Flemish Late 15th Century Painting of Christ

A breathtaking 18th century Spanish oil on canvas painting of Mary Magdalene - Madeleine - in is original frame. Beautiful detail.

A very beautiful mid-19th century oil-on-canvas painting of a young Saint Francis praying at an altar, circa 1860. The artist is Juaquin Vayreda (1843-1894). This painting is a copy ...

A wonderful 17th century oil on copper painting from the Catalan region of Spain housed in a beautiful frame of painted wood. The painting depicts a saint or a religious man...

An outstanding French mid-16th century Body of Christ. Expertly carved from natural fruitwood. Stunning patina. The corpus has been attached to a base i...

An exceptional pair of English 15th century Gargoyles - Gargouilles - Elements from a Monument, carved from stone. Outstanding patina. Now resti...

Wonderful later 19th century oil on board painting of the "Mill of Saint-Ouen in 1850 before transformation into a GINGUETTE on an arm of the Seine river......" Saint-Ouen, is where ...

Beautiful antique oil painting on wood board. Excellent pictorial quality. Flemish school of the 17th century. A scene of everyday life in the village where in the foreground a farrier works on the horse's hooves. Not signed. Sold with rare antique wooden frame.

17th century Christ in chains Oil on canvas, 95 x 71 cm Frame 110 x 84 cm The figurative tradition representing Christ with chained hands can be traced back to the early Middle Ages, when an iconography of His pains spread widely. The need to translate the Passion into images aimed to raise awareness of the forgiveness that has occurred for all men, consequent to the Crucifixion. This painting depicts the moment before the audience before Pilate. Christ has not yet been cruelly mocked by the soldiers, despite the fact that he is already wearing the crown of thorns and the purple...

Icon "Christ Pantocrator with Venerables" Tempera on wood Russia, 19th century.

18th century: Religious scene with Christ and his disciples. Unsigned. Oil on canvas laid on board.

Beautiful court portrait of What May Very Well Be Louis XIV's Son, known as "Dauphin". The child in Baroque "Hunting" Attire, holding a bow and arrow, with a Papillon in Stride....

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...