North American Paintings

Roderic Montagu (O'Connor) (French-Irish, 1907-2001). A charming Impressionist portrait of a young girl, signed "R. Montagu 1960" lower edge, unframed, Dimensions: 20"h x 8"w Con...

21st Century still life oil painting by Rachele Nyssen. Nicely framed and ready to hang. Painting measures 8 x 6 Rachele Nyssen trained and studied in the Classical Realist tradit...

A chic vintage original oil portrait on board. A fabulous painterly composition of a young girl. Acquired from a Palm Beach estate.

A fabulous vintage Boho original oil painting on canvas. A handsome man in repose in soft colors. Signed by the artist. Acquired from a Palm Beach estate.

A fabulous vintage Boho original oil portrait. A brightly colored composition of a mother and daughter. Signed by the artist. Acquired from a Miami estate.

Vintage portrait with an aesthetic is specific to the era it was created. Depicts a smiling women wearing pearls with a dainty rose in her hair. Acquired from a Palm beach estate.

Original Arch Shaw Oil Painting of a Classic Antique Automobile

A fantastic vintage original oil painting on canvas framed in a magnificent gilt frame. A chic American West composition “Colorado Mount of the Holy Cross". Signed and dated. 1912. ...

19th Century American School Portrait Oil Painting of a Young Girl. Wonderful antique portrait of a charming little girl standing in a warm toned room setting with oriental rug and tapestry wall decoration. She seems to view a pair of small paintings...

Realism Oil Painting Mid-Century Street Scene of Intersection Large and very realistic oil painting from Chris Nissen. Chris Nissen is a nationally known...

Original landscape art, forest and lake scene. signed by artist.

John Leon Moran (American, 1864-1941), Woman Making Hay, oil on board, signed lower center. This is a charming and evocative painting of a bygone era. The woman, dressed in working clothes and barefoot, is holding a pitchfork. The figure of the woman is very strong while the background is soft and somewhat abstract. Please Note: This painting will be professionally packed for parcel shipping. Dimensions: 29"h x 18"w (sight) 39"h x 27"w (frame) CONDITION: Good/Fair. Upper left portion of painting has areas of paint loss (see photograph) otherwise generally good. Frame and matting in good condition. Provenance: A Michael Greer...

Warren W. Sheppard (American, 1858-1937), Yacht race, possibly the America's Cup, signed lower right. The yacht in the foreground appears to be flying the flag of the New York Yacht Club. The painting is in a lovely giltwood frame that appears original. Please Note: The painting will be professionally packed and crated for shipping. Dimensions: 22"h x 40"w (stretchers) 31"h x 50"w (frame) Condition: Good. Evidence of repair to rear of canvas (see photographs). Shows well. Ready to hang. Provenance: A Private Collection: Wilton, CT Biography: Warren W. Sheppard (1858 - 1937) Warren Sheppard, was an American marine...

Small framed oil painting of an unknown 19th Century gentleman, of the same timeframe. Painting is in good condition, considering its age. Unsigned.

Antique oil on canvas portrait of an unknown 19th Century Virginian Gentleman, beautifully framed to retain its sense of time and place. Rich brush strok...

A luminous Autumn oil on canvas board landscape, probably of the hills in the Hudson River Valley, by the noted American artist William Louis Sonntag (1822-1900). Signed in the lowe...

Floral still life depicting magnolia branches presented in a red floral decorated vase with a few fallen petals on the table. Signed upper right. Presented in a silver gilt and paint...

Jim Rodgers (American/New Jersey, b. 1958), a framed still life with summer fruit, signed "Rodgers" at lower right. Succulent ripe peaches, figs and raspberries are beautifully rende...

Oil on Canvas Still-Life of Bottles, Vases and Teapot. Nice Colors! Original Frame shows Gesso Loss to left side but has a great look!

Pastel scene by Samuel Reindorf "Americana" Titled "Red Boat" is accompanied but his signed book. Signed Lower right. The Original Frame is made of Wood, leather and glass.

American nautical oil on canvas of single masted schooner yacht under full sail with American flags, and crews on deck while second vessel victory is approaching. Painting is mounte...

Beautiful Hudson River School Painting with full animals around, MUSEUM PIECE,

George C Thomas (1934-2020) "Nantucket Town" Landscape Pastel Titled "Nantucket Town" pastel. Signed on bottom front left and inscribed to Jamie 1/5/07...

A sensitive and beautifully painted 19th century portrait of a Boston Gentleman. He is distinctly attired in a black coat with a high collared white shirt. His eyes are large and emo...

Miniature watercolor on paper of a sailing ship sailboat by Hajo Reiners (20th Century) Texas. Signed lower right. Painting is 2.25' x 3" mounted on cardstock backing, age toning to ...

Titled "Afternoon on Orange Street From Rays Court" pastel. Signed on bottom front left and inscribed to Jamie 1/5/07 on reverse. In original gold wood frame under glass. Exhibitions...

Harry Sunter (American, 1850-1900). Harry Sunter (American, 1850-1900) "Old Mill By The River In Massachusetts" A fantastic painting for any American art collectors especially with...

William Merritt Chase (American, 1849-1916) Port of Antwerp ca. 1883-4, oil on canvas signed Wm. M. Chase lower left Canvas: 15 X 21 Inches. Museum Framed Dimensions: 22 X 28 Inches Provenance: The Estate of a Manchester-by-the-Sea, Massachusetts Lady. Literature: Pisano, Ronald G., completed by Carolyn K. Lane and D. Frederick Baker. William Merritt Chase: Landscapes in Oil (Vol. 3). New Haven and London: 2009, cat. no. L.41, pp. 25-26. A letter from Dr. Frederick Baker confirming that this work is entry L.41 in the William Merritt Chase catalogue raisonné will accompany this painting. Exhibitions: Essex County Art Association Exhibition, Newark, New Jersey, Spring 1884, no. 76 (as Antwerp) American Art Association Inaugural Exhibition, New York, Nov-Dec. 1884, no. 198 (as Port of Antwerp); Carnegie Institute, Pittsburgh, 1902, lent by Mr. John Caldwell, a trustee of the Institute. Other Notes: Bears Milch Galleries (New York, New York) label; bears Carnegie Institute (Pittsburgh, Pennsylvania) label verso [both as In the Harbor]. This newly rediscovered William Merritt Chase painting Port of Antwerp showcases both the artist’s signature technique and palette. The harbor scene, depicted with unfettered brushwork and subtle inflections of blue and grey tones, also speaks to the artist’s ongoing experimentation with plein-air painting throughout his career. Condition: Lined; with fine stable craquelure. Cleaned and professionally varnished with Dammar. Edited. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back returns if the items are not as described. Painter and teacher. Chase’s early paintings, executed in dark tonalities, reflected his training in Munich; his later paintings, most notably scenes of Shinnecock, Long Island, were painted with a lightened palette, reflecting the influence of French Impressionism. He had a lengthy teaching career at the Art Students League, the New York School of Art, the Pennsylvania Academy of the Fine Arts, and the summer school he founded on Long Island. Joan Stahl American Artists in Photographic Portraits from the Peter A. Juley & Son Collection (Washington, D.C. and Mineola, New York: National Museum of American Art and Dover Publications, Inc., 1995) William Merritt Chase, son of a shopkeeper, left Indiana at the age of twenty to study at the National Academy of Design in New York. Domestic financial reverses interrupted his studies as his family resettled in St. Louis. Young William’s talent so impressed several businessmen in that city that they proposed to underwrite his further study abroad. In 1872, Chase began attendance at the Royal Academy in Munich, where he remained six years and acquired the flashy old-master style with dark palette and virtuoso brushwork, which characterized that popular academy. A sojourn in Venice with fellow students Frank Duveneck and John Twachtman rounded out his European training. He returned to New York in 1898 to assume a teaching post at the Art Students League, beginning an enormously successful thirty-eight-year career that would include such students as Edward Hopper, Georgia O’Keeffe, Rockwell Kent, and Charles Sheeler. Once settled into Manhattan, Chase rented studio space in the old Tenth Street Studios, previously occupied by painters of the Hudson River school. Brimming with self-confidence and resolved not to be outshone in his accommodations, Chase acquired the vast salon space in which Albert Bierstadt had executed his monumental western landscapes. At great expense, Chase converted the studio into an exotic showplace, which became a social center for the local artistic fraternity; the gesture enhanced his reputation as a genteel Bohemian and also attracted numerous prestigious and remunerative portrait commissions. In 1881 the Belgian painter Alfred Stevens encouraged Chase to abandon the bravura old-master technique he had acquired in Munich and to experiment with a modified impressionist style by lightening his palette and enlivening his picture surface with looser, more painterly brushwork. Chase explored this new direction further by experimenting with pastel and plein air painting. In 1886 he married Alice Gerson, a family friend who had modeled for him, and they produced a large family whose members became favored subjects for his brush. In 1892 he built a summer home at Shinnecock on the south branch of Long Island. There, among the dunes, in the bright sunlight and sea air his painterly impulse was given free sway, and he produced some of his freest and loveliest work. Shinnecock also became one of his most successful and popular teaching venues, and he was encouraged to initiate the Chase School in Manhattan, which was modeled on the Académie Julian in Paris. But Chase lacked the business acumen to make it succeed, and under other management it became the New York School of Art. During these years Chase had developed and continued to employ two different styles of painting: the impressionistic plein air landscapes and genre scenes, and the somber realism of his portraits and still-life works. In his later years his still-life oeuvre was enhanced by an extraordinary series of fish studies...

Oil painting on masonite or board. Signed lower right. A charming country scene of a house in winter with a fence and bluish-white snow covered yard. Tall brown-green tress frame the...

Anatoly Shlapak (Ukrainian, 1929-2014), Impressionist style oil on canvas "Docked Sailboats", signed "An. Shlapak" in red at lower right, in giltwood frame. Anatoly Shlapak graduated the College of Fine Arts and began a career in the motion picture and theatre industries. He developed a reputation for portraits and figurative work exhibited in the Ukraine and the then Soviet Union. He moved to the United States of America in 1979 and began to expand his painting style. Experimenting with Impressionist and Post Impressionist styles he found his romantic voice. The result is a collection of of naturally vibrant landscapes and still lifes, rich in texture and expression. His work was exhibited at Gallery...

American School Oil Painting - Fishing Landscape with Seated Old Man, Dog, and Fishing Pole at the Pond, Signed 'Baldwin' Artist Board 10.5 x 13.5 I...

19th century American Portrait of Joseph Stringham (1776-1834) Oil on Canvas Later Giltwood Frame Presenting an exquisite 19th-century ...

19th Century American, School Of George Hetzel O/C Still Life Circa 1868. A good quality American oil on canvas still life painting. School of George Het...

A luminous painting featuring a lighthouse at either sunrise or sunset by Peter Poskas. Oil on panel signed in the lower right. The dimensions include the frame. Prominent 21th Ce...

American artist, E L Young, painted this landscape in the 1940s. The frame is original to the painting circa 1940s. A bucolic country scene.

A well done Pastel detailing an Industrial Era Complex by William Drake (Am., 1891-1979). Signed lower left center. A detail view of a shipping complex with wooden structures with ro...

19th Century American Antebellum Portrait of a Lady, Original Giltwood Frame Oil on Canvas 36-inches high x 30-inches wide Apparently Unsigned USA, Circa 1850s This 19th-century ...

Michael Keane (b.1948 - 2015), oil on canvas signed lower right featuring a boat at anchor in a harbor. Because of the timeless beauty of his work, Mi...

This is a superb quality painting of a tall sailing ship by James G. Tyler. This 19th century painting is masterfully done by the artist and the frame really adds to the quality of t...

Unsigned, from the estate of the artist. A gray misty day with a house near a stream in the forest. It is illuminated by the sun streaking through the mist and onto the stream. Flowering foliage carpets the forest floor. art 20 x 24...

ALICE DANIELS BRYANT (1879-1944) - California Impressionist watercolor painting - featuring a mountain view with Eucalyptus trees and bluebonnets in the foreground - double bevel edg...

Oil on masonite depicting a charming country landscape in summer. Signed and dated 1938 lower left. The pale green and brown colored fields of a farmstead are separated by fences wi...

These are two stunning watercolor renderings of quintessential 1940s interiors. One is a beautiful teal and cream living room. The other is a cha...

Vintage watercolor on paper painting of a lighthouse high on a hill or cliff. Unsigned. Unframed.

Farmyard Scene with Chickens, Medium: Oil on canvas, Signed: L.J. Cruise, 1911, Criuise (1861-1945), Berks County, Pennsylvania Dimensions: Frame: 35 inches high x 55 31/2 inches wide; sight: 29 inches high x 48 3/4 inches wide This oil painting by Bucks County artist Louis J. Cruise depicts a farmyard scene. A chicken emerges from a farm building, with eight other chickens and a cockerel below. All of the birds are either standing or pecking on the straw pile, as are three other small birds. To the back right of the painting is a wood fence, beyond which is a grass field and woods. The painting is framed in a wide gilt frame. Cruise was a prolific artist who painted a variety of subjects, including landscapes, still lifes, and portraits. He was a member of the Bucks County Academy of Fine Arts and the Philadelphia Sketch...

California Eucalyptus school pair of miniature framed Impressionist landscape paintings - painted in watercolor and gouache on paper (applied to boar...

Impressionist New York City bustling train station city-scene depicting the "EL" train with pedestrians in a starry, yet energetic way. Busy New Yorker’s daily travels with the sun setting on the elevated train. From early childhood to the present, Willett, a natural talent carried on the tradition in the arts. Currently as a painter in the New Hope, Bucks County Impressionist...

A portrait painting of a woman in blue on a masonite board. This piece is unsigned but was brought from the artists' residence. The subject wears a blue jumper with a dark collared shirt underneath. Her hair is brown, and upswept into a low bun. The back side is an abstract mixture of pink dots. This piece was painted by the late Oklahoma artist...

American original oil painting on canvas in contemporary gold frame. This is a portrait of Edward W. Blaisdell (1845-1924) a prominent architect who worked primarily on the coast of New Hampshire and Maine. He designed everything from bridges to summer homes to coastal inns. He designed the Grand Passoconaway Inn in York, Maine, which was the center piece of a resort that had all of the latest innovations of the late 19th century incorporated into its structure. He is known for his large shingle style homes that still influence much of coastal Maine architecture. This handsome portrait of a handsome man...

Unsigned Original oil on canvas painting after Norman Mills Price. Canvas is a bit loose. Frame appears to be original. Canvas and Frame show age. See image of illustration of the same image signed in corner by Norman Mills Price "Norman Mills Price never fully received the popular recognition that his work deserved. Because he was so intently interested in historical subjects, he restricted his work to these almost exclusively. The dedication and artistry he brought to his work, however, was especially appreciated and respected by a select group – his fellow-illustrators. His painstaking research into every detail made each picture an authentic documentary, but the detail was never allowed to detract from the dramatic concept of the illustration itself. Although Price made effective use of tone and color, his pen-and-ink drawings were especially effective, exhibiting a full range of values and textural effects." "Price was born in Canada, studied art there and in London and Paris. By 1912, he had established himself in New York and had begun to work for American publications. Some of his most successful illustrations were done for a long series of historical novels by Robert W. Chambers for Liberty magazine. He was a charter member of the Society of Illustrators at the time of his death." "Illustrator, Norman Mills Price was born in Brampton, Ontario (1877) and began his studies at the Ontario School of Art. Around 1901 he spent time in London, studying at the Goldsmith's Institute; Westminster School of Art; and with Cruikshank. While in London, he was the founder of Carlton Studios. He later went on to Paris, studying at the Academie Julian, with J.P. Laurens and R.E. Miller. He did freelance work in Paris until an assignment in Belgium for Century brought him to the attention of other American publishers. In 1911, he had a studio in New York City, and worked for such publication as Harper's, Cosmopolitan, and Liberty. He illustrated the novels: "The Lamb's Tales from Shakespeare (1905), The Rogue's Moon (1929), Leif Erikson...

A monumental 59" x 82" with frame oil on canvas painting of a rocky mountain vista by John Terelak. Signed and dated lower left and inscribed verso. It ...

Edward Morton Campbell (1858-1911) - "Untitled" - American Impressionist fine art landscape oil painting on prepared heavy pressed paper panel - signed lower right - contained in an ...

American Hudson River School, 19TH CENTURY Lake George. Oil on board. Measurements; 20"-inches x 30"-inches in. (50.8 x 76.2 cm.) frame: 26 1/2"-inches x 36 1/2"-inches x 3"-i...

A watercolour drawing of a three-fold screen design, depicting a nautical map of the Atlantic showing America and Europe, and centred with a three-masted...

"THE OLD CITY GATE, ST. AUGUSTINE, FLORIDA - 1893" IN OIL ON PHOTOGRAPH AFTER JOHN L. STODDARD Unsigned, after the 1893 photograph by John L. Stoddard for "Portfolio of Photographs of Famous Cities, Scenes and Paintings" Item # 906TYX05P An intricate and very finely detailed scene that simply embellishes the 1893 photograph by John L. Stoddard from his volume "Portfolio of Photographs of Famous Cities, Scenes and Paintings" published by the Werner Company of Chicago. The scene is executed on a dense mahogany panel with gently bevelled rear edges, set inside carefully painted black framed lines hidden just behind the edge of the frame. The precise detail in the walls, the horse, the carriage and the seated riders is riveting and is much assisted by the photograph behind the oil. Built by the Spaniards during the 16th century to protect the settlement of St. Augustine, the wall stretched from shore to shore...

Harry Hutchinson Shaw (1897-1989) - "Untitled" - American Impressionist fine art oil painting on canvas - featuring a majestic Egret in a marshy ...

This beautiful painting, due to its very high quality of execution, style and era, can be referred to the great artist Warren Sheppard, who specialized in seascapes. Of great evocati...

Set inside a carved gilt framed behind protective glass, this watercolor on paper painting was created circa 1970 and signed in the lower right corner by the artist, George Carpenter. The peaceful artwork has a simple composition with a thick forest surrounding an icy stream in the foreground. The artist method gives us an undeniable moving, impressionistic feeling. The classic style landscape is in excellent condition and has heavily pigmented colors in a blue, green and deep purple palette. George Carpenter was an impressionist painter of watercolor landscapes and exhibited in the United States, Canada, and abroad. Born on December 13, 1928 in Boston, Massachusetts, George was the son of George Gillis and Daisy Winifred Carpenter. He married Virginia Forsyth on October 14, 1966 and served in the Korean Conflict with the 82nd Airborne Unit. He moved to Ogunquit, Maine in 1966 to pursue his passion of painting. By his own count he estimated prior to his death that he had created 18,000 pieces of art while living there and operating his studio in Perkins Cove...