Pair of "Boisserie" Oil Paintings on Oakwood

Depicting an Italian scene; likely 18th century. The painter is unknown but likely Flemish. The canvas is in good overall good condition, now mounted on a hardboard backing. The comp...

This finely-executed oil painting was produced by Prayat Tadonock in 1990. Prayat was trained as a fine artist according to Thai classical principles and then learned Western oil pai...

This pair of Chinese lattice panels were made from Fir wood and lacquer. They were found in Zhejiang in the early 1800s. Wear consistent with age...

Sprawling green meadows, crystalline waters, and classical architecture define this set of sumptuous nineteenth-century oil paintings, hailing from Italy. Comparable in size and styl...

These elegant oval frames were custom made to hold a set of “his and hers" oil portraits; probably a wealthy Italian couple. The wood carving is well-detailed and quite sturdy. The ...

This Flemish painting of "Pastoral Scene" is from Belgium and is made from oil on canvas, 18th century. Flemish paintings flourished from the early 1...

A pair of French Napoléon III period oil on canvas overdoor panels from the mid 19th century, with floral garlands and ribbon-tied musical instruments. Created in France during the third quarter of the 19th century, each of this pair of oil on canvas overdoors features a delicate hand-painted décor showcasing floral garlands in the upper section, connected to large rinceaux. A ribbon-tied lyre on one of them and a tambourine on the other occupy the center of the composition. Set inside nicely distressed wooden frames, this pair of Napoléon III French overdoors...

An outstanding and grand 17th century Baroque oil painting on an oval wooden panel of the Madonna and Child. Beautifully executed and stunning patina.

This beautiful boiserie panel depicting an allegory of Spring and the Arms of France was hand-painted in France, circa 1840. Boiserie is ornate wooden paneling that covered walls and ceilings of luxurious chateaus in France. The use of these panels became more prevalent at the end of the 17th century, before exploding in popularity during the 1700’s, thanks to multiple installations at the Palace of Versailles. Lengthy paintings such as this (ours is over 112 inches long) would often be placed above a doorway, forming a continuous theme with the rest of the room. The arrival of Spring is depicted by four winged cherubs frolicking among pink, white, and yellow flowers. None of the cherubs are clothed, although two of them are draped in colored textiles. The putto on the far left has a billowing peach colored material hanging from the left shoulder as he holds a sheer piece of fabric. The transparent veil stretches across most of the canvas, extending to the right hand of a female cherub wearing a jeweled tiara on the far right. On the same side of the canvas, but more medial, is another putto loosely draped in green fabric. To the left is the fourth cherub, a female with a laurel leaf tiara that is holding onto the edge of the Arms of France. A gold oval medallion, adorned with volute scrolls at the top and bottom, encircles a representation of the coat of arms of France from the Bourbon Restoration (1814/1815-1830). There is a large, curled leaf rising from the top volute with a husked border surrounding the light blue background with three gold fleur de lys. Our magnificent French painting gives off a warm and lively feel. Although it could still be used as part of a boiserie room...

A very impressive panel constructed from Northern Italian early 19th century boisserie fragments - now mounted on a wooden panel. Wonderful as a headboard.

This French trumeau painting from the late 19th century features a beautifully executed painted scene on canvas, reminiscent of a technique situated between the grisaille or the verd...

Framed Watercolor of St Andrew's Roman Catholic Church, Manhattan. St. Andrew's Roman Catholic Church located at 27 Duane Street, also known as St. And...