Chinese Qing Dynasty 19th Century Official's Wife Painting on Linen Canvas

A Chinese Qing Dynasty period painting from the 19th century of an ancestor group portrait in custom frame. Created in China during the Qing Dynasty, this vertical painting features ...

A Chinese late Qing Dynasty period framed painting from the early 20th century of a royalty related couple with dragon motifs painted on a linen canvas. Created in China during the late Qing Dynasty in the early years of the 20th century, this custom framed painting depicts a couple wearing either a red (a symbol of luck in China) or green robe. The depiction of dragons relates them to the Imperial family, but having four claws and not five as codified, the couple is likely part of the royal family, not the Imperial couple themselves. Accented with typical motifs such as bats, flaming pearls and rain-filled clouds, the robes are filled with symbols. Wearing ornate headdresses, the couple is sitting on elegant chairs. Set inside custom made frames, the paintings show great signs of age. While the entire piece measures 40.5"W x 1"D x 53"H, the painting itself is 36.5"W x 49". With its vivid colors and interesting subject, this Chinese Qing Dynasty painting...

A Chinese Qing Dynasty period wooden screen from the 19th century with fretwork motifs, carved scrolling foliage pierced in the upper section and objects carved in low-relief at the ...

An antique Indian painting from the 19th century depicting Guanyin the Bodhisattva of Compassion sitting on a dragon. Created in India during the 19th century, this large painting features Guanyin the Bodhisattva of Compassion, sitting on the head of a dragon, fluffy clouds adorning the painting's lower section. Her right foot on a lotus flower, Guanyin wears an ornate headdress and elegant clothes. The painting itself measures 30.5"W x 53.5" H and has been set inside a custom frame. Its peaceful subject will make this 19th century Indian painting...

An antique Indian painting from the 19th century depicting Guanyin the Bodhisattva of Compassion sitting on a dragon. Created in India during the 19th century, this large painting features Guanyin the Bodhisattva of Compassion, sitting on the head of a dragon. Her right foot on a lotus flower, Guanyin wears an ornate headdress and elegant clothes. The painting itself measures 27.5"W x 53.5" H and has been set inside a custom frame. With its vivid colors and elegant subject, this 19th century Indian painting...

A Chinese Qing Dynasty period painting from the 19th century of an ancestral group portrait in custom frame. Immerse yourself in the rich tapestry of Chinese history with this Qing Dynasty period painting, an ancestral group portrait from the 19th century that masterfully captures the essence of traditional Chinese society and family hierarchy. This vertical painting, housed in a custom composition wood frame with plexiglass, is a testament to the time-honored artistry of Qing Dynasty artists. Crafted on parchment paper, the painting displays generations of ancestors in a systematic, frontal arrangement. The chromatic spectrum of their robes - blues, reds, greens, golds, blacks, and oranges - adds vibrant depth to the ancestral tribute. Civil officials are distinguished by bird-adorned buzi, an emblem of their rank. In line with tradition, the portrait hierarchy descends from top to bottom - the older generation presides at the top, followed by subsequent generations. The men are positioned on the right, the women on the left, reflecting the societal norms of the period. Bordering the parchment, a silk frame contributes an elegant finish. Display this painting above a credenza, console table, or enfilade, and it promises to enhance any interior space with its captivating allure and cultural resonance. This Qing Dynasty painting...

An impressively sized 19th century Chinese Qing dynasty ancestral portrait painting of a senior official of the first rank in bamboo frame with silk ...

Qing Dynasty Chinese Ancestor painting. Antique Chinese Ancestor paintings are sought after for their warm colors and traditional pa...

An important Chinese 17th century early Qing Dynasty "Water and Land Ritual" painting, mineral pigment and ink on silk, mounted as a scroll, framed and glazed. The painting depicting groups of heavenly court officials and deities descending from the clouds to participate in the Liberation Rite of Land and Water. The figures all wear full, sumptuous robes, complete with hats indicating their station. The blue, green, red, black and white of the robes decorated with gilt dragon and geometric designs. This painting is interesting in that it incorporates Daosit deities and heavenly officials coming down to participate in the Buddhist rite. There are five distinct groups of figures, each with a small inscribed plaque. Some of the groups are identified as Tian Xian, or Heavenly Immortals. The group at the bottom left are identified as the Sanguan Dadi, or Three Great Emperor-Officials. The Emperor of Heaven is dressed in blue robes with gilt painted dragons. The Emperor of Water wears black robes. The Emperor of Earth wears yellow robes...

We have a unique Japanese aesthetic sense. And only we can introduce unique items through our purchasing channels in Japan and the experience we have gained so far, in such a way that no one else can imitate. It is an ink painting written after the Meiji era. The biggest attraction of this work is that it uses Chinese characters to create paintings. To explain in detail, it is written here in Chinese characters as "un-ryu" . "Un" is a cloud and "ryu" is a dragon. These are embodied and drawn by comparing them to the meaning of Chinese characters. And the clouds depict the clouds hanging over the mountain, and the dragon depicts the climbing toward the mountain. Humorous paintings...

Ancestor Portrait of a noble Qing Dynasty woman. Her social status is reflected in the sable-trimmed overcoat fashioned in the strictly enforced dress coat of the Qing Dynasty. The ...

A hyper realistic portrait of an official with watercolor on silk bordered panel, framed in dark wood, from Korean late Joseon dynasty, circa 19th century. The beard man sitting with a formal frontal view, displays a benevolent facial expression, in keeping with the Confucius value of the officialdom at the time. He dons a black linen official hat and a blue silk robe...