Painting, Duomo in Firenze, Signed P.K, 19th Century

John Thomas Serres (1757-1825) painting of fine harbour, signed "J.T. Serres". Oil on wood, 19th century. Measures: H 43, W 51 cm. H 16.9, W 20 in.

Fine Italian painting, unsigned and with original guilt frame, late 19th century.

Beautiful German painting, 19th century Measures: with frame: H. 83 W. 61 cm H. 32.6 W. 24 in without frame: H. 71 W. 48 cm H. 27.9 W. 18.8 in.

Very fine oriental and large painting on canvas, mounted on wood, probably, 18th-19th century.

Charming French painting, oil on paper, unsigned, 19th century Measures: H. 22 W. 32 cm H. 8.6 W. 12.5 in.

Very fine early 19th century landscape painting, oil on cobber. In the style of Casper David Friedrich. Measures: H 16, W 24 cm. H 6.2, W 9.4 in.    

An important painting by one of the most representative Italian artists of the 19th century, Enrico Coleman. It depicts a village most probably from Lazio, perhaps a glimpse of Anticoli Corrado, the town famous for the attractiveness of its models, or rather Subiaco, his mother's birthplace. The atmosphere here is typical of the XXVs of the Roman Campagna of which Enrico Coleman was probably the most important exponent. The reason for this can also be seen in this small masterpiece that captures the washerwomen in their occupation immersed in a poetically bucolic atmosphere; a sky of unparalleled blue stands out in the background. Signed below on the right This painting, never before on the market, comes from an important Italian private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Oil painting on paper Enrico Coleman (21 or 25 June 1846 – 14 February 1911) was an Italian painter of British nationality. He was the son of the English painter Charles Coleman and brother of the less well-known Italian painter Francesco Coleman. He painted, in oils and in watercolours, the landscapes of the Campagna Romana and the Agro Pontino; he was a collector, grower and painter of orchids. Because of his supposedly Oriental air, he was known to his friends as "Il Birmano", the Burmese. Enrico Coleman was born in Rome in June 1846. He was the fourth child of the English painter Charles Coleman, who had come to Rome in 1831 and settled there permanently in 1835, and of a famous artist's model from Subiaco, Fortunata Segadori (or Segatori), whom he had married in 1836. Coleman was initially taught by his father, did study at the Accademia di San Luca in Rome. Following the mocking reception of Una mandria di bufali nelle paludi pontine, a naturalistic painting of a herd of buffaloes in the Pontine marshes, at the International Artist's Club in 1872,he reportedly began to paint genre subjects in the manner of the then-fashionable Mariano Fortuny, although no works showing the influence of the Spanish painter are known. At the instigation of Nino Costa, he soon returned to the depiction of the people, animals and landscapes of the Campagna Romana and the Agro Pontino. Coleman was lover of orchids, which he painted, collected and cultivated. An 1894 watercolour of orchids is in the Galleria Comunale d'Arte Moderna e Contemporanea in Rome. Coleman had a remarkable collection of indigenous orchids, which he cultivated himself in his house at 6 via Valenziana and the botanist Fabrizio Cortesi named the hybrid Orchis x colemanii Cortesi in his honour. In 1875, Coleman was among the founding members of the Società degli Acquarellisti, the Roman society of watercolourists; he participated in the society's first exhibition in 1876, and continued to exhibit with them until 1907. In 1878 he was elected an honorary member of the Société Royale Belge des Aquarellistes, the Belgian royal society of watercolourists, with which he participated in the Salon de Paris in 1879 and to the 4th Esposizione Nazionale di Belle Arti, or national fine art show, of Turin in 1880, and to that of Milan in the following year; he showed works in London in 1882 and in Rome in 1883. In 1885, Coleman was among the founding members of the group In Arte Libertas, of which Nino Costa was the leading force and the other founding members were Vincenzo Cabianca...

An important oil on panel painting by the great Tuscan artist Ruggero Panerai. It depicts one of his favourite and most successful subjects, wild horse...

This 19th century oil painting depicts a portrait of of a male, framed beautifully in a gilded wood frame. The painting is an original, and produced using the oil painting techniqu...

Nineteenth century View from the spiers of the Milan Cathedral Watercolor on paper, 43 x 30 cm The watercolor in question depicts some ladies and gentlemen intent on enjoyi...

Giuseppe Riva (Ivrea, 1834 - 1916). View of the Naviglio with the Duomo. Tempera on canvas, 49.5 x 69.5 cm. Signed lower left "Riva G." This cit...

Beautiful and important painting by the great Dutch artist Karel Klinkenberg who lived at the turn of the 19th and 20th centuries. It depicts a canal in Utrecht depicted with his usual precision attentive to every detail. Another characteristic of our painter, is the evocative power of the romantic and gentle atmosphere he always manages to convey. Signed at lower left and signed and inscribed on the reverse. Johannes Christiaan Karel Klinkenberg (1852, The Hague – 1924, The Hague), was a 19th-century Dutch painter specialized in views of the town especially Amsterdam and Utrecht as our painting. Biography According to the RKD he was a pupil of Christoffel Bisschop (1828-1904) and Louis Meijer, and became a member of the Pulchri studio who later won many prizes. A street is named after him in the neighborhood of streets named after 19th and 20th century Dutch painters in Overtoomse Veld-Noord, Amsterdam. This painting, never before on the market, comes from a private collection Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. This artwork is shipped from Rome. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died can requires a license for export regardless of the work’s market price...