Original Oil Painting, Milano Muggin

The Khwarizmi stool is crafted from solid walnut to construct the frame with brass joinery details. This stool also features a handstitched leather seat cushion with a padded leath...

The Althea cabinet is crafted from quarter sawn red oak for the cabinet sides - which is not typical of how one normally sees red oak. The result is an interesting grain pattern that...

Featuring solid oak construction, aluminum powder coated black knobs, and steel legs. The Beauvoir cabinet is completely customizable.  

The Vincent lounge chair with matching ottoman set is finely crafted by hand. Shown here the set is displayed in olive green heritage leather on a black walnut frame. This Classi...

The Tegmark cabinet features an open front cabinet sitting on an asymmetrical base. The cabinet is constructed using oak finished with a hi gloss enamel paint...

This cabinet is hand crafted from solid walnut wood for the outer shell and drawer fronts, with high quality cabinet grade plywood drawers. The handles are adorned with leather, hand...

A fantastic and striking original oil on board painting by the renowned artist John Mackay. This is signed and dated from 2011. It is a great size and b...

A fantastic and striking original oil on board painting by the renowned artist John Mackay. This is signed and dated from 2014. It is a great size and b...

A mixed media figurative painting by Gloria Kates. Born in New York, 1929 Gloria Haberman. Offered for sale is a figurative abstract painting on canvas by the American artist Gloria Kates (1929-unknown). The painting was part of a prominent Palm Beach, FL. estate, we were fortunate to be able to acquire it and so can you. Kates used great impasto texture techniques that create movement along with the use of strong hues. The painting is framed, wired and ready to hang. More about the Artist: Gloria Kates studied classical piano at the Juilliard School of Music, 1935-40, and the Manhattan School of Music, 1940-46. She also studied music theory in 1942-46. She was an art teacher at the Barns...

A fantastic and striking original oil on board painting by the renowned artist John Mackay. This is signed and dated from 2012. It is a great size and b...

A fantastic and striking original oil on board painting by the renowned artist John Mackay. This is signed and dated from 2013. It is a great size and b...

A very interesting and unusual Lancaster Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist. Overall frame Size approximately 42″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...