
    Located in Delray Beach, FL
    Exceptional painting depicting Via Mizner famous street in Palm Beach Florida beautiful authentic scenery at that time 2002 signed by the artist. Great reminder to time and architec...
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    Early 2000s American Paintings

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  • 17th Century Christ and the Samaritan Oil on Canvas Roman School
    Located in Milan, IT
    Roman school of the 17th century Landscape with bridge - Christ and the Samaritan woman at the well Oil on canvas, cm 42 x 59,5 - With frame, cm 54, 5 x 71 cm The small canvas portrays a broad view of the city surrounded by a bucolic and lush landscape, probably a reinterpretation of the Roman countryside or the Agro. The fulcrum of the canvas is the bridge consisting of several bays beyond which stands a village. In the distance the landscape made of green mountains opens into what looks like a lake crossed by boats. The landscape is animated by the human presence; not only small and fleeting figurines intent on walking along earthy paths but also the representation, in the foreground, of an Gospel episode, that of Christ and the Samaritan woman at the well. The landscape can be clearly traced back to a painter trained on the examples of the great seventeenth-century Roman baroque landscape that sees in the Lunette Aldobrandini by Annibale Carracci but also in Claude Lorrain, Nicolas Poussin and Gaspar Doghet are its greatest achievers. If in the past, therefore, the landscape was considered the scenic background on which to project the representation of divine or human characters, in the seventeenth century it became an autonomous and codified pictorial genre. With Carracci comes the so-called ideal landscape: a mental reconstruction of a peaceful and harmonious nature in which the dream of a perfect communion with man is realized. In the wake of Hannibal, as mentioned, during the seventeenth century the "classic" Roman landscape knows a long and happy season by artists such as Domenichino, and the French Claude Lorrain, Nicolas Poussin and Gaspar Dughet. Lorrain investigates the Roman countryside in all its aspects, studying the variations in the different hours of the day, the seasons or weather conditions, but always nourished by a sense of bucolic Virgilian. With Poussin the approach becomes intellectual elaboration and sophisticated rational construction. From the examples of the great masters, the Roman Baroque season, from the middle of the century, saw the flourishing of several personalities who, with shots, but also important personal reworkings, led to further spread the genre. Among the personalities that can be compared to the work in question we cannot fail to mention Crescenzio Onofri (1634-1714), defined by Salerno as the only true pupil of Dughet, who then spread in Florence the taste of the Baroque landscape influencing Tuscan painters such as Panfi and Peruzzini. His paintings are in various Roman collections; such as, for example, the landscapes from the Sacchetti Collection and today at the Pinacoteca Capitolina. and those in the Almagià collection in Rome, others in the Palazzo di Montecitorio, but the most conspicuous group is in the Galleria Doria. In comparison we can mention the two passages of the National Gallery in London, the landscape with a bridge over the Antiquarian Market but also the design of the National Gallery of Art in Washington. In the work you can also find the influences of the art of Giovanni Francesco Grimaldi...
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  • Oil on Canvas Painting, Depicting Mohammed Ali's, Massacre of the Mamluks
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    Piece of art that captures a significant moment in history. The painting depicts the Seated Mohammed Ali, Massacre of the Mamluks, skillfully rendered on ...
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  • 19th Century Grand Tour Photo Of The Roman Colosseum
    Located in Stamford, CT
    Fantastic large scale 19th century Grand Tour image of the Roman Colosseum in the original oak frame, with the original glass! At over 5.5 feet wide this is an impressive piece. Quite rare to find one this large still intact. The image was so large it had to be created from three equal sections which meld beautifully into one oversized picture of this timeless landmark, symbol of ancient Rome. It brings the viewer right there, in all it's faded glory...
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