16th Century Italian Old Master Painting Saint John the Baptist with a Lamb

A late 16th century oil on copper painting by Nicolò Cercignani, an Italian Old Masters artist of the late-Renaissance or Mannerist period, depicting the Raphaelesque transfiguration...

17th century Old Master Flemish School oil on copper painting depicting a picturesque Scene from the Commedia dell'Arte, scenery crowded with a multitude of figures in the foreground...

Mid-16th Century Italian Maiolica Dish hand-painted in blue and ocher yellow color with a profile young man portrait in the center. The maiolica col...

Unique pair of Italian hand-carved caryatids, dating back to 1500 circa, almost 83 inches 210cm high, this antique pair of dark patina Renaissance sculptures comes from a choral ense...

Early 18th century Italian Venetian inland painting, a large size oil on canvas Baroque mountain landscape with stream, bridge, waterfall, wayfarers and a village in the background. The woodland is animated by figures, a caravan with horsemen fishermen. This monumental Italian Baroque landscape painting has a strong impact and an excellent composition balance, as it depicts in the center the luminous perspective of a fortified village, whose side wings consist of two mountain rocks with dark wooded vegetation crowded by characters, horsemen, paths, streams.On the left side, with respect to the observer, there is a path that runs alongside a stream that flows into a waterfall in the center of the composition. from a caravan of travelers on foot and on horseback traveling along it in both directions: going up the slope on the mountainous coast you can see a church and a village near the top. The right part of the painting depicts a more sparse and dry vegetation, painted in the chromatic tones of ocher, inside of which there are dead plant, dry branches and a smaller number of figures on the rugged mountain. The iconographic inspiration of this wooded representation seems to be in the large trunk of the withered conifer in a central position, which represents a dead tree, as a? reminder of the transience of everything in life, whose phases are summarized in the two mountainous coasts. In the background a village painted in light and soft blue colors, in stark contrast to the previous scene, seems  to reassure and project us into a future season. With a suggestive theatrical effect, more than 250 cm wide, this Baroque Italian painting comes from a private collection of Milan, the canvas has been lined and shows minor painting retouches at a horizontal seam of the canvas. It is unframed, it has just a wooden profile covering the canvas edge. It is an antique Italian landscape, the perfect opportunity to make a statement. Get the perfect size painting for a great living room, to create that eye-catching focal point. You can make an impact with a single large work by hanging this early 18th century Italian Baroque painting...

An Italian oil on canvas genre painting dating back to mid-19th century, after Volterrano's famous the Prank of Pievano Arlotto, a 17th century famous painting exposed in Palazzo Pit...

A wonderful 16th century fresco of a very young Saint John the Baptist retrieved then transferred to canvas. Stunning wear and patina, very soft...

18th century continental eglomise painting of St John the Baptist preaching. Eglomise is a method of reverse painting on glass. In a go...

Old master painting, unsigned, 16th century.

17th century Italian old master painting Madonna and Child with St. Anne and St. John the Baptist. Important Tuscan School Old Master painting in oil on a hand shaved wood panel. ...

A Flemish School painting of the Adoration of the Child Jesus in the hands of Mary and a young Saint John the Baptist at his feet kneeling with the cross side by side with a resting ...

Faithful to the traditions, the scene depicts the New Testament scene of the two Holy figures of John the Baptist and Jesus meeting with all the symbolism of both holy lives. A Fle...