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1970 Painting on Stainless Steel by Giorgio Tonti for Studio Zero Milano

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  • Object MO6 by Studio Zero Milano, 1970
    By Studio Zero
    Located in Weesp, NL
    Studio Zero Milano Object MO6, 1970 Giorgio Tonti, Milan, 1936 Abstract composition "multipli" on the plate, label marked G. Tonti, Studio Zero, Mi...
    Category

    Vintage 1970s Italian Mid-Century Modern Decorative Art

    Materials

    Aluminum

  • Pop Art painting by Luc Verschuuren, 2001
    Located in Weesp, NL
    ”Cocktail” acrylic on canvas by the Dutch artist Luc Verschuuren. Measurements: H 160 x W 120 cm, H 62.99 x W 47.24 inches. Artwork will be shipped abroad in a custom made wooden c...
    Category

    Early 2000s Dutch Modern Paintings

    Materials

    Linen, Acrylic

  • Italian 1970's Polished Stainless Steel Wall Mirror
    By Valenti
    Located in Weesp, NL
    Italian 1970's wall mirror with large stainless steel frame in great condition. The attributed manufacturer of this stylish piece is Valenti Italy. The mirror will be shipped insured...
    Category

    Vintage 1970s Italian Mid-Century Modern Wall Mirrors

    Materials

    Stainless Steel

  • Unique Abstract Blue Black and Red Painting "Monotype" by Carla Raadsveld 1987
    Located in Weesp, NL
    One of a kind painting with beautiful brush strokes in Blue and Black. These in combination with the red dots give this art work a Japanese sensation. A happy and pleasant piece to have on the wall. Carla Raadsveld was born in Rotterdam, the Netherlands. She did a 5 year study at the Willem de Kooning fine art academy in Rotterdam. In 1970 she received a scholarship from the Rotterdam Art Foundation for a study in Italy and in 1972 another scholarship for a 2 year stay in South Africa. From 1973 until 1987 she had international exhibitions Frankfurt, New York, London, Brussels, Long Beach, Dallas etcetera. In 2001 she moved to the beautiful rural West Cork...
    Category

    Vintage 1980s Dutch Modern Paintings

    Materials

    Paper

  • Mid-Century Modern Art Work by Joseph Roelants
    By Jospeh Roelants
    Located in Weesp, NL
    Mid-Century Modern ceramic tiles Art by Joseph Roelants for Gilliot & Cie, 1948 "The allegorical representation of Architecture and sculptural art blo...
    Category

    Vintage 1940s Belgian Mid-Century Modern Decorative Art

    Materials

    Ceramic

  • Stainless Steel and Glass Coffee Table
    By François Monnet 1
    Located in Weesp, NL
    1970s brushed stainless steel side table designed by Francois Monnet in fantastic condition as shown in the pictures. The table will be shipped insured overseas in a custom made wood...
    Category

    Vintage 1970s French Mid-Century Modern Coffee and Cocktail Tables

    Materials

    Stainless Steel

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    Carlo Canella (Verona, 1800 - Milan, 1879) Piazza dei Mercanti Oil on canvas, 118 x 120 cm Signed The painting takes up an evocative glimpse of the ancient Piazza Mercanti (now Via Mercanti) around 1860, with the characteristic covered passage to the cathedral in the foreground, which was called the Porta della Pescheria Vecchia. Thanks to the special signature, the canvas can be traced back to Carlo Canella, a painter born in Verona, addressed to painting by his elder brother Giuseppe, who attended the Cignaroli Academy in Verona, subsequently working there as a teacher. He immediately identified himself as a painter of views and perspective interiors, making his debut at the Brera Academy between 1829 and 1830 with a series of portraits. Later, his favorite subjects are urban and rural views of his Verona, but also of Venice, Milan and Florence. It is precisely between Verona and Milan that the career of the “Canella Minor” begins as a precise and delicate landscape painter in the perspective construction of landscapes and interiors. These, often animated by small figures at work, combine with genre painting, but always inserted in the broader context of the view. In this, Carlo Canella can work alongside his Milanese colleague Giovanni Migliara. Small figures animate the landscapes, intent on their activities, but the interiors created with careful lighting and perspective studies are also of great importance. In the 1837 Fine Arts Exposition album his praises were wrought as a painter who “[…] knows how to conduct his paintings of the genre of views with a lot of study of true and splendor of color”. Numerous works also appeared in the Veronese exhibitions. Following his transfer to Milan in 1842 and following the advice of his brother Giuseppe, Carlo Canella practiced the execution of the most characteristic city views and in demand by the market. The Cathedral, taken from different points of view and in various atmospheric conditions, became a recurring subject in his production, presented at the Milanese and Veronese exhibitions between 1858 and 1867. His works include the painting depicting the Milan Cathedral and the Ward of the servants and the View of the Church of Santa Maria della Pace at the Fondazione Cariplo Piazza Scala...
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