French Impressionist Portrait of a Smiling Lady in Hat

French Oil On Canvas Painting of Paris Impressionist Street Scene by Artist Fairfax. A large original oil painting on canvas artwork depicting a charming Parisian street scene in th...

Late 19th century oil painting of Notre dame cathedral and Paris, seen from the seine river. With its original faux bamboo frame, signed "Rienzi".

An original Robert Emmett Owen painting of New England Landscape. Offering a beautiful oil on canvas painting by American Impressionist painter...

Vintage Italian Wall Painting of an Artists Studio, Signed and dated, J. Annus Rome 1960. The painting depicts an artists studio with an easel in the evening set in Rome. Painting i...

Rare double-sided painting by Jan Andre Perroud of a nude with two cats and yellow shawl on the front. The rear side has a charming sailboat scene. The pa...

Mid-Century Abstract Oil On Canvas Painting

A tall portrait painting of a woman in a hat at sunset. This piece is composed of a variety of sunset colors such as oranges, creams, browns, and blush. ...

The artist portrayed an upper-class lady who has some facial features of Reynolds' Mrs Andrews. More specifically, the long, straight nose and the large eyes. Her head resting on her...

An antique French School round hand painted portrait of a lady on canvas presented in a very elegant plaque with red velvet background. The portrait is nicely decorated with brass fl...

Bohemian woman Budapest, Hungary 1925 by Bertha De Hellebranth. Fabulous period painting brings to life the bohemian intelligentsia of Europe in the 1920's. I believe the painting is of the artists sister Elena Maria De Hellebranth. Both sisters were accomplished artist and worked and exhibited together. See the photo of the sisters Elena on the left and Bertha on the right. Oil on canvas. In a period frame. Signed lower right. Inscribed on reverse. Provenance: label from Newman Galleries Philadelphia. BIOGRAPHY ; Bertha de Hellebranth and her sister Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. Both sisters showed artistic potential early, beginning to paint at four or five years of age. Their parents encouraged them, and had the means to send them to the best art schools of the time. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower.Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions.While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts.From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képz?m?vészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in museums and galleries too numerous to mention.The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics...

An oil on canvas portrait of a young French courtier, circa 1690. This evocative antique French school picture has been attributed to the portrait painter Jean-François de Troy (1679-1752). De Troy was famous as a portrait painter of fashionable society women. This is a very attractive late 17th century painting surviving in its original frame and stretcher. The canvas appears to be untouched. References: 'Jean François de Troy, The Alarm, or the Gouvernante Fidèle', at the Victoria and Albert Museum, London. 'Jean François de Troy, Paris 1679 - Rome 1752', at the Thyssen-Bornemisza Museum. Laurie G. Winters, Troy, de, Grove Art Online, Oxford Art Online, Oxford University Press, 6 May 2016. Everett Fahy & Jayne Wrightsman...

Manner of George Chinnery (English, 1774-1852), a softly rendered portrait of a young woman, unsigned, in carved and gilded wood frame A remnant "...R. Davy, Colourman to Artists, 83, Newman Street, London" label on verso. Christie's inventory tags also on verso. A little gem of a portrait, this painting also contains lovely details such as a flower adorning the young woman's hair, a pink shawl draped on the chair, and an ornate gilt mirror with candelabra visible in the background. Robert Davy (c.1771-1843) established his business in the 1790s. He began his career as a carver and gilder...