Italian Old Master Painting, 17th Century, Oil on Canvas

Italian or Dutch old master painting, oil on canvas, circa 1700 Measures: H. 61, W. 81 cm. H. 24, W. 31.8 in.

Fantastic old master painting of a women, 16/17th century With frame: H. 107 W. 90 D. 10 cm H. 42.1 W. 35.4 D. 3.9 in Without frame: H. 80 W....

Old master painting, unsigned, 16th century.

Charming Swedish "Bonads" 19th century, oil on canvas.

Fine nature morte painting, signed and dated '31, oil on canvas.

Very fine cubustic European painting, oil on canvas, French or German. Unclear signature. Very decorative painting. Measures: H. 56 W. 45 cm. H. 22 W. 17.7 in.

17th century Neapolitan School Painting Oil Canvas Old Master Mola Giovanni Battista painting of a boy with a bird, in original carved giltwood frame. The cloudy blue skies and trees in the background gives it the sense of depth. This painting is the perfect magic touch to a library, a bedroom wall, living dining room. To decorate the wall on top of a console or credenza. On top of a fireplace mantel (fireplace). Neapolitan painting of the early seventeenth century is characterized by dramatic expression, emphatic naturalism, and intense chiaroscuro derived from the profound influence of Caravaggio (1571–1610), who spent a number of his later years in the port city. The younger Neapolitan artists were also influenced by the classicism of Guido Reni. Naples Napoli was governed for decades by wealthy Spanish viceroys and the Austrian Hapsburgs. Ribera’s naturalistic style resonated throughout the new work produced by the young Neapolitan painters such as Luca Giordano painting through an amplified sense of color and a particular sensitivity toward light Neoclassicism Romanticism. Antique Dealer Los Angeles CA West Hollywood Beverly Hills Gallery Melrose La Cienega. Interior decor and Garden Landscape elements. Collectors and decorative objects. As a house warming gift idea for history lovers and collectors Mola, Giovanni Battista a French painter of the Bolognese school, was born about 1616 amd doed in rome 1661, and was a scholar of Albano. Student of Simon Vouet, in Italy he met his Namesake The Great Pietro...

17th Century Italian Flemish oil on canvas painting depicting the Adoration of the Magi. Early Flemish painting was contemporary to the development of the early Renaissance in Italy. In the middle of the 15th century Italy...

17th century Portrait of Saint Paul Measures: Oil on oval canvas, 67 x 50 cm - with frame 81 x 64 cm The portrait examined here depicts the Apostl...

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...

Oil on canvas depicting a country scene: a man watering his horse near a river where two cows and a sheep wade accompanied by a farmer. Work of northern France or Belgium of the 17t...

Flemish School, 17th century Live nature couple with animals Measures: Oil on canvas, cm 25 x 35 - With frame cm 37 x 48 The pair of canvases in question depicts two excited...