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Entombent or Lamentation of Christ, Oil on Canvas, Flemish School, 17th Century

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  • Christ with angels. Possibly Flemish school, 17th century.
    Located in Madrid, ES
    Christ with angels. Oil on copper, ebony frame, textile. Possibly Flemish school, 17th century. Oil painting on copper enhanced with a textile strip that also presents an ebony wood...
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    Antique 17th Century European Baroque Religious Items

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    Copper, Other

  • The temptation of St Anthony. Oil on canvas. 17th c., after David Teniers II
    By David Teniers the Younger
    Located in Madrid, ES
    Temptations of San Antonio Abad. Oil on canvas. 17th century, following the model of David Teniers II (Antwerp, 1610-Brussels, 1690). Oil on canvas showing a figurative scene located inside a cave. To the right, you can see a cross standing, supported; to the left, a hut; and in the center of the painting appears an elderly, bearded man, leaning on a table on which there is a ceramic jug and a skull, with an open book at the foot of it. The man looks towards a woman, who points to something outside, and appears accompanied by a large frog and a series of ghostly beings or monsters dressed in brightly colored cloth and clothing. San Antonio Abad or Antonio Magno (251-356) was a Christian monk, considered the founder of the eremitical movement. He was tempted numerous times by the devil while he was in the desert, becoming a subject frequently represented in art (as can be seen in this oil painting). He is represented in a black habit because the Order of the Knights of the Hospital of San Antonio (Hospitals) was placed under his patronage, being the color of the habits of the members of this order (the tau or Egyptian cross was also the symbol chosen by they). David Teniers II or El Joven was a prominent Flemish painter and engraver, son of David Teniers El Viejo or I and father of David Teniers III, much appreciated at the time for his scenes of villagers and common people, his paintings of monkey painters, etc. . He dealt with the theme of the Temptations of Saint Anthony...
    Category

    Antique 17th Century European Baroque Paintings

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  • Assumption of the Virgin Mary. Oil on Copper Possibly late 17th century
    By Guido Reni
    Located in Madrid, ES
    Assumption of the Virgin Mary. Oil on Copper Possibly late 17th century Following models by Guido Reni (Bologna, 1575-1642). Has faults. Oil on copper that shows the Virgin Mary seated on clouds...
    Category

    Antique Late 17th Century Spanish Baroque Paintings

    Materials

    Copper, Other

  • Gathering of Manna, Oil on Canvas, 17th Century
    Located in Madrid, ES
    Jews in the desert collecting the Manna. Oil on canvas, XVII century. Oil on canvas arranged horizontally in which a figurative theme is shown with a mountainous landscape in the ba...
    Category

    Antique 17th Century Spanish Baroque Paintings

    Materials

    Other

  • View of the pier of Antwerp. Oil on canvas. Flemish school, 18th century.
    Located in Madrid, ES
    View of the pier of Antwerp. Oil on canvas. Flemish school, 18th century. Numerous ships and boats appear in the landscape, accompanied by small characters. In the background a city...
    Category

    Antique 18th Century European Neoclassical Paintings

    Materials

    Other

  • Saint or Virgin to dress. Wood, metal. Spanish school, 17th century.
    Located in Madrid, ES
    Saint or Virgin to dress. Wood, metal. Spanish school, 17th century. It has faults. The female figure stands (with her right leg forward) on a small polygonal base. Made of partial...
    Category

    Antique 17th Century Spanish Baroque Religious Items

    Materials

    Metal, Other

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    17th century Christ in chains Oil on canvas, 95 x 71 cm Frame 110 x 84 cm The figurative tradition representing Christ with chained hands can be traced back to the early Middle Ages, when an iconography of His pains spread widely. The need to translate the Passion into images aimed to raise awareness of the forgiveness that has occurred for all men, consequent to the Crucifixion. This painting depicts the moment before the audience before Pilate. Christ has not yet been cruelly mocked by the soldiers, despite the fact that he is already wearing the crown of thorns and the purple...
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  • 17th Century Flemish Antique Oil Painting on Board
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    Beautiful antique oil painting on wood board. Excellent pictorial quality. Flemish school of the 17th century. A scene of everyday life in the village where in the foreground a farrier works on the horse's hooves. Not signed. Sold with rare antique wooden frame.
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  • Flemish School 17th Century
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    Located in Madrid, ES
    Flemish school 17th century "Our Lady with the Child Jesus, St. John, St. Elizabeth and Zacarias". Oil on canvas Relined. Dimensions: 74 x 84 cm good conditions.
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  • Caravaggesque Oil on Copper "Flagellation of Christ" Baroque Sicilian, 17th Cent
    By (After) Caravaggio
    Located in Milano, IT
    Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...
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  • Oil on Canvas Paint Flemish School, 17th Century Belgium
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    Located in Madrid, ES
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