Mid-16th Century Gillis Congnet Cercle Crucifixion Oil on Panel

Very bright Venice painting oil on panel with frame from early 20th century by a Rubens Santoro follower Housed in a beautiful, molded hand carved giltw...

Original Mario Ceroli wooden sculpture panel Silhouette of a man showing his muscles Multiple sculpture of balsa wood on paper. Work signed lo...

An important painting by one of the most representative Italian artists of the 19th century, Enrico Coleman. It depicts a village most probably from Lazio, perhaps a glimpse of Anticoli Corrado, the town famous for the attractiveness of its models, or rather Subiaco, his mother's birthplace. The atmosphere here is typical of the XXVs of the Roman Campagna of which Enrico Coleman was probably the most important exponent. The reason for this can also be seen in this small masterpiece that captures the washerwomen in their occupation immersed in a poetically bucolic atmosphere; a sky of unparalleled blue stands out in the background. Signed below on the right This painting, never before on the market, comes from an important Italian private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Oil painting on paper Enrico Coleman (21 or 25 June 1846 – 14 February 1911) was an Italian painter of British nationality. He was the son of the English painter Charles Coleman and brother of the less well-known Italian painter Francesco Coleman. He painted, in oils and in watercolours, the landscapes of the Campagna Romana and the Agro Pontino; he was a collector, grower and painter of orchids. Because of his supposedly Oriental air, he was known to his friends as "Il Birmano", the Burmese. Enrico Coleman was born in Rome in June 1846. He was the fourth child of the English painter Charles Coleman, who had come to Rome in 1831 and settled there permanently in 1835, and of a famous artist's model from Subiaco, Fortunata Segadori (or Segatori), whom he had married in 1836. Coleman was initially taught by his father, did study at the Accademia di San Luca in Rome. Following the mocking reception of Una mandria di bufali nelle paludi pontine, a naturalistic painting of a herd of buffaloes in the Pontine marshes, at the International Artist's Club in 1872,he reportedly began to paint genre subjects in the manner of the then-fashionable Mariano Fortuny, although no works showing the influence of the Spanish painter are known. At the instigation of Nino Costa, he soon returned to the depiction of the people, animals and landscapes of the Campagna Romana and the Agro Pontino. Coleman was lover of orchids, which he painted, collected and cultivated. An 1894 watercolour of orchids is in the Galleria Comunale d'Arte Moderna e Contemporanea in Rome. Coleman had a remarkable collection of indigenous orchids, which he cultivated himself in his house at 6 via Valenziana and the botanist Fabrizio Cortesi named the hybrid Orchis x colemanii Cortesi in his honour. In 1875, Coleman was among the founding members of the Società degli Acquarellisti, the Roman society of watercolourists; he participated in the society's first exhibition in 1876, and continued to exhibit with them until 1907. In 1878 he was elected an honorary member of the Société Royale Belge des Aquarellistes, the Belgian royal society of watercolourists, with which he participated in the Salon de Paris in 1879 and to the 4th Esposizione Nazionale di Belle Arti, or national fine art show, of Turin in 1880, and to that of Milan in the following year; he showed works in London in 1882 and in Rome in 1883. In 1885, Coleman was among the founding members of the group In Arte Libertas, of which Nino Costa was the leading force and the other founding members were Vincenzo Cabianca...

An important oil on panel painting by the great Tuscan artist Ruggero Panerai. It depicts one of his favourite and most successful subjects, wild horse...

Important painting "Still life" oil on canvas of the second half of the 800 by the great artist Aémile-Auguste Vivier-Deslandes called "Baron Deslandes". Of rare intensity and beauty...

Beautiful, evocative Pencil Drawing Still Life with Flowers and Butterfly Early 20th century Signed at lower right The painting is embellished by a beautiful nineteenth-century la...

16th Century oil on wood panel painting featuring Italian Nobleman. Note: No frame Dimensions: Height x width: 34 x 28.2 cm Depth: 0.8 cm...

16th Century Oil on Wood Panel: ' Scholar in Solitude ' This painting portrays a solitary scholar seated at a table, immersed in the pages of an open book. Beside him rests a globe...

Over the centuries, in period known as Renaissance, more than several painters all over Europe were fascinated by the theme based upon similar subject with Mother and the Child as main figures. This stunning Madonna with Child oil on canvas painting is approximately from 16th century and could belong to a follower or a circle of Giovanni Bellini...

No name on this beautiful oil on panel winter landscape in the spirit of the 16th century late 18th century. Measures: 58 x 48 cm.

Architectural oil painting on canvas of Heydon Hall executed in a rustic naive style with contrived aging and presented in a maple frame. Signed Dan Dunton.

Important 16th century Italian School. "Christ" Oil on the table. Measures: width 34 - height 42cm. Good conditions. A study of the present table has not yet been done for this reas...